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A fact from Barbara Buczek appeared on Wikipedia's Main Page in the Did you know column on 25 October2025(check views). The text of the entry was as follows:
Did you know... that Barbara Buczek intentionally composed music so intricate that it was nearly impossible to realise all of its details?
Latest comment: 8 months ago6 comments3 people in discussion
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. You can locate your hook here. No further edits should be made to this page.
... that Barbara Buczek intentionally composed music so that it was nearly impossible to perform all of its intricacies?
Source: "She wrote pieces with such a complicated texture and so difficult to perform that a precise realisation of all of the details of the composition is almost impossible."
ALT1: ... that Barbara Buczek intentionally composed music so that it was nearly impossible to perform all of its intricacies, and called it the "charm of impossibility"? Source: "She wrote pieces with such a complicated texture and so difficult to perform that a precise realisation of all of the details of the composition is almost impossible. The composer defined this idea as "the charm of impossibility.""
Overall: Very nice article. Suggest rephrasing the hooks to: ALT0a: ... that Barbara Buczek intentionally composed music so intricate that it was nearly impossible to realise all of its details? and ALT1a: ... that Barbara Buczek believed that her intricate music compositions had the "charm of impossibility"? ~~ AirshipJungleman29 (talk) 16:12, 8 September 2025 (UTC)Reply
Reviewing for promotion and I found a significant section of WP:CLOP. Compare these grafs:
Buczek defended her doctoral dissertation at the Maria Curie-Skłodowska University in Lublin in 1990 with her thesis hesis "Meeting of contemporary music with plastic arts as a problem of philosophy of culture. The years 1945-1990". She was also a member of the international association of Frau und Musik and the Grupa Krakowska artistic association. (article)
In 1990 she defended her doctoral dissertation in the Faculty of Humanities of the Maria Curie-Skłodowska University in Lublin with a thesis "Meeting of contemporary music with plastic arts as a problem of philosophy of culture. The years 1945-1990." She belonged to the Grupa Krakowska artistic association and the international association of Frau und Musik. (source)