Untitled Unmastered (stylized as untitled unmastered.) is a compilation album by American rapper Kendrick Lamar. It was released on March 4, 2016, through Top Dawg Entertainment, Aftermath Entertainment and Interscope Records. It consists of previously unreleased demos that originated during the recording of Lamar's third studio album To Pimp a Butterfly (2015), continuing that work's exploration of politically charged and philosophical themes, as well as its experimentation with free jazz, soul, avant-garde music, and funk styles.

Untitled Unmastered
A dark green, textured background with the words "untitled unmastered." in white text printed at the top right left corner
Compilation album by
ReleasedMarch 4, 2016 (2016-03-04)
Recorded
  • 2013–2014
  • 2016
Genre
Length34:06
Label
Producer
Kendrick Lamar chronology
To Pimp a Butterfly
(2015)
Untitled Unmastered
(2016)
Damn
(2017)
Singles from Untitled Unmastered
  1. "Untitled 07 | Levitate"
    Released: March 23, 2016

The album was produced by Lamar himself, alongside Cardo, Frank Dukes, Terrace Martin, Sounwave, Thundercat, Swizz Beatz, and others. The album additionally contains guest appearances from Thundercat, alongside Top Dawg labelmates Lance Skiiiwalker (as Rocket), SZA, Punch, and Jay Rock, Anna Wise, Bilal, and CeeLo Green. One single, "Untitled 07 | Levitate", was released for the album on March 23, 2016. Upon its release, it received widespread acclaim from critics, and debuted atop the US Billboard 200, alongside charts in Canada and Denmark.

Background

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In December 2014, while preparing for the release of his third album To Pimp a Butterfly (2015), Lamar performed an unreleased, untitled track as a musical guest on The Colbert Report.[2] In January 2016, he performed another untitled track on The Tonight Show Starring Jimmy Fallon.[3] Following his acclaimed performance at the 2016 Grammy Awards, which incorporated elements of another new untitled track, Lamar revealed that he had a substantial body of material left over from the To Pimp a Butterfly sessions. He explained that various factors, including sample clearance issues and timing constraints, prevented some songs he valued from being included on the album.[3]

Recording and production

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Material performed during several of Lamar's televised appearances was later incorporated into Untitled Unmastered. His performance on The Colbert Report featured "untitled 03 | 05.28.2013." with an added coda, while his set on The Tonight Show included "untitled 08 | 09.06.2014." along with the closing portion of "untitled 02 | 06.23.2014.". Elements of "untitled 05 | 09.21.2014." were also used during his performance at the 2016 Grammy Awards. Prior to its official release, the Tonight Show performance circulated under the informal title "Untitled 2". Additionally, a portion of Lamar’s verse from "untitled 08" had previously appeared in remixes of Funkadelic's song "Ain’t That Funkin’ Kinda Hard on You" (2014).[4]

Producer Swizz Beatz revealed that his and Alicia Keys' son Egypt, then five years old, contributed to the production of "untitled 07" and also played a significant role in shaping "untitled 01" and "untitled 02" through the use of uncredited samples. TDE producer Sounwave slso confirmed that Egypt was responsible for producing the latter half of "untitled 07".[4] The track "untitled 06 | 06.30.2014" features uncredited vocals from CeeLo Green[5] and was produced by Adrian Younge and Ali Shaheed Muhammad of A Tribe Called Quest.[4]

Fuse described the project's tracks as untitled compositions marked by deliberate imperfections, presenting Lamar in his "rawest form while shedding insight into his creative development over the last three to four years."[5] In an interview with Complex, Sounwave explained that Lamar chose not to master the recordings, aiming to preserve a fully authentic sound.[6] Writing for The Independent, Christopher Hooton suggested that, despite differing from Lamar's previous studio albums Good Kid, M.A.A.D City (2012) and To Pimp a Butterfly, the project was more structured than a typical mixtape and maintained a sense of cohesion throughout, comparing it to Kanye West's The Life of Pablo (2016).[7]

Composition and lyrics

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Overview

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Untitled Unmastered is an album that spans 34 minutes and features eight untitled tracks only labeled by dates,[8] indicating that they were written and recorded at various points between 2013 and 2016.[9] Critics widely noted that the album revisits the jazz and funk-influenced elements of Lamar's To Pimp a Butterfly. The Boston Globe described the project as returning listeners to a dense musical environment shaped by jazz textures, funk elements, and themes of internal conflict with social commentary.[10] Similarly, The Guardian highlighted its use of free jazz influences, politically charged lyrics, and experimental production techniques, drawing clear stylistic parallels to To Pimp a Butterfly.[11] Tiny Mix Tapes described the compositions as "both ambient yet thrashing, melodic yet radiating", pointing to tracks such as "untitled 02" and "untitled 07" as examples of Lamar's intricate flows and ambitious production.[12] The Chicago Tribune also observed the continued presence of soul, spoken word and avant-garde influences, with instrumentation that blends upright bass, skittering drum patterns, and horn textures alongside loops and samples. The review also emphasizes Lamar's use of additional vocalists, including SZA and CeeLo Green, to complement his "typically dense, diamond-hard rhymes"[13] Lyrically, the release extends Lamar's exploration of psychological and politically charged ideas, with references to spirituality and race featured throughout. Drowned in Sound also noted the thematic interplay between sexuality and oppression present in the release.[14]

Tracks 1–4

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CeeLo Green's vocals on "Untitled 06" were recorded during production on To Pimp a Butterfly. The track was finished without his involvement, as Green claims his part was "never really a complete song."[15]

"Untitled 01" was described by NME as an overtly apocalyptic introduction to the project.[16] The Guardian similarly emphasized the track's cinematic imagery, noting that its depictions of societal collapse alongside promises to end war, discrimination, and superficiality, balances terror and justice in equal measure.[17] Tiny Mix Tapes characterized the track as a surreal exploration of a conflicted psyche, supported by production that reinforces its dark narrative through "bass often sounding like it’s sizzling up from under the intoxicating beat."[12] The following track, "untitled 02", was characterized by NME as a reflective piece addressing faith, divine influence, and displays of material excess, underscored by "faint saxophone squalls and cloying synths".[16] The Guardian highlighted Lamar's vocal experimentation on the track, noting his shifts in tone and delivery, culminating in a technically elaborate closing verse.[17] The recurring chant "Pimp pimp… hooray" appears here for the first time, introducing a refrain that connects multiple tracks across the project.[18] On "untitled 03," Tiny Mix Tapes identified a "loose concept of Afrofuturism", blended with references to Eastern philosophy and contemporary urban life. The review suggested that the track conjoins a utopian vision of Black identity with the possibility of a more dystopian social reality.[12] "Untitled 04", the shortest track on the album, is filled with feverish whispers, with empowering, pro-education message.[16]

Tracks 5–8

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Thundercat, who appears on six of the album's tracks, was unaware of Untitled Unmastered until "maybe a day before" its release.[19]

"Untitled 05" is a thicket of drums and saxophone, a piano glissando from Robert Glasper, a vocal from Anna Wise and guest raps from Jay Rock and Lamar's TDE manager Punch. It is based on the chord changes to a Miles Davis song, "Nardis", beginning with an ostinato played by Thundercat. Its percussion is marked by the use of a crash cymbal as a ride cymbal, producing a sharp, driving rhythm that contrasts with more melancholic progression. It discusses treatment of and expectations for minorities in the US.[16] Lamar's performance at the 2016 Grammy Awards found him rhyming over L.A. singer-producer Iman Omari's "Omari's Mood"; that beat, in slightly altered form, is the basis of "Untitled 05". "Untitled 06" has a jazz-funk arrangement built around xylophone and flute, accompanied by a layered chorus from CeeLo Green. In the track, Lamar addresses a romantic interest whie expressing uncertainty and self-doubt. "Pimp pimp... Hooray!" – also the final line of the whole album – makes its return on "Untitled 07", a three-part eight-minute song that glides easily from a trap-influenced call to "levitate", and a wordless choral melody, to Lamar's broadsides against his competitors, before closing with tape hiss and studio chatter.[20] Musically, critics compared "untitled 08" (unofficially known as "Blue Faces") with "King Kunta", for its hydraulic-pumping synthesized bass thump and Lamar's slangy flow. The song counters feelings of futility and hopelessness with optimism, suggesting there may be hope after all.[16]

Promotion and release

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Speculation about a new project grew after hints from Top Dawg Entertainment, along with public encouragement from LeBron James directed at label head Anthony Tiffith to issue Lamar's untitled recordings.[11] On March 4, 2016, Untitled Unmastered was first released on Spotify,[21][8] and was officially released on the iTunes Store later that day.[8][9] Later that day, Lamar confirmed that the tracks were unfinished demos from To Pimp a Butterfly.[4] In an interview with Spin, vocalist Anna Wise revealed that she had been aware of the compilation for some time prior to its release and had been asked to keep its existence confidential.[22] Untitled Unmastered was released to digital retailers and streaming services on March 4.[23] The physical CD release of its explicit edition followed on March 11 and an edited version was released on March 18.[23] On March 23, "untitled 07 | levitate" was released as the album's lone single.[24]

Critical reception

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Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.2/10[25]
Metacritic86/100[26]
Review scores
SourceRating
AllMusicStarStarStarStar[27]
The A.V. ClubA−[28]
Chicago TribuneStarStarStarHalf star[13]
The GuardianStarStarStarStar[17]
NME4/5[1]
Pitchfork8.6/10[29]
Rolling StoneStarStarStarHalf star[20]
Spin8/10[30]
Vice (Expert Witness)A−[31]

Untitled Unmastered received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 86, based on 31 reviews.[26] Evan Rytlewski of The A.V. Club argued that the album stands on its own merits rather than being considered leftovers, showcasing a strong example of Lamar "working at peak creativity."[28] Writing for Tiny Mix Tapes, Brooklyn Russell highlighted the contrast between energetic and introspective moments, noting that the album continues to reflect Lamar's distinctive artistic vision and ambition.[12] In The Guardian, Alex Macpherson suggested that the understated nature of the release allows different aspects of Lamar's abilities to come into focus.[17] Greg Kot of Chicago Tribune observed that the songs grapple with themes such as race, identity, and self-worth, presenting human experience as fluid and evolving rather than fixed.[13]

Kellan Miller, writing for Drowned in Sound, described the album as stylistically fluid, blending disparate ideas and experimental tendencies into a cohesive whole, ultimately emphasizing the intensity and unpredictability of Lamar's artistry.[14] In The Boston Globe, Julian Benbow noted that, despite lacking the structured narrative of Lamar's previous work, the material remains tightly constructed.[10] In NME, Larry Bartleet emphasized the density and nuance of the album's themes,[1] while Will Hermes of Rolling Stone concluded that even Lamar's scraooed material demonstrates a high level of artistry, with an intimacy that elevates the project beyond a simple compilation for fans.[20]

Commercial performance

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In the United States, Untitled Unmastered debuted at number one on the Billboard 200, earning 178,000 album-equivalent units for the week ending March 26, 2016. 142,000 came from traditional album sales. The compilation album gave Lamar his second chart-topping set in less than a year.[32] The album additionally topped the Indie Store Album Sales[33] and Top R&B/Hip-Hop Albums charts.[34] By the end of 2016, the album was positioned at number 82 on the Billboard 200[35] and number 10 on the Top R&B/Hip-Hop Albums charts.[36] It additionally peaked at number 5 on the Top Rap Albums around that same time.[37] It has sold 205,000 copies domestically as of April 30, 2016,[38] and has sold 320,000 copies within the United States.[39]

In the United Kingdom, the album charted at number 7 on its Official Albums Chart[40] and ultimately peaked at number 2 on the R&B Albums Chart.[41] It also sold 37,059 copies within its first week,[42] and was later certified Silver by the British Phonographic Industry (BPI) after selling a total of 60,000 certified units.[43] In New Zealand, the album charted at number 5 on the New Zealand Albums Chart,[44] and was later certified Gold by Recorded Music NZ (RMNZ) after selling a total of 7,500 certified units.[45] In Belgium, the album charted at number 12 on the Ultratop chart in Wallonia[46] and peaked at number 11 on the Ultratop chart in Flanders.[47] By the end of 2016, the album was positioned at number 134 on the Ultratop chart in Flanders.[48] The album also topped the Canadian Albums Chart[49] and Danish Albums Chart,[50] and peaked within the top 10 of charts in Australia,[51] the Netherlands,[52] Ireland,[53] Norway,[54] and Switzerland.[55] Additionally, it appeared in charts from Austria,[56] Finland,[57] Germany,[58] Hungary,[59] Portugal,[60] and Sweden.[61]

Track listing

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Untitled Unmastered track listing
No.TitleWriter(s)Producer(s)Length
1."Untitled 01 | 08.19.2014."Ritz Reynolds4:07
2."Untitled 02 | 06.23.2014."
4:18
3."Untitled 03 | 05.28.2013."
  • Duckworth
  • Oliver
Astronote2:34
4."Untitled 04 | 08.14.2014."
1:50
5."Untitled 05 | 09.21.2014."5:38
6."Untitled 06 | 06.30.2014."3:28
7."Untitled 07 | 2014–2016"
8:16
8."Untitled 08 | 09.06.2014."
3:55
Total length:34:06

Notes

  • ^[a] signifies an additional producer.
  • All tracks stylized in all lowercase letters.

Personnel

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Credits are adapted from the album's liner notes[62]

  • Dominic Angelella – additional keys (track 1)
  • Taz Arnold – ending skit (track 7)
  • Astronote – production (track 3)
  • Joe Baldacci – drums (track 1), drum engineering (track 1)
  • Bilal – additional vocals (tracks 1, 3, 5)
  • Cardo – production (tracks 2, 7)
  • Egypt – production (track 7), additional vocals (track 7)
  • Cee Lo – additional vocals (track 6)
  • Frank Dukes – production (track 7)
  • Jay Rock – verse (track 5)
  • Kendrick Lamar – lead artist, production (track 4)
  • Josef Leimberg – added trumpet (track 5)
  • Mani Strings – additional vocals (track 3)
  • Terrace Martin – production (track 5), saxophone (track 2), keys (track 4), additional keys (track 2)
  • Mono/Poly – production (track 8)
  • Ali Shaheed Muhammad – production (track 6)
  • Punch – additional vocals (track 5)
  • Ritz Reynolds – production (track 1)
  • Rocket – additional vocals (track 4)
  • Sounwave – production (tracks 4, 5), added drums (track 1)
  • SZA – additional vocals (tracks 4, 5, 7)
  • Thundercat – production (tracks 4, 8), additional production (track 2), bass (tracks 2, 5, 7), additional vocals (track 8)
  • Anna Wise – additional vocals (tracks 1, 5)
  • Adrian Younge – production (track 6)
  • Yung Exclusive – production (tracks 2, 7)

Charts

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Certifications

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Certifications for Untitled Unmastered
Region CertificationCertified units/sales
New Zealand (RMNZ)[45] Gold 7,500
United Kingdom (BPI)[43] Silver 60,000

Sales+streaming figures based on certification alone.

See also

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References

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  2. "Kendrick Lamar Debuts New Song on 'The Colbert Report'". Pitchfork Media. December 17, 2014. Archived from the original on December 15, 2015. Retrieved March 25, 2017.
  3. 1 2 "Kendrick Lamar: New Grammy Song From 'Chamber' of Unreleased Material". Rolling Stone. February 16, 2016. Archived from the original on March 28, 2019. Retrieved March 4, 2016.
  4. 1 2 3 4 Gordon, Jeremy (March 4, 2016). "Kendrick Lamar Releases New Album untitled unmastered". Pitchfork. Archived from the original on September 16, 2016. Retrieved March 4, 2016.
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  6. Diaz, Angel (March 6, 2016). "Interview: Sounwave Details the Making of Kendrick Lamar's 'untitled unmastered.'". Complex. Archived from the original on March 13, 2016. Retrieved March 17, 2016.
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