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Comment: You display a basic misunderstanding of referencing:For a living person we have a high standard of referencing. Every substantive fact you assert, especially one that is susceptible to potential challenge, requires a citation with a reference that is about them, and is independent of them, in multiple secondary sources which are WP:RS, and is significant coverage. Please also see WP:PRIMARY which details the limited permitted usage of primary sources and WP:SELFPUB which has clear limitations on self published sources. Providing sufficient references, ideally one per fact cited, that meet these tough criteria is likely to make this draft a clear acceptance (0.9 probability). Lack of them or an inability to find them is likely to mean that the person is not suitable for inclusion, certainly today.Random checks of your multitude of broadly useless references show lille more than passing mentions. It is unlikely that, were the checks to be expanded, this woudl differ.You have created WP:BOMBARD. It is time for a substantial précis, prose, lists and faux references alike. There is a lot of work to do. Please do not resubmit without doing all of the huge précis required. Once you have cut great swathes from this we may then be able to determine whether the subject passes the relevant criteria. 🇵🇸🇺🇦 FiddleTimtrent FaddleTalk to me 🇺🇦🇵🇸 22:28, 31 December 2025 (UTC)
Oona Mosna (born May 21, 1981) is an artist, author, film producer, curator and artistic director who specializes in contemporary and historical avant-garde cinema from around the world.[1][2][3][4][5] Films she has produced [6][7] have been presented at museums and festivals internationally, including the Academy Museum of Motion Pictures,[8][9] The Museum of Modern Art, La Moneda Palace,[10] The National Gallery of Art, Smithsonian Museum of African American History and Culture,[11] Film at Lincoln Center,[12] Tate Modern, Whitney Museum of American Art, Detroit Institute of Arts, Centre Pompidou,[13] New York Film Festival,[14] Venice Film Festival,[15] and Toronto International Film Festival,[16][17] among hundreds more. Many of the films she has produced have also been purchased for collections including the Academy Film Archive,[18] Austrian Film Museum, and The Museum of Modern Art.[19][20]
Career
editSince 2004, Mosna has held the position of artistic director at Media City Film Festival (MCFF).[21][22][23] The festival is internationally recognized for its decades of unique cross-border work.[24][25][26] Film productions and presentations take place in both Windsor, Ontario and Detroit, Michigan since 1994, with support from the Academy of Motion Picture Arts and Sciences,[27][28] Knight Foundation,[29] Canada Council for the Arts, and other national and international film and art agencies.[30] Filmmakers frequently visit MCFF in Windsor–Detroit during and outside of festival time to make new films.[31] Over the years, the region has gained a reputation in global cinema circles as an important international meeting place for the creation, presentation and distribution of avant-garde film and cinema in general.[32][14][33]
Across more than two decades, Mosna has directly worked with and championed thousands of filmmakers and artists, organizing production, exhibition, and dissemination contexts for their works, and supporting key figures in the history of film and art from over 100 nations, including Mati Diop,[34][35][36] Artavadz Peleshyyan, [37] Simone Leigh,[38][39] Andy Warhol,[40] James Benning, Sky Hopinka[41], Yoko Ono,[42] Sergei Parajanov[43], Kamal Aljafari,[44][45] Michael Snow[46], Ken Jacobs, Sergei Eisenstein, Rose Lowder, Harun Farocki, Cauleen Smith,[47] Malena Szlam,[48][49] Apichatpong Weerasthakul, Narcisa Hirsch,[50] Ja'Tovia Gary,[51] Hollis Frampton, Cecilia Vicuña,[52] Robert Beavers,[53] Ben Rivers,[54] Daïchi Saïto,[55] Christopher Harris,[56] Harry Smith,[57] Basma Alsharif, Raven Chacon, Abigail Child, Rosalind Nashashibi,[58] and hundreds more. Mosna's film programs and productions have toured extensively to festivals, museums and galleries in North America and around the world.[59][60][61] She was the Canadian Delegate for the Cinema and Moving Image Research Assembly, and researcher in residence at the Friedl Kubelka School for Independent Film, Austrian Film Museum (Vienna) and Light Cone (Paris) in 2016 and 2017.
Important projects have included co-organizing the first retrospective of Ukrainian director Sergei Loznitsa's films in North America at MCFF in 2007,[62] the first North American appearance by French-Senegalese director Mati Diop in 2010,[63] the first dual photography and film retrospective of two-time Austrian State Prize winner Friedl Kubelka in 2010,[64] North American retrospectives of Yoko Ono[65][66] and Takahiko Iimura's films, the first festival retrospective of Ja'Tovia Gary's films and Carolee Schneemann's final in-person film retrospective at the Detroit Institute of Arts,[67] and hundreds of in-person and virtual premieres by directors and artists such as Sergei Parajanov,[68] Sharon Lockhart, Simone Leigh, and many others. Mosna has also curated countless retrospectives and spotlight presentations with Valie Export,[69] Tony Cokes,[70] Richard Serra,[71] Mona Hatoum, Jocelyne Saab,[72] Madeleine Hunt-Ehrlich, Peter Hutton, and others.

Founded by Mosna in 2019, MCFF's Chrysalis Fellowship[73] has supported the creation of dozens of films by emerging and established directors, including work by 60th Venice Bienniale Silver Lion award recipient Karimah Ashadu,[74][75] Locarno Film Festival Golden Leopard Nominee Kamal Aljafari,[76][77] Golden Bear award winner Zelimir Zelnik, three time Tiger Award winner Ben Rivers, Guggenheim Fellowship recipient Christopher Harris for his film Speaking in Tongues: Take One (2024)[78][79], and MacArthur Genius award winner Sky Hopinka's first feature film Malni - Towards The Ocean, Towards The Shore (2020).[80] Among the numerous films she's helped shepherd as an independent producer, or through her work at MCFF, include Japanese-Canadian filmmaker Daïchi Saïto's earthearthearth (2021)[81] and Chilean-Canadian filmmaker Malena Szlam's Altiplano (2018)[82] produced as part of Mosna's Underground Mines commission tour of South America[83], which featured Canadian analogue filmmakers at events held in Brazil, Argentina and Chile, including the Presidential Palace and the Chilean National Museum of Fine Art in Santiago in 2015.[10] Both films, shot as part of the tour in the Atacama desert, won awards on the international festival circuit. Altiplano (2018)[84] was also named one of Toronto International Film Festival's Canada's Top Ten films [85] and earthearthearth (2021) is now held in the collection of the Academy Film Archive. Upon the release, Tony Pipolo wrote of Saïto's 35mm film in Artforum "It is as if we are watching a movie shot by some primeval witness to the beginning of the world."[86] A trilogy of films by Argentine filmmaker Pablo Mazzolo, including Fish Point (2015) and The Newest Olds (2022),[87] both made in Windsor–Detroit with Mosna as producer, and concerned with similar environmental themes as the aforementioned works created in South America, screened extensively at international festivals, including world and North American premieres at the New York and Toronto International Film Festivals.[88]
The final chapter of Ephraim Asili's The Diaspora Suite (2011-2017), Fluid Frontiers (2017)[89][90] was also released with Mosna as producer. The film explores the relationship between concepts of resistance and liberation, exemplified by abolitionist activities, the Underground Railroad, Broadside Press, and artworks in the Windsor–Detroit borderlands. "In Fluid Frontiers the demarcation between the American and Canadian footage is frequently indistinguishable, particularly during several of the direct-address readings, which are set against nondescript walls and trees. The device serves to provoke questions of similarity and difference both across time and across borders, inviting us to examine how much has really changed in present-day America, and to what extent Canada is 'Keeping the Flame of Freedom Alive,' to borrow the engraving from Windsor's Tower of Freedom, which looms over one of Asili's readers."[91] All of the Canadian readers in Asili's film are direct descendants of formerly enslaved peoples whose ancestors crossed the US border to Canada in search of freedom.[92] Among hundreds of international screenings, Mosna organized Homecoming: The Diaspora Suite on the Underground Railroad at Sandwich First Baptist Church in Windsor, Ontario in 2018, with the director and cast in attendance.[92][89] The church itself was built in 1851 by fugitive slaves with clay gathered from the banks of the Detroit River, and is recognized as a significant terminal on the Underground Railroad. The title of Asili's film is a reference to the book A Fluid Frontier: Slavery, Resistance, and the Underground Railroad in the Detroit River Borderland, edited by Karolyn Smardz Frost and Veta Smith Tucker.[93] In thirteen essays divided among five themes, A Fluid Frontier introduces readers to the people, places, and events that were instrumental in leading more than thirty thousand formerly enslaved peoples to freedom. Mosna has also appeared in several films, including Fern Silva's Ride Like Lightning, Crash Like Thunder (2017).[94][95]

In 2023, together with Greg de Cuir Jr[96] co-founder and director of Kinopravda Institute, Mosna co-curated MOONSHINE: The Celestial Films of Kevin Jerome Everson, after their collaboration on the virtual exhibition Radical Acts of Care [97](2020), which took place virually at the height of the Covid-19 pandemic. Radical Acts of Care [98] was inspired by Dr. Charles H. Wright and showcased work by the Iranian poet Farough Farrokhzad, African American writer and activist Audre Lorde, along with artists and filmmakers Simone Leigh, Cauleen Smith, Madeleine Anderson, and others at a time when the virus was disproportionately afflicting Black residents in Detroit.[99] As stated by writer Patrick Dahl in his review of the exhibition: "believing that life on Earth can be any better is evidence of care in defiance of all evidence. But hope, as these works attest, has always demanded radical action to prevent its appropriation by the forces working hardest to strip it from us. That image echoes through each work in Radical Acts of Care, perfectly crystallizing each term in the title."[100] Well known for his extensive filmography depicting the lives of working-class African Americans, Kevin Jerome Everson's MOONSHINE exhibition (2023) was the Heinz Award-winning artist's first solo gallery exhibition in Canada, and also marked the first time that his complete body of celestial films [101] were presented together in any context. Everson has created a number of films in Windsor–Detroit since 2014, including It Seems to Hang On (2015),[102] which had its world premiere at the Venice Film Festival, along with Grand Finale (2015), and Regal Unlimited (2015). Mosna has curated screenings featuring more than 50 films by Everson in Windsor–Detroit since 2010, including career retrospectives in 2011, 2015 and 2025 at the Museum of Contemporary Art Detroit, Michigan Central Station, and other locations.[103] Her 2022 British Film Institute Sight and Sound "Greatest Films of All Time" poll lists all of Everson's feature films, completed at the time, as a "ready-made" contribution.[104]
Among many other projects, Media City Film Festival's ThousandSuns Cinema Indigenous Edition (2023),[105] co-curated by Mosna and co-presented in collaboration with COUSIN Collective[106] offered free global access to more than 60 landmark films by Indigenous directors. Filmmakers screened as part of the exhibition included Abenaki artist and director Alanis Obomsawin, Mohawk interdisciplinary artist Shelly Niro, Nenets filmmaker, screenwriter and journalist Anastasia Lapsui, Ho-chunk/Pechanga visual artist and filmmaker Sky Hopinka, Inuk director Mosha Michael, Luiseño/Diegueño artist and filmmaker Fox Maxy, Cree filmmaker, painter, and performance artist Kent Monkman, the Ojibwee and Tingit Indigenous arts collective New Red Order, Algonquin visual artist and filmmaker Caroline Monnet, Pulitzer Prize-winning Diné composer, artist, and filmmaker Raven Chacon, Métis filmmaker and artist Rhayne Vermette, and Kiowa/Mohawk curator, critic and director Adam Piron, among dozens more. The exhibition was covered in Screen Slate, The New York Times[107] and other publications. Hopinka and Piron participated in an extensive Film Comment interview[108] with Devika Girish and Clinton Krute detailing the importance of the series and the diversity of contemporary and historical Indigenous cinema in general.
Since 2001, Mosna has also worked on special artists' editions, including with Michael Snow, members of CCMC (Canadian Creative Music Ensemble), and The Music Gallery to release the long-lost Volume Three recording as a vinyl LP, which culminated in live performances by Michael Snow and Wolf Eyes at the Museum of Contemporary Art Detroit.[109][110] Snow is considered one of the most influential experimental filmmakers and Canadian artists of all time.[111][112] She has co-organized performances with many musicians, including Alvin Lucier,[113] Yasunao Tone,[114] Matana Roberts,[115] and Laraaji. Mosna maintains an active artistic practice and was included in recent group exhibitions in Detroit and Paris with American poets Anne Waldman, Eileen Myles, Charle Bernstein, and others in 2025.[116]
References
edit- ↑ Cruz, Maximillian (December 30, 2025). "Oona Mosna – FICUNAM". FICUNAM.
- ↑ Linc, Film (December 2018). "Fluid Frontiers: Ephraim Asili". Film at Lincoln Centre.
- ↑ Dickens, Oliver (February 9, 2022). "25th Anniversary Virtual Edition". e-flux.
- ↑ McGonigal, Mike (July 22, 2015). "Matana Roberts at Media City Film Festival's opening night at MOCAD". Detroit Metro Times.
- ↑ Brlas, Danijel (February 10, 2017). "Search Oona Mosna: 25FPS Festival". 25fps.
- ↑ "Oona Mosna: Producer, Actor". Mubi. June 22, 2025.
- ↑ Micale, Jennifer (January 25, 2021). "Land in motion: Filmmaker to premiere piece at international film festival". BingUNews.
- ↑ Toscano, Mark (April 2022). "Latent Image: Three Films on Space, Time, and Change".
- ↑ Weston, Rebecca (April 20, 2022). "Film produced by Media City Film Festival heads to Hollywood". The Windsor Star.
- 1 2 Rivera Gallardo, Enrique (September 11, 2015). "Hablar en Lenguas" (PDF). 12 Bienal de Artes Mediales. No. 12. pp. 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267.
- ↑ "Smithsonian African American Film Festival Unveils Inaugural Film Slate". Smithsonian National Museum of African American History and Culture. September 20, 2018.
- ↑ "Fluid Frontiers". Film at Lincoln Center. August 21, 2020.
- ↑ Altmark, Marcelo (March 24, 2023). "«El Juicio», de Ulises de la Orden y «The Newest Olds», de Pablo Mazzolo, en competencia en Cinéma du Réel de París, que termina el 2 de abril". GPS AUDIOVISUAL RADIO.
- 1 2 Saylors, Kathleen (August 30, 2022). "Media City film selected for Toronto, New York film festivals". Windsor Star. Retrieved July 3, 2025.
- ↑ It Seems to Hang On (2015) | MUBI. Retrieved 2025-08-12 – via mubi.com.
- ↑ Picard, Andréa (August 14, 2018). ALTIPLANO Trailer I TIFF 2018 (Description by Andréa Picard). Retrieved July 3, 2025 – via YouTube.
- ↑ Roberts, Meg (September 12, 2017). "Shot film showcases local black history at TIFF". CBC. p. 1. Retrieved July 27, 2025.
- ↑ Weston, Rebecca (April 20, 2022). "Film Produced by Media City heads to Hollywood". Windsor Star. Retrieved August 12, 2025.
- ↑ "Malena Szlam. ALTIPLANO. 2018 | MoMA". The Museum of Modern Art. Retrieved 2025-08-12.
- ↑ "Altiplano". Mubi. September 2018. Retrieved August 16, 2025.
- ↑ Hudson, David (February 24, 2024). "Media City's Global Festival". Criterion Daily. Retrieved August 12, 2025.
- ↑ Girish, Devika. "Five International Movies to Stream Now". The New York Times. Retrieved July 3, 2025.
- ↑ Lange, Jeva (January 30, 2023). "ThousandSuns Cinema: Indigenous Edition". Screen Slate. Retrieved 2025-08-12.
- ↑ Cross, Brian (October 15, 2019). "U.S. award recognizes Media City Film Festival's cross-border work". Windsor Star. Retrieved August 12, 2025.
- ↑ Pearson, Craig (October 23, 2018). "Media City celebrates Aretha Franklin and other female artists". Windsor Star. Retrieved August 12, 2025.
- ↑ Rigsby, Jeremy (December 2024). "MCFF: 27th virtual edition. Over 70 cinematic gems from over 30 countries". e-flux.
{{cite web}}: CS1 maint: url-status (link) - ↑ Hu, Markus (May 12, 2020). "ACADEMY ANNOUNCES 2020 GRANT RECIPIENTS". Retrieved August 12, 2025.
- ↑ Thompson, Chris (May 15, 2020). "Media City gets grant from The Academy of Motion Picture Arts and Science". The Windsor Star.
- ↑ "Knight Foundation Announces Grant Recipients for 2024 Knight New Work in Detroit, Miami, and Akron". ARTnews. December 18, 2024. Retrieved August 14, 2025.
- ↑ Coffman, Dustin (December 6, 2024). "Media City Film Festival awarded more than $400k in grants". AM800. Retrieved August 12, 2025.
- ↑ Craig, Pearson (May 17, 2013). "Media City attracts world's best to Windsor". Windsor Star. Retrieved August 12, 2025.
- ↑ Seder, Ekrem (November 2017). "EPHRAIM ASILI with Ekrem Serdar". The Brooklyn Rail. Retrieved August 12, 2025.
- ↑ Osterweil, Ara (September 2021). "ALCHEMICAL ROMANCE: Ara Osterweil on Daïchi Saïto's earthearthearth". Artforum. Retrieved August 12, 2025.
- ↑ La Grassa, Jennifer (May 28, 2019). "Media City alumna is first black female director to win at Cannes". Windsor Star.
- ↑ ATLANTICS' Mati Diop on Her Cinematic Inheritance | From Studio 9. September 2020 – via YouTube.
- ↑ Kaminsky, Volko (May 29, 2010). "Media City Film Festival 2010". AG Kurzfilm Bundsverband Deutscher Kurzfilm. Ag Kurzfilm.
- ↑ Kennedy, Chris (August 16, 2025). "The Circle of Time: A Tribute to Artavazd Péléchian". Toronto International Film Festival.
- ↑ Foundation, Poetry (September 2, 2020). "Forough Farrokhzad's The House is Black Is Free to View Alongside Poetry, Art, and Activism at Media City Film Festival". The Poetry Foundation.
- ↑ Price, Yasmina (Summer 2022). "Fire Blossoms: A Dossier by Yasmina Price. Editor, Oona Mosna". Three Fold Press Detroit. No. 4.
- ↑ Mosna, Oona (September 2017). "Jury's Choice 1: Oona Mosna: Kino Play". 25 FPS.
{{cite web}}: CS1 maint: url-status (link) - ↑ Hopinka, Sky (June 21, 2021). "Disfluencies: A Dossier by Sky Hopinka". Three Fold Press Detroit. No. 3.
- ↑ Burton, Peter (June 11, 2018). "SUONI PER IL POPOLO / Jacob Kirkegaard + Films of Yoko Ono". Founderie Darling. Retrieved August 16, 2025.
- ↑ Dickens, Oliver (February 9, 2022). "25th anniversary virtual edition: Media City Film Festival". e-flux.
- ↑ Girish, Devika (December 13, 2024). "Five International Movies to Stream Now". The New York Times. Retrieved August 15, 2025.
- ↑ Szalai, Georg (July 31, 2025). "'With Hasan in Gaza' Is a Cinematic 'Homage to Gaza and Its People' (Exclusive Locarno Trailer)". The Hollywood Reporter.
- ↑ Sudak, Jason (May 30, 2013). CCMC performs at MOCAD - Media City Film Festival Opening Night – via YouTube.
- ↑ Sarmiento-Hinojosa, José (August 8, 2017). "MEDIA CITY FILM FESTIVAL 2017: ALEXANDRE LAROSE, CAULEEN SMITH". Desistfilm.
- ↑ "Altiplano, Malena Szlam". Mubi. September 2018. Retrieved August 16, 2025.
- ↑ Piper-Burkett, Emma (October 7, 2021). "Collective Records: New York Film Festival's Currents". Mubi Notebook. Retrieved August 16, 2025.
- ↑ "Narcisa Hirsch, A Famous Unknown Filmmaker". The Museum of Modern Art. January 2024. Retrieved August 16, 2025.
- ↑ Mazzei, Rebecca (December 2024). "Media City Film Festival 27th Edition: Spotlight Series". Three Fold Press Detroit. No. 5.
- ↑ Lange, Jeva (January 9, 2023). "ThousandSuns Cinema: Indigenous Edition". Screen Slate.
- ↑ Schedelbauer, Sylvia (November 11, 2018). "Media City Film Festival 2018". AG Kurzfilm. Retrieved August 16, 2025.
- ↑ "Ben Rivers: Film Doc". Film Documentaire. August 16, 2025. Retrieved August 16, 2025.
- ↑ Osterweil, Ara (September 2021). "ALCHEMICAL ROMANCE: Ara Osterweil on Daïchi Saïto's earthearthearth". Artforum. Retrieved August 16, 2025.
- ↑ "Christopher Harris: MCFF 27 Film Introduction". SoundCloud. December 8, 2024. Retrieved August 15, 2025.
- ↑ "MCFF: 27th virtual edition". e-flux. December 10, 2024. Retrieved August 15, 2025.
- ↑ Cadieux, Neil (November 9, 2025). "Review: Our Tongues in Exile". Film Ireland.
{{cite web}}: CS1 maint: url-status (link) - ↑ Pelkey, Nadja (June 22, 2025). "Oona Mosna | Producer, Additional Crew, Actor". IMDb. Retrieved June 22, 2025.
- ↑ Mazzei, Rebecca (Fall 2020). "Editors Three Fold Press Detroit". Three Fold Press Detroit.
- ↑ Butler, Alice (September 27, 2025). "DISSOLUTIONS 25: OUR TONGUES IN EXILE CURATED BY OONA MOSNA". AEMI.
{{cite web}}: CS1 maint: url-status (link) - ↑ Beste, Amy (April 13, 2008). "Falling Out of Time: New Documentaries from the Former Soviet Europe". Scool of the Art Institute of Chicago.
- ↑ La Grassa, Jennifer (May 28, 2019). "Media City alumna is first black female director to win at Cannes". The Windsor Star.
{{cite news}}: CS1 maint: url-status (link) - ↑ Salter, Mandy (April 1, 2010). "Friedl vom Gröller (Kubelka): Year Portraits". Art Windsor-Essex.
{{cite web}}: CS1 maint: url-status (link) - ↑ Burton, Peter (June 11, 2018). "SUONI PER IL POPOLO / Jacob Kirkegaard + Films of Yoko Ono". Founderie Darling.
{{cite web}}: CS1 maint: url-status (link) - ↑ Pearson, Craig (August 2, 2017). "Media City will showcase Yoko Ono's work, among other rarely seen films". The Windsor Star.
{{cite news}}: CS1 maint: url-status (link) - ↑ "Transformative Actions: The Films of Carolee Schneemann and VALIE EXPORT". Stamps School of Art & Design. November 2018. Retrieved August 15, 2025.
{{cite web}}: CS1 maint: url-status (link) - ↑ Akhmetzhanova, Maria (February 10, 2022). "The unknown Parajanov: watch the auteur's triptych of short films". New East Digital Archive. Retrieved September 28, 2022.
{{cite news}}: CS1 maint: url-status (link) - ↑ Export, Valie (February 2016). "Schule für künstlerische Photographie, Wien (AT): Vortragsabend Oona Mosna". VALIE EXPORT. Retrieved August 20, 2025.
{{cite web}}: CS1 maint: url-status (link) - ↑ "Tony Cokes: The Evil Series". Artcite Incorporated. February 2007. Retrieved August 16, 2025.
{{cite web}}: CS1 maint: url-status (link) - ↑ Mazzei, Rebecca (December 2024). "Media City Film Festival: Spotlight Series". Three Fold Press Detroit (5).
- ↑ Hudson, David (December 9, 2024). "Media City 2024". Criterion Daily. Retrieved August 20, 2025.
{{cite news}}: CS1 maint: url-status (link) - ↑ Sheded, Mona (August 8, 2025). ""The life we see in this film no longer exists": Kamal Aljafari talks Locarno competitor 'With Hasan In Gaza'". Screen Daily.
- ↑ "60the Venice Biennale Silver Lion Goes to Karimah Ashadu: Multimedia artist Karimah Ashadu is awarded with the Silver Lion for a Promising Young Artist in the International Exhibition". Contemporary And (C&). April 22, 2024. Retrieved August 21, 2025.
- ↑ Ashadu, Karimah (Summer 2021). "Karimah Ashadu, Chrysalis Fellowship, Media City Film Festival". Karimah Ashadu.
- ↑ Sheded, Mona (August 8, 2025). "'The life we see in this film no longer exists': Kamal Aljafari talks Locarno competitor 'With Hasan In Gaza'". Screen Daily. Retrieved September 28, 2025.
- ↑ Szalai, Georg (July 31, 2025). "'With Hasan in Gaza' Is a Cinematic "Homage to Gaza and Its People" (Exclusive Locarno Trailer)". Hollywood Reporter.
- ↑ Umansky, Valentine (May 2025). "Christopher Harris: Speaking in Tongues". Tate Modern.
{{cite web}}: CS1 maint: url-status (link) - ↑ de Cuir Jr, Greg (September 2024). "Speaking in Camouflage: Christopher Harris". Whitney Museum of American Art.
{{cite web}}: CS1 maint: url-status (link) - ↑ Loayza, Beatrice (April 1, 2021). "'Malni — Towards the Ocean, Towards the Shore' Review: Embracing Our Ghosts. This ethereal experimental documentary by Sky Hopinka is an essential portrait of contemporary Indigenous life". The New York Times.
{{cite news}}: CS1 maint: url-status (link) - ↑ Delgado, Mónica (February 15, 2021). "ROTTERDAM 2021: DE LOS ANDES A LA MAREA DEL LSD". desistfilm. Retrieved August 20, 2025.
- ↑ Osterweil, Ara (March 2019). "CLOSE-UP: LA TIERRA TIEMBLA. Ara Osterweil on Malena Szlam's ALTIPLANO, 2018". Artforum. 57 (7).
- ↑ Thiron, Antione (March 2021). "Cinema du Réel: earthearthearth". Cinema du Réel.
- ↑ Sullivan, Dan (June 17, 2019). "Interview Malena Szlam". Film Comment Magazine.
- ↑ Wiseman, Andreas (December 5, 2018). "Toronto Film Festival Reveals Its Top Ten Canadian Films Of 2018: 'Freaks', 'Giant Little Ones' Make The Cut". Deadline. Retrieved September 28, 2025.
- ↑ Pipolo, Tobny (September 24, 2021). "Social Studies: Tony Pipolo on 'Currents' at the 59th New York Film Festival". Artforum. Vol. 60, no. 1 – via Artforum.
- ↑ Cooper-Hadjian, Olivia (March 2023). "The Newest Olds: Cinema du Réel Competition". Cinema du Réel.
{{cite web}}: CS1 maint: url-status (link) - ↑ Saylors, Kathleen (August 30, 2022). "Media City film selected for Toronto, New York film festivals". The Windsor Star.
{{cite news}}: CS1 maint: url-status (link) - 1 2 de Cuir Jr., Greg (November 2020). "On Fluid Frontiers". Three Fold Press Detroit. No. 1.
- ↑ "December 15, 2022". e-flux. Retrieved August 20, 2025.
- ↑ Cumming, Jesse (Fall 2017). "Fluid Frontiers (Ephraim Asili, USA/Canada) — Wavelengths". Cinema Scope.
- 1 2 Wilhelm, Trevor (November 1, 2018). "Film focusing on Windsor-Detroit's abolitionist history a highlight of Media City film fest". Windsor Star.
- ↑ Knapp, Jessica (March 19, 2008). "A Fluid Frontier: Slavery, Resistance, and the Underground Railroad in the Detroit River Borderland". Canadian History.
- ↑ "MUBI–– Oona Mosna Film Page". MUBI.
- ↑ Guest, Haden (April 9, 2019). "In Order for Disorder: An Evening with Fern Silva introduction and post-screening discussion with Haden Guest and Fern Silva". Harvard Film Archive. Retrieved August 20, 2025.
- ↑ Nam, Sean (August 28, 2019). "Locarno Curator Calls Out the Politics of Film Festival Programming". Hyperallergic. Retrieved September 28, 2025.
- ↑ Dahl, Patrick (September 21, 2020). "Radical Acts of Care". Screen Slate.
- ↑ Copp, Corina (September 2, 2020). "Forough Farrokhzad's The House is Black Is Free to View Alongside Poetry, Art, and Activism at Media City Film Festival". Poetry Foundation.
- ↑ Shah, Khushbu (April 10, 2020). "How racism and poverty made Detroit a new coronavirus hot spot". Vox.
- ↑ Dahl, Patrick (September 21, 2020). "Radical Acts of Care". Screen Slate.
- ↑ Fields, Alex (April 7, 2024). "Light, Time, and Space: The Eclipse Films of Kevin Jerome Everson". In Review Online.
- ↑ "It Seems to Hang On". MUBI. August 2015.
- ↑ Mazzei, Rebecca (November 2025). "Media City Film Festival & Trinosophes Projects Present Detroit Screenings with Kevin Jerome Everson In-Person". Three Fold Press. No. 19.
- ↑ Institute, British Film (Summer 2022). "The Greatest Films of All Time". Sight and Sound.
- ↑ Lange, Jeva (January 9, 2023). "ThousandSuns Cinema: Indigenous Edition". Screen Slate.
{{cite web}}: CS1 maint: url-status (link) - ↑ Foundation, MacArthur (Summer 2023). "Cousin Collective: Grantee News". MacArthur Foundation.
{{cite web}}: CS1 maint: url-status (link) - ↑ Girish, Devika (January 13, 2023). "Five International Movies to Stream Now". The New York Times.
{{cite news}}: CS1 maint: url-status (link) - ↑ Girish, Devika (January 17, 2023). "The Film Comment Podcast: Indigenous Cinema with Sky Hopinka and Adam Piron". Film Comment.
{{cite web}}: CS1 maint: url-status (link) - ↑ "Wolf Eyes "Born Liar" live at Media City Film Festival". YouTube. May 2013.
{{cite web}}: CS1 maint: url-status (link) - ↑ "CCMC performs at MOCAD". YouTube. May 2013.
{{cite web}}: CS1 maint: url-status (link) - ↑ "Michael Snow, Canadian artist who 'knew no boundaries,' dies at 94". CBC News. January 6, 2023.
- ↑ "Michael Snow, Canadian artist who 'knew no boundaries,' dies at 94". CBC News. May 17, 2013.
- ↑ Curtis, Charles (February 1, 2022). "Alvin Lucier (1931–2021)". Artforum.
- ↑ "Busy Tone". Detroit Metro Times. February 15, 2026.
- ↑ McGonigal, Mike (July 22, 2015). "Matana Roberts at Media City Film Festival's opening night at MOCAD". Detroit Metro Times.
{{cite news}}: CS1 maint: url-status (link) - ↑ Mazzei, Rebecca (November 2025). "Three Fold Mailing". Three Fold Press.
{{cite web}}: CS1 maint: url-status (link)
External links
edit- Media City Film Festival website
- Toronto International Film Festival––The Circle of Time: A Tribute to Artavazd Pelechian
- FICUNAM –– Oona Mosna: Competition Jury Page
- IMDb –– Oona Mosna Film Page
- MUBI –– Oona Mosna Film Page
- British Film Institute Sight and Sound Greatest Films of All Time, Oona Mosna List (2022)
- San Francisco Cinematheque: Memories of Earth (A)Wake in a House of Worlds Film Program
- ThousandSuns Cinema: Indigenous Edition
- The New York Times, review: Malni - Towards The Ocean, Towards The Shore
- MUBI –– earthearthearth
- The Cinematheque––earthearthearth
- The Cinematheque––The Diaspora Suite
- MUBI––Fluid Frontiers
- MUBI––Ride Like Lightning, Crash Like Thunder
- Andrew Kreps Gallery––MOONSHINE: The Celestial Films of Kevin Jerome Everson
- MCFF Chrysalis Fellowship

- Reliable sources include: reputable newspapers, magazines, academic journals, and books from respected publishers.
- Unacceptable sources include: personal blogs, social media, predatory publishers, most tabloids, and websites where anyone can contribute.
Replace any unreliable sources with high-quality sources. If you cannot find a reliable source for the material, it should be removed.