Mimi Lien (born 1976) is a Chinese American set designer, best known for the scenic design of Natasha, Pierre & The Great Comet of 1812. In 2017, she received a Tony Award for her work with the Broadway production.[1] Lien is also a 2015 recipient of a MacArthur Fellowship.[2]
Mimi Lien | |
|---|---|
| Born | 1976 (age 49–50) |
| Education | Yale University (BA) New York University (MFA) |
| Occupation | Set designer |
| Years active | 2003–present |
| Awards | |
| Website | www |
Early life and education
editLien is from New Haven, Connecticut.[3]
Lien graduated from Yale University in 1997, and she then attended New York University, where she earned her MFA in design from Tisch School of the Arts in 2003.
Career
editPersonal life
editLien is married to writer and director Alec Duffy. Together, Lien and Duffy are co-founders of JACK, a performing arts space in Clinton Hill, Brooklyn.
Theater
edit- An Octoroon (2015)
- Preludes (2015)
- The Long Walk Opera (2015)
- John (2015)
- Memory Palace (2015)
- Lost in the Meadow (2015)
- War (2016)
- A 24-Decade History of Popular Music (2016)
- Natasha, Pierre & The Great Comet of 1812 (2016)
- Pelleas et Melisande (2017)
- Four Nights of Dream (2017)
- A Period of Animate Existence (2017)
- Memoirs of a Unicorn
- Fairview (2018)
- Lifespan of a Fact (2018)
- True West (2018)
- Die Zauberflöte (2019)
- The Secret Life of Bees (2019)
- Fairview (2019)
- Superterranean (2019)
- The Thin Place (2019)
- Moby-Dick (2019)
- Help (2020)
- Love Unpunished (2021)
- Suffragist (2022)
- Sweeney Todd: The Demon Barber of Fleet Street (2023)
- Marks of RED (2026) – scenic design for Shamel Pitts | TRIBE;
a large-scale immersive environment commissioned by the Walker Art Center and Northrop at the University of Minnesota, conceived as an enveloping "womb space" realized in red stretch fabric.[5][6]
Awards and nominations
edit| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 2014 | Lucille Lortel Award | Outstanding Scenic Design | Natasha, Pierre & The Great Comet of 1812 | Won |
| 2015 | MacArthur Fellowship | |||
| 2016 | Obie Award[7] | Special Citation for Collaboration | John by Annie Baker | |
| 2017 | Tony Award | Best Scenic Design in a Musical | Natasha, Pierre & The Great Comet of 1812 | |
| Drama Desk Award | Outstanding Set Design | |||
| Outer Critics Circle Award | ||||
| Lucille Lortel Award | Outstanding Scenic Design | Signature Plays | Nominated | |
| Bessie Awards[8] | Outstanding Visual Design | A 24-Decade History of Popular Music by Taylor Mac | Won | |
| 2018 | Memoirs of a ... Unicorn | Won | ||
| 2019 | Drama Desk Award | Outstanding Set Design | Fairview | Nominated |
| 2023 | Tony Award | Best Scenic Design in a Musical | Sweeney Todd: The Demon Barber of Fleet Street | Nominated |
See also
editReferences
edit- ↑ Chow, Compiled By Andrew R. (June 11, 2017). "2017 Tony Awards Winners". The New York Times. ISSN 0362-4331. Retrieved June 14, 2017.
- ↑ "Mimi Lien — MacArthur Foundation". www.macfound.org. Retrieved June 14, 2017.
- ↑ "Mimi Lien". Theater, Dance & Media. Harvard University.
- ↑ "Faculty & Staff". tisch.nyu.edu. Retrieved November 24, 2021.
- ↑ "Shamel Pitts | TRIBE: Marks of RED". Northrop at the University of Minnesota. Retrieved June 18, 2026.
- ↑ "Tony Award Winner Mimi Lien Shares Her Set Design Process for Marks of RED". Rose Brand. Retrieved June 18, 2026.
- ↑ "2016". Obie Awards.
- ↑ "Award Archive". The Bessies.
External links
edit- Official website
- Mimi Lien at the Internet Broadway Database
- Mimi Lien at the Internet Off-Broadway Database (archived)