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proquest
editKhachaturian, Aram. Masquerade Suite, for piano, ed. by Harold Sheldon. New York: Leeds Music Corp., 1948. [40 p., $1.50] [1]
1946 U.S. premiere https://www.proquest.com/docview/107687041/
1948 NY recording https://www.proquest.com/docview/108090605/
1950 Balalaika https://www.proquest.com/docview/111402629/
Brooklyn Ballet https://www.proquest.com/docview/115304706/
Igor Youskevitch https://www.proquest.com/docview/117397383
1980 https://www.proquest.com/docview/423961535/
CLASSICAL GRAMMY NOMINEES: Classical Performance - Instrumental Soloist or Soloists (With Orchestra): Elgar: Cello Concerto, OP.85-Walton: Concerto for Cello and Orchestra," Yo-Yo Ma; "Gershwin: Rhapsody in Blue," Andre Previn; "Gershwin: Second Rhapsody for Orchestra With Piano," Michael Tilson Thomas; "James Galway Plays Khachaturian (Concerto for Flute and Orchestra - Spartacus, Masquerade and Gayaneh)," James Galway; "Khachaturian: Violin Concerto in D minor," Itzhak Perlman; "Schumann: Piano Concerto in A minor - Chopin: Piano Concerto No. 2 in F minor," Andras Schiff. https://www.proquest.com/docview/1829455560/
Guide to Records -- Khachaturian's Piano Concerto, Masquerade Suite and Four Excerpts from Gayne by Constantine Orbelian and the Scottish National Orchestra under Neeme Jarvi Koldys, Mark. American Record Guide; Washington Vol. 51, Iss. 1, (Jan 1988): 40. https://www.proquest.com/docview/223461900/
with the waltz from Khachaturian's "Masquerade" Suite. https://www.proquest.com/docview/240040265/
review https://www.proquest.com/docview/223403670/ https://www.proquest.com/docview/345739194
2003--2025
unsorted
editGayaneh had been preceded in 1941 by the incidental music to Lermontov's play Masquerade, which contains the famous Waltz, a piece which became almost as well known as the widely popular Sabre Dance from Gayaneh, itself turned into a Western pop-hit record in the 1940s. [2]
Cyprien Katsaris piano 2015 https://www.discogs.com/release/24108359-Cyprien-Katsaris-Piano-Mascarade?srsltid=AfmBOorRxrs7yfQqnA_FrFa7NS4tvo5fuz1fOEo8oOQSSTCfwZwZc_TE https://www.classicstoday.com/review/cyprien-katsaris-still-the-transcription-king/
1959 Хачатурян, Арам Ильич (композитор ; 1903—1978) Вальс [Ноты] : из музыки к пьесе Б. Лавренева "Лермонтов" / А. Хачатурян ; концертная обработка для фортепьяно А. Госберга 1961 Хачатурян, Арам Ильич (композитор ; 1903—1978) Ноктюрн [Ноты] ; Вальс : из музыки к драме М. Ю. Лермонтова "Маскарад" / А. Хачатурян ; концертная обработка для скрипки и фортепьяно [2–го произведения] М. Фихтенгольца
http://unicat.nlb.by/opac/pls/!search.http_keyword?query=a001s=%22BY-NLB-ar2356794%22
Indianapolis cover https://books.google.am/books?id=0AoEAAAAMBAJ&pg=PA29&dq=khachaturian+%22sabre+dance%22&hl=en&sa=X&ved=2ahUKEwiC1YGc16CQAxWESfEDHTBsN0s4UBDoAXoECAgQAw#v=onepage&q=khachaturian%20%22sabre%20dance%22&f=false https://www.ebay.com/itm/284525343044 https://bulltraxrecords.com/khachaturian-fabien-sevitzky-conducting-the-indianapolis-symphony-orchestra-ballet-suites-gayne-masquerade-lp-album-mono/?srsltid=AfmBOoqtxnlvUYZukoExPvC4122rbTgQ_Y8p32CrnF4zlGE9L8uSeZ2R https://www.discogs.com/release/8023203-Khachaturian-Fabien-Sevitzky-Conducting-Indianapolis-Symphony-Orchestra-Selections-From-Masquerade/image/SW1hZ2U6MjE1Nzc4NDc=?srsltid=AfmBOoovirwPcM6pbWfvlAdAJuYsH1jzCsMBkEjh634qPaux3kqCTn6x https://www.ebay.com/itm/374876995892 https://archive.ph/7TWn3
https://twitter.com/robananyan/status/1737171967143195073 2023 Christmas tree lighting in Republic Square https://www.usanogh.am/glxavor/tonacar-nor-tari-amanor/ https://news.am/arm/news/798969.html
Nocturne (originally the composer called this number Romance) is a lyrical intermezzo[3]
Mazurka - bright, joyful, spectacular[3]
The romance, which replaces the magnificent ballroom dance, is close in mood to Nocturne and Waltz[3]
The gallop completes it - another ballroom number that depicts an empty, indifferent masquerade crowd, indifferent to the tragedy taking place against its background, not noticing it[3]
Recordings
edit- 1948: "Khachaturian: Masquerade Suite" by Philharmonic Symphony Orchestra of New York, conducted by Leopold Stokowski (Columbia MM-729, 3-12" Records)[4] /// "as you will find in Leopold Stokowski's debut on Columbia's label (Col. MM-729, three 12-inch records). He conducts the New York Philharmonic in a moving performance that includes a superb bit of solo work by Concertmaster John Coriliano in the "Norturne" movement."[5]
- 1948: "Khachaturian: Masquerade Suite-Waltz" by the Boston Pops Orchestra, conducted by Arthur Fiedler (RCA Victor 12-0209) /// "an excellent performance"[5]
- 1991: "Khachaturian: Spartacus - Gayaneh - Masquerade" by Armenian Philharmonic Orchestra, conducted by Loris Tjeknavorian (ASV: CD DCA 772)
- 2022: "Khachaturian: Piano Concerto; Masquerade Suite; Concerto-Rhapsody" by BBC National Orchestra of Wales, conducted by Andrew Litton (BIS BIS-2586 (CD/SACD))[6][7]
performed by Kirill Gerstein[8]
Yevgeny Kutik[https://www.nytimes.com/2014/03/19/arts/music/yevgeny-kutik-is-to-play-music-from-the-suitcase.html
Moscow State Symphony Orchestra
Russian National Orchestra under Mikhail Pletnev
conductor Peter Oundjian with Royal Scottish National Orchestra
conductor James Gaffigan took the podium to conduct the National Symphony Orchestra[10]
Nikolai Miaskovsky's Concerto for Cello is played by Truls Mork on a program that includes Khachaturian's Masquerade Suite and Tchaikovsky's Sixth Symphony.
In sports
edit
- not notable
https://figure-skating.fandom.com/wiki/Masquerade
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Marina Anissina
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Anjelika Krylova
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Turkey
| Free skating
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| Júlia Sebestyén
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Torvill and Dean Lyudmila Pakhomova Wesley Killing Park Se-bin Sofia Samodelkina
Gymnastics
editRaw
editOther notable creations of this period include incidental music to plays, the best-known score of which is Masquerade (play by Mikhail Lermontov). A five-movement suite, extracted by the composer in 1944, consists of the following movements: "Waltz," "Nocturne," "Mazurka," "Romance," and "Galop."[33]
The incidental music for Lermontovʼs play, Masquerade, and the suite drawn from it in 1944, has become part of the established Khachaturian canon. A previous production with music by Alexander Glazunov (1865-1936) was viewed by the composer in 1938; oddly, the "Waltz-Fantasy" by Mikhail Glinka (1804- 1857) was inserted in the place where a waltz was indicated in the play as per the instructions of Glazunov. Khachaturian, who surmised that the earlier composer had difficulty producing the requisite dance piece here, found that he, too, was stymied to find the proper stylistic atmosphere for his effort. His teacher, Miaskovsky, presented him with a collection of waltz pieces that predated the era of Glinka, but these did not satisfy him. The need for a waltz that could somehow convey the mixture of sadness and happiness came to him, according to his own recollection, while he was sitting for a portrait of himself by Evgeni Pasternak:[34]
- One day while posing I suddenly heard a theme in my head which became the second theme of my future waltz. I doubt if I can explain where it came from. But I am certain that, had it not been for the strenuous search of the past weeks there would have been no such discovery. The theme was like a magic link, allowing me to pull out the whole chain. The rest of the waltz came to me easily, with no trouble at all.11 [11. Yuzefovich, Aram Khachaturyan, 78.[34]
The "Nocturne," "Mazurka," "Romance," and "Galop" are the accessible and memorable other movements which follow the waltz (Example 6).[35]
Colorful orchestration and, in this instance, dances contrasted with slower, lyrical sections appropriate to a masked ball, aristocratic in nature, rather than to a cotton farm peopled by the peasantry, signify a composer possessed of supreme craftsmanship.[35]
Credit for the first performance of the suite in America goes to the Santa Monica Symphony Orchestra which performed it on 7 May, 1946 under the direction of Jacques Rachmilovich. The composer has arranged the "Nocturne" for violin and piano.13[35]
Танцевальные жанры в творчестве замечательных композиторов ... Borislava Borisovna Efimenkova · 1962 · Snippet view Вальс Хачатуряна к « Маскараду » чутко пере- дает колорит лермонтовской драмы , ее романтиче- скую приподнятость , взволнованность .
Australian Musical News and Musical Digest - Volumes 45-46 - Page 40 / 1954 ·Snippet view / PAGE 40
THE romance , " Masquerade " is another matter . Here Khachaturian has set himself out to write three typical 19th century dance numbers ( waltz , mazurka and gallop ) divided by a nocturne and versity also in 19th century style ( it ...
In 1971 Cuban ballet dancer Marta García performed in the ballet Khachaturian's Masquerade with choreography by Anna Leontieva.[36]
Fjord Review https://fjordreview.com › blogs › all Three for the Money Nov 28, 2018 — It begins to Aram Khachaturian's grand waltz, Masquerade
Classic CD. - Issues 44-56 / 1994
Khachaturian makes no claims at profundity. Yet you'd have to be pretty hard hearted not to resist the charms of the Waltz from Masquerade, or the physical exhilaration of the "Sabre Dance" particularly when they are delivered...
Soviet Film Music: An Historical Survey - Page 76 books.google.am › books
Tatʹi︠a︡na K. Egorova · 1997 · Preview · More editions It was the first collaborator of director Mikhail Romm and composer Aram Khachaturian. Unlike many other films of those days, Girl No. ... Its melody bears a resemblance the popular waltz from Khachaturian's music
Creative Activities for Young Children - Page 330
books.google.am › books
Mary Mayesky · 2006 · Snippet view · More editions Prokofiev's " Waltz on Ice " from Children's Suite , Tschaikovsky's " Waltz " from The Sleeping Beauty , and Khachaturian's " Waltz " from Masquerade Suite are all excellent pieces of music for waltzing and smooth gliding
Music of the Soviet Era: 1917-1991 - Page 115 books.google.am › books
Levon Hakobian · 2016 · Preview · More editions Nowadays, Khachaturian's compositions–perhaps with the exception of both Concertos of the 1930s, the Toccata for piano, the Waltz from the incidental music to a production of Lermontov's drama Masquerade (1941), the love scene from
References
edit- Notes
- Citations
- ↑ Villanyi, Charlotte (December 1948). "PUBLICATIONS RECEIVED" (PDF). Notes. Music Library Association: 184. Archived (PDF) from the original on 2 August 2025.
- ↑ Matthew-Walker, Robert (May–Jun 2003). "Aram Khachaturian: A centenary tribute to an Armenian Master". Musical Opinion. 126 (1434): 28–29.
{{cite journal}}: CS1 maint: date format (link) - 1 2 3 4 Mikheyeva, L. "Хачатурян. «Маскарад» [Khachaturian. "Masquerade"]". Belcanto.ru (in Russian). Archived from the original on 30 March 2023.
- ↑ "Album Reviews: Khachaturian: Masquerade Suite". Billboard: 33. March 6, 1948.
- 1 2 "Americans Overrule Stalin on Music Likes". Deseret News. February 28, 1948. p. 4. Archived from the original on 11 July 2023.
- ↑ "Khachaturian - The Concertante Works for Piano". BIS Records. Archived from the original on 7 December 2022.
- ↑ Cite error: The named reference
BBCwas invoked but never defined (see the help page). - ↑ Tommasini, Anthony (June 29, 2011). "A Fresh Take Adds a Jolt to a Standard". The New York Times.
A heavy-footed account of Khachaturian's seldom-heard Waltz from the incidental music for "Masquerade" opened the concert...
- ↑ Cite error: The named reference
Kondrashinwas invoked but never defined (see the help page). - ↑ Arenstein, Seth (November 2, 2018). "Gaffigan, NSO and Trpčeski deliver a rousing Russian program". Washington Classical Review. Archived from the original on 25 September 2020.
The evening ended with Khachaturian's Masquerade Suite. This bit of Russian pop begins with a popular Waltz and ends with a comically dissonant Galop.
- ↑ "Nathalie Pechalat / Fabian Bourzat: 2002/2003". International Skating Union. Archived from the original on 8 June 2003.
- ↑ "Loren Galler-Rabinowitz & David Mitchell". International Skating Union. Archived from the original on 2003-06-18. Retrieved 18 June 2003.
- ↑ "Tommy Steenberg". icenetwork.com. Archived from the original on 2011-07-13. Retrieved 13 July 2011.
- ↑ "Adam Rippon". IceNetwork.com. Archived from the original on August 27, 2016.
- ↑ "Nobunari Oda: 2008/2009". International Skating Union. Archived from the original on May 22, 2009.
- ↑ Véronik Mallet on YouTube
- ↑ "Maria Borounov and Evgeni Borounov". International Skating Union. Archived from the original on 2011-05-19. Retrieved 19 May 2011.
- ↑ "Yaroslav Paniot". International Skating Union. Archived from the original on 2013-02-15. Retrieved 15 February 2013.
- ↑ "Han Yan". International Skating Union. Archived from the original on 2013-05-23. Retrieved 13 May 2013.
- ↑ "Elliana Pogrebinsky / Ross Gudis: 2013/2014". International Skating Union. Archived from the original on July 1, 2014.
- ↑ "Elliana Pogrebinsky and Ross Gudis". IceNetwork.com. Archived from the original on August 12, 2014.
- ↑ "Alisson Krystle Perticheto: 2014/2015". International Skating Union. Archived from the original on 22 May 2015.
- ↑ "Yuhana YOKOI: 2014/2015". International Skating Union. Archived from the original on 21 May 2015.
- ↑ "Ekaterina Bobrova / Dmitri Soloviev: 2015/2016". International Skating Union. Archived from the original on 29 October 2015.
- ↑ "Maria GOLUBTSOVA & Kirill BELOBROV". International Skating Union. Archived from the original on 2016-05-27. Retrieved 27 May 2016.
- ↑ "Darya POPOVA & Volodymyr NAKISKO". International Skating Union. Archived from the original on 2023-04-07. Retrieved 7 April 2023.
- ↑ "Andrei LAZUKIN". International Skating Union. 29 May 2018. Archived from the original on 2018-05-29.
- ↑ "Julia LANG". International Skating Union. Archived from the original on 2017-11-09. Retrieved 9 November 2017.
- ↑ "Julia LANG". International Skating Union. Archived from the original on 2018-12-21. Retrieved 21 December 2018.
- ↑ "Dmitri Aliev: 2017/2018". International Skating Union. Archived from the original on 24 October 2017.
- ↑ "Audrey LU & Misha MITROFANOV". International Skating Union. Archived from the original on 2018-09-28. Retrieved 28 September 2018.
- ↑ "Jun Hwan CHA: 2023/2024". International Skating Union. Archived from the original on October 8, 2023.
- ↑ Kushner 2018, p. 381.
- 1 2 Kushner 2018, p. 382.
- 1 2 3 Kushner 2018, p. 383.
- ↑ Salas, Roger (29 January 2017). "Muere la bailarina cubana Marta García" [Cuban dancer Marta García dies]. El País (in Spanish). Archived from the original on 11 November 2020. Retrieved 24 April 2021.
En 1971 le llega uno de sus hitos con el ballet Mascarada (Jachaturian) coreografiado por Anna Leontieva.
- Waddelow, Jim (March 2023). "Reviews: WALTZ FROM MASQUERADE SUITE (Gr. 3 String Orchestra). Aram Khachaturian, arr. Lynne Latham, Southern Music, 2020". American String Teacher. 73 (2). American String Teachers Association. doi:10.1177/00031313231165368.
- Boswell, Parley Ann (2007). Edith Wharton on Film. Southern Illinois University Press. p. 116. ISBN 9780809327577.
We hear faint music, the lush and slightly portentous Waltz from The Masquerade Suite, by Aram Khachaturian.
- Nordlinger, Jay (June 22, 2022). "Old score, new ballet". The New Criterion. Archived from the original on 7 July 2023.
The music is by Khachaturian, who wrote a great deal of music, but whose enduring hit is that "Sabre Dance." No. 2, probably, is his waltz—that spooky, haunting, marvelous waltz—from Masquerade.
- Pritsker, Maya (October 5, 2003). "MUSIC; What Could Khachaturian Do Besides An Encore?". The New York Times.
- Baldwin, Lonna (September 3, 1991). "Conductor shares gems in top show". The Spokesman-Review and Spokane Chronicle. p. B2. Archived from the original on 11 July 2023.
- Scott, Phillip (2014). "KHACHATURIAN Gayaneh Suite. Spartacus: selections. Masquerade Suite". Fanfare. 37 (6): 335–339.
{{cite journal}}: Wikipedia Library link in(help)|url= - "Works". khachaturian.am. Virtual Museum of Aram Khachaturian. Archived from the original on 2 July 2023.
- Hansen, Lawrence (2010). "KHACHATURIAN: Masquerade". American Record Guide. 73 (6): 309.
{{cite journal}}: Wikipedia Library link in(help)|url= - Chetel, Daniel (2020). Accessible Orchestral Repertoire: An Annotated Guide for Community and School Orchestras. London: Rowman & Littlefield Publishers. p. 74. ISBN 9781442275805.
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