Talk:Christiane Robbins

Notability

Notability is very thin here with little WP:SIGCOV on her in any quality independent source. There is also a lot of promotional content here and it is almost certainly a WP:UPE article. Aszx5000 (talk) 17:46, 8 September 2025 (UTC)

Wikipedia cites the following qualifications for a Wikipedia article as it relates to notability guidelines for creative professionals.  Please see inline references showing the subject qualifies for a Wikipedia article.

Creative professionals

This guideline applies to authors, editors, journalists, filmmakers, photographers, artists, architects, and other creative professionals. Such a person is notable if:

1.    The person is regarded as an important figure or is widely cited by peers or successors; or

2.    The person is known for originating a significant new concept, theory, or technique; or

3.    The person has created or played a major role in co-creating a significant or well-known work or collective body of work. In addition, such work must have been the primary subject of multiple independent periodical articles or reviews, or of an independent and notable work (for example, a book, film, or television series, but usually not a single episode of a television series); or

Robbins’ work is the primary subject of the book Architecture X Architecture: A Dialectic.

Robbins’ work is the primary subject of the film No Place Like Utopia.

4.    The person's work (or works) has:

(a) become a significant monument

Robbins’ Telesis House 2.0 has been recognized as having Cultural Historical Significance.

(b) been a substantial part of a significant exhibition,

Robbins’ work has been exhibited at the 2023 Venice Biennale, the 2016 Venice Biennale, the Center for Architecture NYC, the 12^th Annual Associacao Cultural VideoBrasil, the George Pompidiou Center, the Museum of Contemporary Art Sydney, and the Gwangju Biennale. Her work has also been exhibited at the Museum of Modern Art, the Whitney Museum of American Art, the Museum of Contempory Art Tokyo, the National Museum of Modern and Contemporary Art Seoul, MIT’s List Visual Arts Center, the Pacific Film Archives, the Wexner Center for the Arts, the Yerba Buena Center for the Arts, the Walker Art Center, the Rotterdam Film Festival, the Berlin Film Festival, the Vigo Film Festival, and the San Francisco International Film Festival.

(c) won significant critical attention, or

Robbins and her work have won significant critical attention, including the Architizer A+ Awards, a City of Los Angeles (COLA) Fellowship, Graham Foundation Grant, SFMoMA SECA Awards Video Commission, and a Napa County Landmarks Board Award of Merit. Additional critical attention includes funding from the National Endowment for the Arts, the Film Arts Foundation, the Lannan Foundation, the Hewlett Foundation, the Andy Warhol Foundation and the Rockefeller Foundation.

(d) been represented within the permanent collections of several notable galleries or museums.

Robbins’ work is included in the permanent collections of the Museum of Modern Art, The Kitchen, Banff Centre for the Arts, the Stedelijk Museum, the Getty Museum, the Pacific Film Archives, the San Francisco Museum of Modern Art, the Virginia Museum of Fine Arts, the Honolulu Museum of Art, the Cantor Arts Center, the Corning Museum of Glass and the California Institute of the Arts.

In addition, the article cites multiple reliable, secondary sources independent of the subject which cover the subject and her work in some depth.  These include: Video History Project, the New York Times, the Wall Street Journal (three separate articles – 1, 2 and 3), Architectural Digest, The Architect’s Newspaper, Artsy, Metropolis, and Dwell. CLNoonan (talk) 23:52, 10 September 2025 (UTC)