John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. It is scored for soprano, mixed choir and orchestra or chamber ensemble.

Requiem
Sacred vocal music by John Rutter
The composer in 2012
Text
Language
  • Latin
  • English
Performed13 October 1985 (1985-10-13): Dallas, Texas
Published1986 (1986): Oxford University Press
Movements7

Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of "Out of the deep" (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the last two movements, Rutter combines the liturgical Latin text with biblical verses in English.

Four of the movements of the Requiem were first performed at Fremont Presbyterian Church, Sacramento, California, on 14 March 1985. The first performance of the complete work was at Lovers' Lane United Methodist Church, Dallas, Texas, on 13 October 1985. It was published in 1986 by Oxford University Press.

History

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Rutter completed his Requiem in 1985.[1] It bears the dedication "in memoriam L. F. R.",[2] John Rutter's father, who had died the previous year.[1][3]

He conducted the first performance of the complete work on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas,[1] where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra. The soprano soloist was Karen Shafer. Movements 1, 2, 4, and 7 had been performed on 14 March 1985 at Fremont Presbyterian Church, Sacramento, California, by the Sanctuary Choir and ensemble, prepared by Mel Olson and also conducted by the composer.[4]

The Requiem was published in 1986 by Oxford University Press, with a singable English text also for the Latin passages.[2]

Music

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Rutter scored the Requiem for mixed choir and orchestra. It features solos for cello, soprano and oboe. He prepared two versions, one for a chamber ensemble and one for orchestra. The ensemble consists of flute, oboe, timpani, glockenspiel, harp, cello and organ, while the orchestra has 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, timpani, glockenspiel, harp and strings.[4]

Rutter structured the work in seven movements, similar to the setting of Gabriel Fauré.[1] One of the movements is The Lord is my Shepherd, a setting of Psalm 23, which he had written as an anthem in 1976.[1][4]

Table of movements

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The following table shows the title, Tempo marking, voices, time, key and text sources for the seven movements. The information is given for the beginning of the movements. Rutter frequently shifts tempo, key and time. The source for the details is the vocal score, unless otherwise noted.[5]

Movements of Rutter's Requiem
No. Title Tempo marking Vocal Time Key Text source
1Requiem aeternamSlow and solemnChorus3
4
C minor
G major
Introit and Kyrie
2Out of the deepSlow, with some rubatoChorus4
4
C minorPsalms 130
3Pie JesuAndante e dolceSoprano
Chorus
3
4
F majorPie Jesu
4SanctusAndante maestosoChorus3
4
C majorSanctus, Benedictus
5Agnus DeiSlow and solemnChorus4
4
C minorAgnus Dei
John 11:25
6The Lord is my shepherdSlow but flowingChorus2
4
C majorPsalms 23
7Lux aeternaModeratoSoprano
Chorus
4
4
C minor
G major
Revelation 14:13
Introit, Kyrie

The first movement consists of the Introit from the Requiem ("Requiem aeternam") and the Kyrie. The work opens with a steady beat of the tympani, to which instruments enter, first without a defined key. The voices enter in measure 7, stating in unison on the note C "Requiem aeternam". The text beginning "Kyrie eleison" is set in G major.[6]

The second movement is entitled Out of the Deep, the English version of Psalm 130, a psalm commonly used at Anglican funerals. It is set in C minor and begins with an expanded cello solo. Its motifs are picked up by the voices, first alto and bass in unison, in low register.[7]

The third movement is the Pie Jesu, a text that concludes the sequence Dies irae. Rutter, as before him Fauré and Duruflé, omits the sequence, but includes the prayer to Jesus for rest. It begins with a soprano soloist singing with a very light accompaniment. The chorus only echoes the words "Dona eis requiem, Dona eis sempiternam requiem".[8]

The central movement is the Sanctus (with Benedictus), a lively, and exclamatory movement which is brightly orchestrated with bells, flute, and oboe and occasional timpani recalling the passage in Old Testament scripture in Isaiah 6 about the worship of the six-winged seraphim in the heavenly throne-room of God.[9]

The fifth movement is the Agnus Dei (Lamb of God) of the Requiem. Rutter uses a steady beat on one note, similar to the timpani of the first movement. The Latin text is contrasted with another biblical passage, "Man that is born of a woman hath but a short time to live" from the Book of Job. The call Agnus Dei in measure 58 is the dynamic climax of the Requiem. After an instrumental interlude which quotes "Victimae paschali laudes" associated with Easter, the voices sing very softly "I am the resurrection and the life", from the Book of John.[10]

The sixth movement is Psalm 23, another psalm commonly used at Anglican funerals. It mentions the valley of the shadow of death, but is an expression of trust in God and hope for dwelling in his house forever.[11]

The seventh movement includes words from the 1662 Book of Common Prayer Burial Service ("I heard a voice from heaven...") and the communion chant from Requiem (Lux aeterna).[12]

The work lasts about 40 minutes.

Recordings

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Rutter conducted the first recording of the Requiem with the Cambridge Singers and the City of London Sinfonia in 1986, combined with an orchestral version of his anthem "I will lift up mine eyes".[13] In 1998, Stephen Cleobury conducted the Requiem with the Choir of King's College, Cambridge, and the City of London Sinfonia, combined with several shorter chorale works by Rutter for choir, some with organist Robert Quinney, others with brass band Wallace Collection.[14]

The version with ensemble was recorded in 2002 by Timothy Brown conducting the Choir of Clare College with members of the City of London Sinfonia and organist Nicholas Rimmer, combined with other music by Rutter.[15]

Selected international performances

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Rutter's Requiem has entered the international choral and orchestral repertory, with documented performances by professional, collegiate, festival and community ensembles in different countries. Selected later performances include:

Selected performances by country
Year Country Orchestra / choir / ensemble Conductor
2016 South Africa Symphony Choir of Johannesburg Richard Cock[16]
2018 Italy Orchestra da Camera Fiorentina and American college choirs John Rutter; Terry Russell[17]
2022 Australia RMP Oratorio Festival Choir, with singers from the Royal Melbourne Philharmonic Choir, Melbourne University Choral Society and Box Hill Chorale, and players from the Royal Melbourne Philharmonic Orchestra Andrew Wailes[18]
2022 Poland The Katowice City Singers' Ensemble Camerata Silesia, with organ and instrumental ensemble Magdalena Hałas[19]
2023 Canada Elmer Iseler Singers, Capital Chamber Choir and the Music and Beyond Festival Orchestra John Rutter[20]
2023 United States The Continuo Arts Symphonic Chorus, Civic Chorale of New Jersey and Youth Choir of New Jersey John Rutter[21]
2024 Germany Vocalensemble Penzberg and Sinfonieorchester im Pfaffenwinkel Günther Pfannkuch[22]
2024 United Kingdom Oxford Philharmonic Orchestra and the Choir of Merton College, Oxford John Rutter[23]
2025 Bulgaria Sofia Philharmonic Orchestra and National Philharmonic Choir Nayden Todorov[24]
2026 Cyprus Cyprus Symphony Orchestra and Cyprus Youth Symphony Orchestra Choir Levan Jagaev[25]

References

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  1. 1 2 3 4 5 Mecon 2024.
  2. 1 2 Score 1986, p. 1.
  3. O'Regan 2003.
  4. 1 2 3 Score 1986, p. I.
  5. Score 1986, pp. 1–64.
  6. Score 1986, pp. 1–10.
  7. Score 1986, pp. 11–20.
  8. Score 1986, pp. 21–26.
  9. Score 1986, pp. 27–44.
  10. Score 1986, pp. 35–53.
  11. Score 1986, pp. 45–53.
  12. Score 1986, pp. 54–64.
  13. Gramophone 1986.
  14. Gramophone 1998.
  15. Quinn 2003.
  16. "John Rutter – Requiem & Magnificat". Symphony Choir of Johannesburg. 26 June 2016. Retrieved 20 May 2026.
  17. "Orchestra da Camera Fiorentina, 100 concerti per la Toscana". gonews.it (in Italian). 15 March 2018. Retrieved 20 May 2026.
  18. "Rutter's Requiem and the 16th RMP Aria Final". Classic Melbourne. 14 August 2022. Retrieved 20 May 2026.
  19. "Camerata Silesia / John Rutter – Requiem". Polish National Radio Symphony Orchestra. 26 March 2022. Retrieved 20 May 2026.
  20. "Music and Beyond with John Rutter". Elmer Iseler Singers. 13 July 2023. Retrieved 20 May 2026.
  21. "Rutter Requiem & Te Deum with John Rutter in Carnegie Hall". Continuo Arts Foundation. 27 May 2023. Retrieved 20 May 2026.
  22. "John Rutter-Requiem / Chorwerke a-capella von Pergolesi, Saint-Saëns / Ralph Vaughan-Williams". Hey Stage (in German). 17 March 2024. Retrieved 20 May 2026.
  23. "Fauré and Rutter Requiems". Oxford Philharmonic Orchestra. 28 March 2024. Retrieved 20 May 2026.
  24. "Sofia Philharmonic Presents Rutter's Requiem and Chopin's Piano Concerto No. 1 in Final November Concert". Bulgarian News Agency. 26 November 2025. Retrieved 20 May 2026.
  25. "Cyprus Symphony Orchestra – Events 1 – Rutter: Requiem". Visit Cyprus. 3 April 2026. Retrieved 20 May 2026.

Cited sources

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Further reading

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  • Campbell, John Wert. The role of plainchant in the choral music of John Rutter (Dissertation.
  • Walz, Matthias (1999). "John Rutter. Requiem.". In Hans Gebhard [in German] (ed.). Harenberg Chormusikführer. Harenberg. pp. 742–743. ISBN 3-611-00817-6.
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