Folk dances of Sindh (Sindhi: سنڌ جا لوڪ ناچ) are the traditional dances of the Sindhi people, which are indigenous to Sindh region which is now in Pakistan. These dances are performed at various events including marriages, ceremonies, special occasions, on birth of a child and for cultural purposes.

Sindhi "Ho Jamalo" dance by a group.

History

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Dances in early-medieval Sindh had great prominence in social and religious life, as described by the scriptures from Mohenjo Daro. The dancing girl from Mohenjo Daro Sambara is a famous statue.[1]

Bronze "Dancing Girl," Mohenjo-daro, c. 2500 BC

Overview

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Dances of Sindh include the famous Ho-Jamalo and Dhammal.[2] Other common dances include Jhumar/Jhumir (different from the Jhumar dance of South Punjab), Kafelo, Dandio, Talli and Jhamelo.[3][4] However, none of these have survived as much as Ho-Jamalo, Jhumir and Dhammal.[5] At weddings and on other occasions, a special type of song is sung, known as Ladas, Sehra or Geech, to celebrate the occasion of marriage, birth and on other special occasions. These are mostly performed by women.

Folk Dances

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Some folk dances include:

Jamalo: the notable Sindhi dance which is celebrated by Sindhis across the world. It was historically performed by men only on different occasions, and is performed in group, either in a circle or a square. The "Ho-Jamalo" folk song is specifically for this dance, and is sung by one lead man, standing in middle of circle or on one side, while other men dance and chant Ho-Jamalo!. The words of the song praise beauty, nature, and the bravery and culture of Sindhi people of different regions like Uttar, Lar, Thar and Kachho.

Jhumar/Jhumir: a dance performed by men and women while singing the Lada, Sehra or Geech (folk wedding songs), accompanied by the Dhul, Shernai/Shahnai and Muto, on weddings and other special days like Chhatri, Akiko, Tohar, Mangno or Sukhan. The dance is performed individually. Although there are many variations of Jhumir, it is generally performed by moving the hands in circles, clapping, and making swirls called Pherio or Pher'rio, and some other moves. Each region of Sindh has its own variations of Jhumir. Relatives and friends would shower money on performers, a practice referred to as ghor.[3] Some variations of Jhumir dance are: Jahmat Jhumir,[6] Mandi Jhumir,[7] Pali Kapanwari Jhumir,[8] Tay Taari Jhumir,[9] Kanday Kadharwari Jhumir,[10] Pheriwari Jhumir,[11] and Rahki Pokh Jhumir.[12]

Chhej: this pure folk Sindhi dance is performed at every happy moment, like weddings or eids, while Sindhi Hindus perform it on days of Behrano or Holi. It is performed in a circle of at least seven and up to fifty people. The performers wear the same clothes, and each person has one, two or three sticks of wood called "Donko" of "Donki", decorated with Jandri lacquer art, shiny pompoms and ghunghroo. In the middle of the circle there is one "Dhulari" (drummer) and one "Shernayo" (Shernai player), in traditional clothes and turbans. While everyone performs the dance accompanied by these instruments, different "Sur" are played on the drums, such as Sandhro, Bhero, Kohyari, Hussaini, Talang, Khamāch, Malkauns or Sunhri while Shernayo plays Pahari sur. There are also different styles of Chej according to sound, steps etc. This is the most energetic dance which starts slow and slowly gets faster.[13] Chej performers are called "Chhejjāri".

Although Chhej has seen decline in Sindh, it remains popular among Sindhi Hindus and diaspora.[14][15][16]

Bhagat: a folk dance performed by professionals at fairs, events and shows to entertain visitors. The performance usually starts at night and lasts till the early hours of morning. Only men are allowed to perform the Bhagat. Two or more performers interact to weave folktales in song. The lead singer, called the Bhagat, is dressed in Jamo (a long coat), Pagadi (headgear), Chher (anklets) and Kundal (earrings). The backup singers are usually dressed up as women and are addressed by the Bhagat with female names. The Bhagat was a hugely popular form of entertainment during festivals, marriages and fairs held in mandirs and dargahs.[17][16]

Dhamaal: a mystical dance mainly performed by faqirs, dervishes and sufi saints and devotees. The main performers wear an all red Jamo and Sindhi Patko turban, since red is the color of Lal Shahbaz Qalandar (hence he was called "Lal", meaninh "Red").[18] Dhammal is characterized by religious fervor. Nagaro, Nobat, Gharyal and Ghugoo instruments provide the beat and tempo for the dance.[3][4]

Saang: a folk dance performed historically during a wedding ceremony. It was like an opera, with men and women dressed up and performing as characters. Women imitate the works and chores of women and men imitate male works. In this dance, the performers sing as well and pass funny comments on each other.[19]

Dandio: a dance performed using sticks in Thar.

Charuri: a folk dance performed using metal pots in circle. This folk dance is performed in Thar.

Muhana Dance: a folk dance performed by Mohana fishermen and fisherwomen.

Asimori: a folk dance of young girls, in which two girls grab each other's hands and move in circles.[20]

Matkaywaro Nāch: a folk dance is performed in Thatta, in which group of men stack matkas, or one matka balanced on a stick, on their heads [21][22]

Tapro: tto stiv or .[20]

Rthe asudo: a .e of Nangarparkar, performed while singing folk rasuda songs.

Matiku: a folk dance of the Thar region.

Sheedi dance: the traditional dances and music of the Sheedi community of Sindh. There are many different styles - for example, one is performed by a group of men, dressed in attire decorated with peacock feathers and with face markings, in which they perform different stunts like fire breathing. Another style is an individual dance which is performed to the beat of a "Mugarman" (a type of kettle drum). There is also a sufi dance called Sheedi dhamal, performed at Sheedi mela at Mangopir in Karachi.[23][24]

Mor Nāch: meaning "peacock dance", it is performed by men and women dressed in a peacock costume made up of 1300 feathers and full make-up and jewelry. The dance usually imitates the peacock, and is performed at festivals, events and cultural shows. Master Ghulam Hussain is the pioneer of Mor dance, and is known to give recognition to Mor dance all over Pakistan.[25][26]

References

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  1. Kalhoro, Zulfiqar Ali (2021-06-17). "Depictions of the Dance of Leela in Sindhi Tombs". The Friday Times - Naya Daur. Retrieved 2023-01-09.
  2. "An Introduction To Sindhi Dance And Music". Sindhi Khazana. Retrieved 9 January 2023.
  3. 1 2 3 Reejhsinghani, Aroona (2004). Essential Sindhi Cookbook. Penguin Books India. ISBN 978-0-14-303201-4.
  4. 1 2 Nettl, Bruno; Arnold, Alison; Stone, Ruth M. (1998). The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent. p. 754. ISBN 9780824049461. {{cite book}}: |work= ignored (help)
  5. Reejhsinghani, Aroona (2004). Essential Sindhi Culturebook. Penguin Books India. ISBN 978-0-14-303201-4.
  6. "جَهَمٽ جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  7. "منڊي جهمپر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  8. "پَلِي ڪپڻ واري جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  9. "ٽه تاڙي جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  10. "ڪنڊي ڪڍڻ واري جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  11. "ڦيري واري جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  12. "رَهڪي (پوک) راڌڻ واري جهمر : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  13. "ڇيڄ : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  14. "Sindhi Folk Dance Chhej - The Sindhu World Dance of Unity: Sindhi Group Dance: Cheti Chand: Bahrana: Jhulelal". thesindhuworld.com. 2021-04-09. Retrieved 2023-01-09.
  15. Advani, Mira Govind (1997). A Saga of Trials & Triumphs of Sindhis, 1947-1997. Indira Ghansham Mirchandani Service Centre. p. 33. All the way people dance and sing as the ritual is called. The dance is a Sindhi folk dance also called Chej.
  16. 1 2 "Culture". www.jhulelal.com. Retrieved 2023-01-09.
  17. Reejhsinghani, Aroona (2004). Essential Sindhi Cookbook. Penguin Books India. ISBN 978-0-14-303201-4.
  18. admin (2012-01-01). "Story Of Pakistan | Lal Shahbaz Qalandar". Story Of Pakistan. Retrieved 2024-04-04.
  19. "سانگ : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  20. 1 2 "اسيموري : (Sindhianaسنڌيانا)". www.encyclopediasindhiana.org (in Sindhi). Retrieved 2024-04-03.
  21. "Sindhi crafts, music, dance attract visitors". The Nation. 2015-04-07. Retrieved 2024-04-04.
  22. "Sindh Folk Festival: Local singers enthral audience with performances". The Express Tribune. 2017-01-29. Retrieved 2024-04-04.
  23. Noman, Javeria (2021-02-09). "The Sheedi Community of Pakistan". Paradigm Shift. Retrieved 2024-04-19.
  24. "Crocodiles guard secrets of Pakistan's lost African past". Arab News PK. 2018-04-05. Retrieved 2024-04-19.
  25. Panhwar, Jamal (2022-05-16). "Ghulam Hussain, a peacock dancer from southern Pakistan". Pakistan Travel & Culture. Retrieved 2024-04-19.
  26. Jamshoro: Man who does the peacock dance - BBC URDU. Retrieved 2024-04-19 via www.youtube.com.
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