User:Widgetkid/sandbox/ascratch

Topic

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Topic

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Source assessment table
Source Independent? Reliable? Significant coverage? Count source toward GNG?
Yes Yes Yes More than WP:100WORDS Yes
Yes Yes No Same as prior source, less content No
Yes Yes Yes More than WP:100WORDS Yes
No Album inlay is WP:PRIMARY No No No
Yes Yes Unable to access article. Used in article to demonstrate credits, so doesn't appear significant. ? Unknown
No Quote from someone who played on the song. Yes No WP:MENTION No
No Site is largely a media aggregator with little editorial oversight. No No No
No WP:SELF, WP:PROMO No No Less than WP:100WORDS No
Yes Yes No No depth of coverage for song. No
No No depth of coverage for song. No
No No depth of coverage for song. No
No No depth of coverage for song. No
No Speculation from primary source No No No
No Speculation from primary source No Yes No
No Speculation from primary source No 15 Yes No
No Speculation from primary source No No No
No Speculation from primary source No No No
Yes Yes Yes More than WP:100WORDS Yes
Yes Yes No Same as prior source, less content No
Yes No 20 No No
No Song not mentioned No
Yes Yes No WP:MENTION No
Yes Yes No WP:MENTION No
No WP:MENTION No
25 No WP:MENTION No
No WP:MENTION No
No WP:MENTION No
Yes Yes Yes More than WP:100WORDS Yes
Yes Yes Yes More than WP:100WORDS Yes
30 No WP:MENTION No
No WP:MENTION No
Yes Yes No Less than WP:100WORDS No
terra.com.br/diversao/musica/katy-perry-pede-paz-entre-fandoms-e-cita-fas-de-taylor-swift-beyonce-e-lady-gaga,dbc2870dd93f2c21625a4bf025e880d3utewvxbd.html
Yes Yes No WP:TRIVIALMENTION No
No WP:PRIMARY No No No
No WP:MENTION No
Yes Yes No WP:MENTION No
No No 35 No Dead link No
Yes No WP:BLOG No No
No Less than WP:100WORDS No
No Less than WP:100WORDS No
Yes Yes No Less than WP:100WORDS No
Yes Yes 40 No Less than WP:100WORDS No
No Less than WP:100WORDS No
No WP:PRIMARY No No No
No WP:PRIMARY No No Less than WP:100WORDS No
Yes Yes No Less than WP:100WORDS No
Yes 45 No University newspaper No
Yes No No
Yes Yes No Less than WP:100WORDS No
Yes No WP:BLOG No No
Yes Yes No Less than WP:100WORDS No
Yes Yes 50 No Less than WP:100WORDS No
Yes Yes No Less than WP:100WORDS No
Broken link ? Unknown
Yes Yes No Less than WP:100WORDS No
Yes Yes No Less than WP:100WORDS No
Yes Yes 55 No Less than WP:100WORDS No
Yes No WP:BLOG No
No Less than WP:100WORDS No
Yes Yes 60 No Less than WP:100WORDS No
Yes Yes 61 Yes Indicates charting in several countries Yes
Yes Yes Yes Shows charting Yes
Yes Yes 63 Yes Shows charting Yes
Yes Yes Not properly archived. Unable to see chart. ? Unknown
Yes Yes Yes Shows charting Yes
Yes Yes Yes Shows charting Yes
Yes Yes Yes Shows charting Yes
Yes Yes Yes Shows charting Yes
Yes Yes Yes Shows charting Yes
Yes No Less than WP:100WORDS No
Yes Yes No WP:TRIVIALMENTION No
This table may not be a final or consensus view; it may summarize developing consensus, or reflect assessments of a single editor. Created using {{source assess table}}.

Timelines

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I went to the Rock music project and reviewed all the band articles that are FA with Top & High importance, along with those that are GA with Top and High importance. Of those that had timelines, every single one is organized by instrument.

  1. FA: Pink Floyd
  2. FA: Sex Pistols
  3. FA: The Beatles
  4. FA: U2
  5. FA: Megadeth
  6. FA: Metallica
  7. FA: R.E.M.
  8. FA: The Kinks
  9. GA: Black Sabbath
  10. GA: Genesis (band)
  11. GA: Oasis (band)
  12. GA: Ramones
  13. GA: The Clash
  14. GA: The Rolling Stones
  15. GA: The Who
  16. GA: AC/DC
  17. GA: Marilyn Manson (band)
  18. GA: The Allman Brothers Band
  19. GA: The Byrds


I fell completely down the rabbit hole and uncovered several old community discussions:

  1. Wikipedia talk:WikiProject Musicians/Archive 8#Create Member Section/Timeline Standards
  2. Wikipedia talk:WikiProject Musicians/Archive 7#RfC: Consensus on band timeline colour schemes

While there wasn't a full consensus of all the details, all example timelines included members grouped by instrument.

I think there's an opportunity for additional clarity here. The first question to answer is whether WP:GNG applies to articles about recordings. My interpretation of this has been that WP:GNG applies, but I can see how there is a circular logic reference at play:

  1. WP:N[a] says subject must meet WP:GNG or WP:SNG.
  2. The WP:SNG WP:NALBUMS then refers to WP:N[b].

...and around and around we go.

Notes

  1. "A topic is presumed to merit an article if [...] it meets either the general notability guideline (GNG) below, or the criteria outlined in a subject-specific notability guideline (SNG)"
  2. "All articles on albums or other recordings should meet the basic criteria at the notability guidelines, with significant coverage in reliable sources that are independent of the subject."
  1. Blue question mark Eductation Week: Mostly an interview, so WP:PRIMARY?
  2. Carleton College: University newsletter, published by his alma mater.
  3. YouTube: WP:PRIMARY
  4. Blue question mark Tubefilter: Mostly an interview, so WP:PRIMARY?
  5. DaveFarina.com: WP:PRIMARY

Aesop Rock has frequently collaborated with fellow underground rapper Homeboy Sandman as the duo Lice.[1][2] Together they released a series of free collaborative EPs, Lice (2015),[3] Lice Two: Still Buggin' (2016), and Triple Fat Lice (2017),[4] and Miami Lice: Season Four (2026),[5] which became cult favorites in the indie hip-hop scene.[2][3] These projects were well received by critics, who highlighted the pair’s complementary chemistry and the “hyper-referential density” of their lyricism.[5][6]

Topic

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Record Label Discographies

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This is a spillover from an AfD conversation.

I couldn't find any clear policy or style guidance regarding the 125+ record label discographies. I would like to develop some consensus on an approach. I would like your help with these questions:

Question / Option Supporting Points for Option
1 In general, should discographies of notable record labels have their own articles?
A Yes. Record label discographies serve an informational and/or navigational purpose. They are also practical from an article size perspective, similar to artist discographies.
B No. Only labels whose catalogs have sources indicating notability of the catalog should have discographies. Record label discographies are like all books published by HarperCollins, so should not have a separate article.
2 If no, how should a large record label discography be handled?
X Split the discography into a separate record label discography article. Treat large record label discographies like artist discographies, splitting them.
Y Add the discography to a collapsed section within the record label article. Keeping all the information contained in the record label article makes it easier to use & reference, doesn't imply the notability of the catalog separate from the organization.
3 What should the discographies of notable record labels include?
P Could include anything and everything the label has released. Treat record label discographies like artist discographies, which allowing everything, not just notable releases.
Q Should only include notable releases (e.g. ones with articles), not the entire catalog. Record label discographies are like all books published by HarperCollins, so limit to just notable releases.

I pulled together some relevant portions of these policies:

  • WP:MOSMUSIC#Discographies: 2. If the discography of an artist, group, or work becomes disproportionately large in relation to the rest of the article, it should be split into a subpage list (preferably titled "<Name> discography").
  • WP:NLIST: Lists that fulfill recognized informational, navigation, or development purposes often are kept regardless of any demonstrated notability.
  • WP:NOTCATALOG: 6. [...] Lists of creative works are permitted. Thus, for example, Wikipedia should not include a list of all books published by HarperCollins, but may include a bibliography of books written by HarperCollins author Veronica Roth.

My initial positions are A (separate discography article) / X (split out large discographies) / P (allow inclusion of everything).WidgetKid Converse 16:53, 10 March 2026 (UTC)


1. In general, should discographies of notable record labels have their own articles?

  • A. Yes.
  • B. No. Only labels whose catalogs have sources indicating notability of the catalog should have discographies.

2. If no, how should a large record label discography be handled?

  • X. Split the discography into a separate record label discography article.
  • Y. Add the discography to a collapsed section within the record label article.

3. What should the discographies of notable record labels include?

  • P. Could include anything and everything the label has released.
  • Q. Should only include notable releases (e.g. ones with articles), not the entire catalog.


I pulled together some relevant portions of these policies:

  • WP:MOSMUSIC#Discographies: 2. If the discography of an artist, group, or work becomes disproportionately large in relation to the rest of the article, it should be split into a subpage list (preferably titled "<Name> discography").
  • WP:NLIST: Lists that fulfill recognized informational, navigation, or development purposes often are kept regardless of any demonstrated notability.
  • WP:NOTCATALOG: 6. [...] Lists of creative works are permitted. Thus, for example, Wikipedia should not include a list of all books published by HarperCollins, but may include a bibliography of books written by HarperCollins author Veronica Roth.


I feel like MOSMUSIC & NLIST are somewhat at odds with NOTCATALOG. On one hand, we could consider record label discographies to be like all books published by HarperCollins, so delete most of them. On the other hand, record label discographies could be serving an informational or navigational purpose -- and could be practical from a article size perspective.

I tried making arguments for each option:
1. In general, should discographies of notable record labels have their own articles?

  • A. Record label discographies serve an informational and/or navigational purpose. They are also practical from an article size perspective, similar to artist discographies.
  • B. Record label discographies are like all books published by HarperCollins, so should not have a separate article.


2. If no, how should a large record label discography be handled?

  • X. Treat large record label discographies like artist discographies, splitting them.
  • Y. Keeping all the information contained in the record label article makes it easier to use & reference, doesn't imply the notability of the catalog separate from the organization.


3. What should the discographies of notable record labels include?

  • P. Treat record label discographies like artist discographies, which allowing everything, not just notable releases.
  • Q. Record label discographies are like all books published by HarperCollins, so limit to just notable releases.


My initial positions are A (separate discography article) / X (split out large discographies) / P (allow inclusion of everything).
SIGNHERE

Started at Wikipedia:Articles for deletion/Polyvinyl Record Co. discography.

Wikipedia:Requests_for_permissions/New_page_reviewer#User:Widgetkid

Would you please elaborate on how my participation on Indian education/colleges relates? One of the AfD categories I've followed is technology and there's been a lot in that vein. Is my brevity the main concern? Is there an expectation that more input is needed for a vote when the nomination has solid analysis?

Regarding the Missa Hebié article, I didn't mean to imply that all the sources were WP:THREE worthy, just that taken altogether, they add up to notability.

  • 1. Faso-Actu: Coverage of Hebié's death and accomplishments, including positions with national film organization and national television.
Indicates notability - independent source, subject covered in depth.
  • 2. Infos Culture du Faso: Coverage of Hebié's death and accomplishments, including positions with national film organization and national television.
Not a reliable source for determining reliability, but ok as supporting source.
  • 3. LeFaso: Coverage of Hebié's passing, including interviews with other film directors about his importance.
Indicates notability - independent source, subject covered in depth.
  • 4/5. Africultures: Held Deputy Director of Programming for Burkina Faso's National Television.
Corroborating independent source, but lacks depth.
  • 6. RFI: Coverage of Hebié's latest film, but also prior works.
Indicates notability - independent source, subject covered in depth.
  • 7. LeFaso: In-depth review of Hebié's work and considers whether he's a visionary.
Indicates notability - independent source, subject covered in depth.
  • 8/11. Program from FESPACO 2013
Ok as corroborating source, but biography is WP:PRIMARY.
  • 9. France 24: Film of Hebié's reported as creating a buzz at FESPACO.
Ok as corroborating source, but lacks depth for notability.
  • 10. AlloCiné: List of works.
Ok as corroborating source, but lacks depth for notability.
  1. Vegas Creative YouTube: WP:PRIMARY, and maybe WP:PROMO.
  2. Sanook: Primarily promotional / release-focused, not an in‑depth analysis.
  3. Knox News: WP:TRIVIALMENTION
  4. Entertainment Weekly: WP:TRIVIALMENTION (list)
  5. AllMusic: WP:TRIVIALMENTION
  6. Daily Orange: WP:TRIVIALMENTION
  7. FIMI: Establishes charting
  8. FIMI: Establishes charting (redundant)
  9. Golden Gate: WP:PROMO
  10. RIAA: No mention of song
  11. Broadway World: WP:TRIVIALMENTION
  12. Ultatop: WP:TRIVIALMENTION
  13. AppleMusic: WP:ITEXISTS
  14. FIMI: Establishes gold cert (also redundant)


Song articles redirected after AfD: Wikipedia:Articles for deletion/OK (Katy Perry song) // pre-deletion article: 22 references & 12 charts.

Missa Hébié (1951 – 26 September 2018) was a Burkinabé film director, screenwriter and television producer who works for cinema and television in Burkina Faso and West Africa.[7]

Missa Hébié
Born1951
DiedSeptember 26, 2018(2018-09-26) (aged 66–67)
EducationInstitut africain d’éducation cinématographique (INAFEC)
OccupationsFilm director
Screenwriter
Television producer
Years active1990–2018
Known forLe Fauteuil
En attendant le vote…
Commissariat de Tampy
AwardsPrix Oumarou Ganda (2009)
Prix RFI
Prix CEDEAO

He was known for directing the feature films Le Fauteuil (2009) and En attendant le vote… (2011) as well as the popular television series Commissariat de Tampy.[8]

Early life and education

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Missa Hébié was born in 1951 in Orodara, Burkina Faso. He initially worked as a primary school teacher before pursuing a career in cinema.[9] After some recognition filmmaking at the Institut africain d’éducation cinématographique (INAFEC) in Ouagadougou. During his training he completed professional internships in Canada, France, and Belgium.[10][11]

Career

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Film and television

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Hébié began his career working in short films and television productions before directing feature-length films. His first feature film, Le Fauteuil (2009) he rècèived African film festivals and won several awards including prizes at the Pan-African Film and Television Festival of Ouagadougou (FESPACO).[12] In 2011 he directed En attendant le vote… a political drama adapted from a novel which was screened at FESPACO and received jury recognition.[13]

Institutional roles

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Alongside his work as a filmmaker Hébié held administrative roles within Burkina Faso’s audiovisual and film institutions. He served as Deputy Permanent Secretary of the Pan-African Film and Television Festival of Ouagadougou (FESPACO). He later worked as Deputy Director of Programming at Burkina Faso’s national television broadcaster.[14]

Filmography

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Year Title Type Notes
1990 M’Biiga: Mon fils Short film Early fiction work
1991 Un amour de casque Television film Fiction
1993 Nooma Television film Fiction
1995 Contes & légendes du Burkina Fiction film Two-part production
1996 Lysistrata Recorded theatre Filmed stage production
2003 Djarabi Short film Fiction
2006 Commissariat de Tampy Television series Police comedy series
2008 L’As du lycée Television series Youth comedy series
2009 Le Fauteuil Feature film First feature film; awarded at FESPACO
2011 En attendant le vote… Feature film Political drama; screened at FESPACO
2015 Cellule 512 Feature film Later feature film

Awards and recognition

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Year Award Work Festival / Organisation
2009 Prix Oumarou Ganda Le Fauteuil Pan-African Film and Television Festival of Ouagadougou (FESPACO)
2009 Prix RFI Le Fauteuil Radio France Internationale
2009 Prix CEDEAO Le Fauteuil Economic Community of West African States (ECOWAS)
2011 Jury Prize En attendant le vote… Pan-African Film and Television Festival of Ouagadougou (FESPACO)[15]
Best Television Series Commissariat de Tampy Festival Vues d’Afrique (Montréal)[16]

Death

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Missa Hébié died on 26 September 2018 in Ouagadougou, Burkina Faso, after suffering a heart attack while working on a film project.[17]

References

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  1. Lavin, Will (9 January 2021). "Aesop Rock and Homeboy Sandman pay tribute to MF DOOM with new track "Ask Anyone"". NME. Retrieved 12 March 2026.
  2. 1 2 Juon, Steve (10 August 2021). "Homeboy Sandman :: Anjelitu (EP review)". RapReviews. Retrieved 12 March 2026.
  3. 1 2 Corson, Eric (21 December 2015). "Aesop Rock & Homeboy Sandman – Lice (EP Review)". HipHopDX. Retrieved 12 March 2026.
  4. Berman, Taylor (12 August 2017). "Stream Aesop Rock and Homeboy Sandman's New EP Triple Fat Lice". Spin. Retrieved 12 March 2026.
  5. 1 2 Breihan, Tom (10 March 2026). "Aesop Rock & Homeboy Sandman Release New EP Miami Lice: Season Four". Stereogum (via NewsBreak). Retrieved 12 March 2026.
  6. Hart, Ron (4 January 2016). "Aesop Rock / Homeboy Sandman: Lice EP". Pitchfork. Retrieved 11 March 2026.
  7. HIEN, Christian (27 September 2018). "Cinéma : Missa Hébié, un autre baobab du cinéma africain dépose sa caméra". Les Éditions Faso Actu (in French). Retrieved 2 February 2026.
  8. SAWADOGO, Parfait Fabrice (27 September 2018). "Missa Hébié : Le réalisateur acharné". Infos Culture du Faso (in French). Retrieved 2 February 2026.
  9. "Cinéma burkinabè : Le clap de fin pour Missa Hébié". leFaso.net (in French). Retrieved 2 February 2026.
  10. "Missa Hébié". Africultures. Retrieved 3 February 2026.
  11. "Personnes | Africultures : Hébié Missa". Africultures (in French). Retrieved 4 February 2026.
  12. "Fespaco 2011 : En attendant le vote… Missa Hébié «va au fond»". RFI (in French). 3 March 2011. Retrieved 4 February 2026.
  13.  En attendant le vote… » : Missa Hébié était-il un visionnaire ? - leFaso.net". lefaso.net (in French). Retrieved 4 February 2026.
  14. "Catalogue Officiel — Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO) 2013" (PDF). Clapnoir.org. FESPACO. Retrieved 4 February 2026.
  15. "Reporter's Notebook: Behind the scenes at the African Oscars". France 24. 4 March 2011. Retrieved 4 February 2026.
  16. AlloCine. Missa Hebié (in French). Retrieved 4 February 2026 via www.allocine.fr.
  17. "Catalogue Officiel — Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO) 2013" (PDF). Clapnoir.org. FESPACO. Retrieved 4 February 2026.


History

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  • 04:08, 2 March 2026 Sohom Datta talk contribs m 7,203 bytes 0 Sohom Datta moved page Draft:Missa Hebié to User:Sohom Datta/Missa Hebié: move to my userspace undothank

4 February 2026

  • 12:27, 4 February 2026 Bearcat talk contribs m 7,203 bytes +1 Cleaning up submission undothank Tag: AFCH
  • 12:27, 4 February 2026 Bearcat talk contribs 7,202 bytes −45 −Category:Filmmakers; −Category:Cinema of Burkina Faso; ±Category:Directors→Category:Burkinabe film directors using HotCat undothank
  • 11:30, 4 February 2026 JJMC89 bot talk contribs m 7,247 bytes +52 Add undothank
  • 11:28, 4 February 2026 Drmies talk contribs m 7,195 bytes 0 Drmies moved page Missa Hebié to Draft:Missa Hebié over a redirect without leaving a redirect: let's shelve this unreviewed supposed brand-new creation by a supposed brand-new and unaffiliated editor undothank
  • 10:35, 4 February 2026 Widgetkid talk contribs 7,195 bytes +10 removed Category:Burkina Faso; added Category:Cinema of Burkina Faso using HotCat undo
  • 10:34, 4 February 2026 Widgetkid talk contribs 7,185 bytes +23 added Category:Directors using HotCat undo
  • 10:33, 4 February 2026 Widgetkid talk contribs 7,162 bytes +26 added Category:Burkina Faso using HotCat undo
  • 10:33, 4 February 2026 Widgetkid talk contribs 7,136 bytes +25 added Category:Filmmakers using HotCat undo
  • 10:25, 4 February 2026 Muhskk talk contribs 73 bytes +73 Muhskk moved page Draft:Missa Hebié to Missa Hebié: Move to mainspace undothank Tag: New redirect
  • 10:25, 4 February 2026 Muhskk talk contribs m 7,111 bytes 0 Muhskk moved page Draft:Missa Hebié to Missa Hebié: Move to mainspace undothank Tags: Mobile edit Mobile web edit
  • 10:18, 4 February 2026 Muhskk talk contribs 7,111 bytes +985 Fixed citation formatting, added reliable sources for institutional roles and death and resolved references per WP:V and WP:CITE undothank Tags: Visual edit Mobile edit Mobile web edit

3 February 2026

  • 02:09, 3 February 2026 Muhskk talk contribs 6,126 bytes +2,224 →Career: Updates references undothank Tags: Mobile edit Mobile web edit

2 February 2026

  • 15:54, 2 February 2026 Muhskk talk contribs 3,902 bytes −3 Fixed extra space undothank Tags: Mobile edit Mobile web edit
  • 15:42, 2 February 2026 Muhskk talk contribs 3,905 bytes +3,905 Start new article about Missa Hebié thank Tags: Visual edit Mobile edit Mobile web edit

Topic

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Displaying merchandise in a store window is known as window dressing, which is also used to describe the items displayed themselves. A retail worker that arranges displays of goods is known as a window dresser.

As a figure of speech, window dressing means something done to make a better impression, and sometimes implies something dishonest or deceptive.[1]

  1. Red X symbol Billboard: Only 2 sentences, so a WP:TRIVIALMENTION.
  2. Red X symbol GfK Entertainment: Just shows there was a prior version of the song recorded.
  3. Red X symbol Record Business: Just shows WP:ITEXISTS.
  4. Red X symbol Plexus Publishing: WP:TRIVIALMENTION that also makes it clear how the song wasn't significant.
  5. Red X symbol AllMusic Review: WP:TRIVIALMENTION
  6. Red X symbol Pop Rescue: WP:BLOG
  7. Red X symbol Popdose: WP:TRIVIALMENTION that also makes it clear how the song wasn't significant. Also unclear if WP:RS.
  8. Red X symbol Columbia: WP:PRIMARY

Notes

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WP:ALL redirects to Wikipedia:Prime objective
Only 9 other pages point to Wikipedia:ALL:

Page Quote Notes
User:Quentin Smith/Admin coaching/3 WP:ALA WP:ALB WP:ALC WP:ALD WP:ALE WP:ALF WP:ALG WP:ALH WP:ALI WP:ALJ WP:ALK WP:ALL WP:ALM WP:ALN WP:ALO WP:ALP WP:ALQ WP:ALR WP:ALS WP:ALT WP:ALU WP:ALV WP:ALW WP:ALX WP:ALY WP:ALZ Pages for finding which links are unused.
Wikipedia:Shortcut table/uppercase ALA ALB ALC ALD ALE ALF ALG ALH ALI ALJ ALK ALL ALM ALN ALO ALP ALQ ALR ALS ALT ALU ALV ALW ALX ALY ALZ
User:Eumat114/shortcuts/cond ALA ALB ALC ALD ALE ALF ALG ALH ALI ALJ ALK ALL ALM ALN ALO ALP ALQ ALR ALS ALT ALU ALV ALW ALX ALY ALZ
Wikipedia:Articles for deletion/Log/2007 August 17 actually, the purpose of Wikipedia is to be an encyclopedia of notable subjects, not a collection of everything that has ever existed. Used incorrectly, intended target was WP:EVERYTHING.
Wikipedia:Articles for deletion/Rozoil actually, the purpose of Wikipedia is to be an encyclopedia of notable subjects, not a collection of everything that has ever existed.
Wikipedia:Articles for deletion/Log/2011 April 20 vanity piece and attempt at walled garden; subject is WP:ONEEVENT Used incorrectly, intended target was WP:WALL.
Wikipedia:Articles for deletion/Christian Lane (entrepreneur) vanity piece and attempt at walled garden; subject is WP:ONEEVENT
Wikipedia:Administrators' noticeboard/IncidentArchive1131 Or do you just assume all words in an argument are secret shortcuts?(my emphasis added) Used nonsensically to make a point in an argument.
User:Fdizile/All Knowladge Shortcut WP:ALL Draft article created in 2014 and nothing since.

Reference

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Action Items

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  1. Pearsall, Judy (2002). Concise Oxford English Dictionary. New York: Oxford University Press, Inc.