Sin Wai Kin (Chinese 單慧乾) is a multimedia artist, filmmaker, writer, and performer based in London.[1] Their works include “A Dream of Wholeness in Parts”,[2] “Dreaming the End”,[3] “The Breaking Story”,[4] “The Time of Our Lives”,[5] “The Fortress”,[6] “It’s Always You”,[7] and “Portraits”.[8] They are known for their immersive use of fantasy and speculative fiction to create worlds and characters that reflect on language, reality, time, identity, and duality.[9]

Sin Wai Kin, The Universe (2023)

They were nominated for the Turner Prize,[10] the Film London Jarman Award,[11] received the Baloise Art Prize,[12] and screened their work at the BFI London Film Festival.[13]  Born in 1991 in Toronto, Sin studied Drawing at Camberwell College of Arts and Print at The Royal College of Art.[14]

References

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  1. "單慧乾". Blindspot Gallery 刺點畫廊 (in Traditional Chinese). Retrieved 2025-10-24.
  2. Tate. "'A Dream of Wholeness in Parts', Sin Wai Kin, 2021". Tate. Retrieved 2025-10-24.
  3. "Sin Wai Kin: Dreaming Before Language |". Flash Art. 2024-06-24. Retrieved 2025-10-24.
  4. "Sin Wai Kin". Film London. Retrieved 2025-10-24.
  5. "Sin Wai Kin: The Time of Our Lives - Announcements". e-flux. Retrieved 2025-10-24.
  6. "Sin Wai Kin - Lahore Biennale Foundation". 2024-10-14. Retrieved 2025-10-24.
  7. "Sin Wai Kin: It's Always You | Buffalo AKG Art Museum". buffaloakg.org. Retrieved 2025-10-24.
  8. "Artist Sin Wai Kin on the Power of Transformation". Artnet News. 2024-04-23. Retrieved 2025-10-24.
  9. "Sin Wai Kin". Canal Projects. Retrieved 2025-10-24.
  10. Searle, Adrian (2022-10-18). "Turner prize 2022 review – slapstick, drag and hairnets at the end of the world". The Guardian. ISSN 0261-3077. Retrieved 2025-10-24.
  11. "The Film London Jarman Award 2024". Film London. Retrieved 2025-10-24.
  12. "Portraits". Mudam. Retrieved 2025-10-24.
  13. BFI (2021-10-06). A DREAM OF WHOLENESS IN PARTS trailer | BFI London Film Festival 2021. Retrieved 2025-10-24 via YouTube.
  14. Tate. "Sin Wai Kin". Tate. Retrieved 2025-10-24.