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"Déjà Vu" is a song by Romanian musician Bob Taylor and Romanian recording artist Inna for the latter's debut studio album, Hot (2009). Released in June 2009, it was written and produced by Sebastian Barac, Radu Bolfea and Marcel Botezan. Musically, the single is of the dance genre, and originally contained the vocals of Romanian singer Alessia. However, after a feud over compensation between Taylor and her, the song was handed to Inna, although the early version had already been released.
When premiering the new version of "Déjà Vu", Taylor and Inna opted for pseudonyms before revealing their identity later. In order to accompany the single, a music video was shot at a club in Neptun, Romania by Tom Boxer, and it initially did not feature Inna until another version of the visual showed footage of her in Turkey. Commercially, the recording experienced success in European countries, reaching the top ten of the charts in Greece, the Commonwealth of Independent States, France and Romania, among others. "Déjà Vu" was certified Gold by the Dutch Association of Producers and Importers of Image and Sound Carriers (NVPI) for selling over 10,000 copies in the Netherlands. (Full article...)
"Cola Song" is a song recorded by Romanian recording artist Inna for Body and the Sun (2015), the Japanese counterpart of her fourth studio album Inna (2015), and the American counterpart of her third studio album, Party Never Ends. It was made available for digital download on 15 April 2014 through Atlantic Records, which was the result of the singer signing a record deal with the label earlier that year. Initially planned to be named "Soy Latinna", the recording contains guest vocals from Colombian reggaeton performer J Balvin, who wrote and produced the song along with Andrew Frampton, Breyan Isaac, Thomas Joseph Rozdilsky and Andreas Schuller. The single is musically an electro house, electronic and Latin track which incorporates saxophone and horn in its instrumentation, and elements from Inna's previous collaboration with Schuller on "Piñata 2014" (2013).
Ester Alexandra Crețu (Romanian pronunciation:[ˈesteralekˈsandraˈkret͡su]; born 21 July 1993), known professionally as Ester Peony (formerly only Ester), is a Romanian singer and songwriter. She represented Romania in the Eurovision Song Contest 2019 with the song "On a Sunday" after winning the selection show Selecția Națională 2019. However, she failed to qualify for the Grand Final in Tel Aviv. Peony started to compose music for Romanian artists before gaining recognition for posting covers on YouTube in 2015. Later that year, she attained commercial success in Romania with her single "Sub aripa ta" featuring Vescan. (Full article...)
"Boom Pow" is a song recorded by Romanian recording artist Alexandra Stan for her third studio album, Alesta (2016). It was made available for digital consumption on 25 August 2016 through Roton and Global Records. "Boom Pow" was written by David Ciente and Trey Campbell, while the production process was solely handled by Ciente. A europop and dance recording, Stan confessed that its lyrical content fits with the vibe of Constanța, her home town, where an accompanying music video was also shot in April 2016 by Ironic Distors. While music critics were positive towards the single and its visual, "Boom Pow" commercially peaked at number 67 on Romania's Airplay 100. (Full article...)
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"I Think I Love It" is a song by Romanian singer Alexandra Stan, digitally released through Universal Music Romania on 28 June 2019 as the first single from Stan’s fifth album Rainbows. It was written by Krishane and Radu Bolfea, while the production was handled by Stan, Bolfea, Cătălin Safta, Achi, Adelina Stinga and Vlad Lucan. A reggae pop track, the song's lyrics discuss the theme of love and freedom. An accompanying music video for the song was uploaded to Stan's YouTube channel on 1 July 2019, directed by Criss Blaziny. Making use of several explicit scenes, it features the singer and model Geni Olaru driving a red Corvette car and posing in different ways. Further promoted by several live performances, the song peaked at number 38 on Romania's Airplay 100 ranking. (Full article...)
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"Verde împărat" (Romanian: Green Emperor) is a song recorded by Romanian singer Delia. It was digitally released on 23 October 2017 through Cat Music as a single from her fifth studio album 7 (2020). The track was written and composed by the singer herself, along with additional production from Alex Cotoi. "Verde împărat" is a liquid dubstep and chillout song, with instrumentation from flute, bass and percussion. Its lyrics revolve around Delia's relationship with her partner, who she compares to a "green emperor", along with various nature references.
The song was met with positive reviews from music critics, who thought that it expanded her artistry and praised her vocal performance. An accompanying music video for the track was shot by Alex Ceauşu in early October 2017, and uploaded onto Cat Music's official YouTube channel simultaneously with the single's release. The clip received similar acclaim for its showcase of nature and wilderness. It portrays the singer in a forest, wearing multiple nature-inspired outfits. For further promotion, Delia performed "Verde împărat" for Romanian radio station Radio ZU and during her 2017 concert tour Psihedelia at Sala Palatului. (Full article...)
An accompanying music video for "Gimme Gimme" was shot by Edward Aninaru in October 2016 in San Miguel de Allende, Mexico, and was uploaded onto Inna's YouTube channel simultaneously with the single's release. During the filming sessions, the singer was accompanied by a Romanian and South American team, and both John Perez and Khaled Mokhtar served as directors of photography. The clip portrays Inna exploring the city and ends with her appearance at a party at night. Music critics were positive towards the recording, calling it summery and noting its club-oriented style. Commercially, it reached the top 20 in Romania, Turkey and the French, Polish and British dance club charts. (Full article...)
At Michigan, Meskó did not win the starting job as a punter right away. He redshirted his freshman year and won a battle for the kicking duties on the field in 2006. Meskó then went on to excel on the field as a three-time Ray Guy Award watchlist candidate and off the field as a four-time Academic All-Conference selection. He was also recognized for his character and community service by numerous organizations. As a redshirt junior in 2008, Meskó endured the dynamics of a coaching change, became Michigan's all-time leader in punts and punting yardage, and was named to 2008 All-Big Ten first-team. As a fifth-year senior in 2009, he made a number of preseason All-American teams and achieved the highest punting average of his college career at 44.5 yards per punt. Meskó concluded his season as a 2009 All-Big Ten first-team selection by both the coaches and the media. He was also selected as a first-team Academic All-American and as a second-team All-American by several publications. He holds the career and single-season records for punts and punting yards at Michigan. (Full article...)
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"I Admit" is a song recorded by Romanian singer Sanda for her fifth studio album Khalini (2006). It was recorded at the Studioul Adi Ordean and was released as a CD single in 2004 by Romanian Television (TVR). A dance-pop track with Latin beats in its instrumentation, "I Admit" was written by Irina Gligor and produced by George Popa.
The track represented Romania in the Eurovision Song Contest 2004 in Istanbul, Turkey after winning the pre-selection show Selecția Națională. Sanda's victory was widely contested by observers. In Istanbul, Romania automatically qualified to the final due to their top 11 placement in the previous edition and finished in 18th place with 18 points. Sanda's show contained sexual elements, with her wearing what a reviewer described as a vampire-inspired look consisting of a dress similar to those worn by Cher. Commercially, "I Admit" failed to impact any national chart. (Full article...)
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Mai bună ca niciodată (Romanian: Better than Ever) is the only studio album recorded by Romanian actress, television host and singer Oana Zăvoranu under her mononym Oana. It was released on 28June 2007 by Roton and Sincron. Zăvoranu had gained significant popularity in her native country in the early 2000s for her acting roles, but took a hiatus in 2006 to focus on a music career and parted ways with the television production company Media Pro.
Mai bună ca niciodată features production by Adrian Cristescu, who was also a contributing songwriter along with Georgiana Ariton, Sabina Cojocar, Dan Lazăr and Silviu Păduraru. "Pusă pe fapte" and "Cariño" featuring Cristescu under his stage name Adi Korekt were selected as singles to support the album, with the latter receiving an accompanying music video and peaking at number 99 on the Romanian Top 100chart. (Full article...)
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Constantin Al. Ionescu-Caion (Romanian pronunciation:[konstanˈtinaljoˈneskukaˈjon], born Constantin Alexandru Ionescu and commonly known as Caion; 1882 – November or December 1918) was a Romanian journalist and poet, primarily remembered for his legal dispute with humorist Ion Luca Caragiale. He was a Symbolist, a disciple of Alexandru Macedonski, and a militant Francophile, as well as a leading opponent of literary tradition. His scattered work comprises essays, short stories and prose poetry, noted for their cultural references, but made little impact on Romanian literature. As a journalist, Caion prioritized scandals, accusing Caragiale of plagiarism and losing the subsequent celebrity trial of 1902, before partly recanting and winning the retrial. Despite his own coquetries with Romanian nationalism, Caion focused his verve on Transylvania's contemporary nationalist literary current.
Ionescu-Caion was the founder of several magazines, most notably Românul Literar. Originally conceived as a literary supplement for the daily Românul, it became a tribune of Macedonski's Romanian Symbolist movement, and helped discover George Bacovia, the celebrated modern poet. During World War I, when he oscillated between the two opposing camps, Caion put out the journal Cronicarul. This was his last known activity in the Romanian press. (Full article...)
The Yugoslav monitor Sava is a Temes-class river monitor that was built for the Austro-Hungarian Navy as SMS Bodrog. She fired the first shots of World War I just after 01:00 on 29 July 1914, when she and two other monitors shelled Serbian defences near Belgrade. She was part of the Danube Flotilla, and fought the Serbian and Romanian armies from Belgrade to the mouth of the Danube. In the closing stages of the war, she was the last monitor to withdraw towards Budapest, but was captured by the Serbs when she grounded on a sandbank downstream from Belgrade. After the war, she was transferred to the newly created Kingdom of Serbs, Croats and Slovenes (later Yugoslavia), and renamed Sava. She remained in service throughout the interwar period, although budget restrictions meant she was not always in full commission.
During the German-led Axis invasion of Yugoslavia in April 1941, Sava served with the 1st Monitor Division. Along with her fellow monitor Vardar, she laid mines in the Danube near the Romanian border during the first few days of the invasion. The two monitors fought off several attacks by the Luftwaffe, but were forced to withdraw to Belgrade. Due to high river levels and low bridges, navigation was difficult, and Sava was scuttled on 11 April. Some of her crew tried to escape cross-country towards the southern Adriatic coast, but all were captured prior to the Yugoslav surrender. The vessel was later raised by the navy of the Axis puppet state known as the Independent State of Croatia and continued to serve as Sava until the night of 8 September 1944 when she was again scuttled. (Full article...)
... that Romanian actor Matei Millo continued an 1877 performance of a politically charged comedy even after the offended authorities had extinguished his theater's candelabra?
... that scholar Axinte Frunză wanted Romania to join the Central Powers in 1916, espousing "a vision that was profoundly anti-statist (with hints of anarchism), populist, and virulently anti-Russian"?
... that according to the poet Eugen Constant, he persuaded his questioner of the validity of Marxism while being interrogated by Romanian authorities?
Image 3Ethnic map of Greater Romania according to the 1930 census. Sizeable ethnic minorities put Romania at odds with Hungary, Bulgaria, and the Soviet Union throughout the interwar period. (from History of Romania)
Image 4Dacian invasion of Boii and Taurisci. c. 61-60 BC / 59 BC? (from History of Romania)
Image 35The upper map shows Dacia’s territory at the beginning of Burebista’s rule, while the lower map depicts its territory at the end of his reign. (from History of Romania)
Image 47Bran Castle (German: Törzburg, Hungarian: Törcsvár) built in 1377, is commonly known as Dracula's Castle and is situated in the center of present-day Romania. In addition to its unique architecture, the castle is famous because of persistent myths that it was once the home of Vlad III Dracula. (from History of Romania)
Image 61The Principalities of Moldavia and Wallachia in 1786, Italian map by G. Pittori, since the geographer Giovanni Antonio Rizzi Zannoni (from History of Romania)
Image 62The foundation of the First Bulgarian Empire (from History of Romania)
Image 63Romania after the territorial losses of 1940. The recovery of Bessarabia and Northern Bukovina was the catalyst for Romania's entry into the war on Germany's side. (from History of Romania)
Image 651941 stamp depicting a Romanian and a German soldier in reference to the two countries' common participation in Operation Barbarossa, the text below reads the holy war against Bolshevism (from History of Romania)
Image 68Map depicting the Dacian Kingdom, including its annexed territories and areas of approximate influence including Pannonia and Bohemia. (from History of Romania)
Image 91Romania has seen its largest waves of protests against judicial reform ordinances of the PSD-ALDE coalition during the 2017–2019 Romanian protests (from History of Romania)
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