Draft:Princess Mononoke (book)

Princess Mononoke: Understanding Studio Ghibli's Monster Princess
EditorRayna Denison
Genre
PublisherBloomsbury Academic
Publication date2018
Media type
Pages223
ISBN978-1-5013-2976-0
OCLC985072439

Princess Mononoke: Understanding Studio Ghibli's Monster Princess is a 2018 edited collection by the British animation scholar Rayna Denison.

Princess Mononoke was published by Bloomsbury Academic

Background

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Princess Mononoke

It is often considered to be the most significant work in Miyazaki's filmography.[1]

{{|The film was released in 1997, book twenty years later[2]

Contents

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(Left to right) Rayna Denison, Shiro Yoshioka, and Helen McCarthy

The collection has three sections, each with three chapters.[2]

The animation scholar Shiro Yoshioka contributes a chapter focusing on the film's place within Miyazaki's filmography and how its success may have restricted his later works.[3]

The film scholar Eija Niskanen writes a chapter comparing Miyazaki's historical influences to the areas in the film that he filled in fantastical details, subverting conventions of Japanese period films.[3]

The literature scholar Julia Alekseyeva's chapter presents an argument that the film is a tribute to The Snow Queen (1957), a Soviet animation that influenced Miyazaki early in his career.[3]

Two chapters interpret the film as a feminist narrative, written by Helen McCarthy and Alice Vernon.[3]

The cultural scholar Emma Pett analyses over 800 articles in a study of the film's critical reception; according to the animation scholar Jonathan Clements, this aspect was previously underrepresented in academic literature.[3]


Publication and reception

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Clements called the list of contributors "some of the sharpest minds working in anime today."[3]

However, he criticised the price – £80 for a hardback copy and £55 for the e-book – which he found indicative of the publisher's uncertainty of its mass appeal.[3]

"Japanese history is rewritten by Miyazaki"[2]

References

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Citations

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  1. Napier 2018, p. 182; Montero Plata 2018.
  2. 1 2 3 Montero Plata 2018.
  3. 1 2 3 4 5 6 7 Clements 2018, p. 70.

Sources

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