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Mike Finn | |
|---|---|
| Born | Ireland |
| Education | IADT |
| Occupations | Playwright & Television Writer |
| Years active | 1990-Present |
| Known for | The Church, Pigtown, Killinascully |
| Awards | 3x Irish Film & Television Awards Nominee, Stewart Parker Award Winner |
Mike Finn is an Irish playwright and filmmaker based in Limerick, Ireland. He graduated from the National Film School (IADT) with a Masters in scriptwriting and was also made an honorary fellow of the University of Iowa.[1] In 2016, he became the first ever theatre artist to be in residence in The Belltable.[2] Most of his plays delve into local history and everyday struggles. [3][failed verification]
Career
editFinn began his professional playwriting career in the early 1990s as a founding member of the Island Theatre Company,[4] where he wrote several plays. His breakthrough came with The Crunch in 1992 (co-written) and his first major solo play, Pigtown, which premiered at Belltable in 1999. Additionally, this play won him the Stewart Parker Award [5][6][7] Other works by Finn include The Quiet Moment, The Crunch and Shock & Awe, Stories, Langered and One, The Big Question, The Affair on the Square, We Are What We Witness, The Revenger’s Tragedy, Porkville, Wreckquiem [8] [9] and Life in 2 Syllables. [10]
In 2017, he wrote a historical play about the Irish Soviets, released in Belltable [11] and Bread not Profit in 2019, performed in Cleeves factory.[12] In 2025, Finn's play The Rising of the Women was released in collaboration with the GAFF.[13] Additionally, Finn also wrote several scripts for pantomimes, including Aladdin and his Magic Lamp and Cinderella.[14][failed verification]
He started writing for television in 2006, working alongside Pat Shortt to co-write the television series Killinaskully.[15] Other TV writing credits include Inside The Crystal Ball (2009) and Mattie (2011).[15][failed verification]
Awards
edit- Stewart Parker Trust Awards (2000): Won for his historical play Pigtown, which later played Off-Broadway and in San Jose.[4]
- The Irish Times Irish Theatre Awards (2020): Won the Audience Choice Award for his site-specific play Bread Not Profits, documenting the 1919 Limerick Soviet.[16]
- The Irish Times Irish Theatre Awards (2000): Received four nominations for Pigtown.[4]
- Irish Film & Television Awards (IFTAs): Nominated as a co-writer with comedian Pat Shortt for the RTÉ television comedy series Killinaskully. He was nominated in 2004, 2005 and 2008.[17][18]
Playwright
edit- The Crunch (1992)
- Charlie Chaplin’s Mother Was An Irish Man (1995)
- Pigtown (1999)
- The Quiet Moment (2002)
- Shock & Awe (2003)
- Ellis Island (2003)
- One (2006)
- The Revenger’s Tragedy (2009)
- The Unlucky Cabin Boy (2015)
- Bread Not Profits (2019)
- Waiting for Poirot (2021)
- Blue Train (2024)
- Wreckquiem (2025)
Short plays
edit- Porkville (2010)
- Life in 2 Syllables (2012)
- The Big Question (2014)
- The Affair on the Square (2016)
- Stories (2017)
- We Are What We Witness (2018)
- Langered (2019)
Filmography
editScreenwriter
edit- I'm From Limerick (2002)[19]
- Killinascully (2005-2008)
- Inside the Crystal Ball (2009)
- Mattie (2009-2011)
Actor
edit- Star Portal as Otto (1997)
- My Brother's War as Special Security Man (1997)
- The Haunting of Hell House as Lt Ryan (1999)
- Cowboys & Angels as Raid Garda 2 (2003)
- Planetfall as Cast of Bastard and Commando (2005)
- Killinaskully as Sherlock Holmes, Raider 1, Mossie (2004-2008)
- Inside the Crystal Ball as Off Screen Reporter (2009)
- Mattie as Chicken 2 (2010)
- The Apparel as Suit Man (2016)
- Blue Lights as Charles (2021)
- Hidden Assets as Bar Owner (2021)
Additional filmography
edit- 1990: Faces of Death IV: Special Thanks
- 2026: Once Upon a Time in a Cinema: Adr Sound Recordist
References
edit- ↑ Coffey, Edel (2025-11-19). "Writer's Block: Playwright, Screenwriter And Actor Mike Finn". The Gloss Magazine. Retrieved 2026-07-12.
- ↑ Rushe, Rose (2016-06-30). "Finn is first ever theatre artist in residence for Belltable". Limerick Post. Retrieved 2026-07-12.
- ↑ "Mike Finn | The International Writing Program - Graduate College | The University of Iowa". iwp.uiowa.edu. Retrieved 2026-07-12.
- 1 2 3 "SEARCH FOR A PLAY – PlayographyIreland". Retrieved 2026-07-12.
- ↑ Bodin, Richard (2025-05-20). "A Limerick Life in Three Acts: Interview with Mike Finn". The Hidden Track. Retrieved 2026-07-12.
- ↑ Fitzgerald, Eric (2022-11-05). "College Players return with Finn's Pigtown". Limerick Post. Retrieved 2026-07-12.
- ↑ "From Frank McCourt to Mike Finn - works that shaped Limerick's identity". Limerick Live. 2025-06-13. Retrieved 2026-07-12.
- ↑ "Wreckquiem Press Launch - Lime Tree Theatre". 2025-06-04. Retrieved 2026-07-12.
- ↑ McCormack, Chris. "Wreckquiem review: Pat Shortt is well capable of an audience-pleasing expletive in an adroit performance". The Irish Times. Retrieved 2026-07-12.
- ↑ "Mike Finn, Artist in Residence, January – December 2017 – BELLTABLE:CONNECT". Retrieved 2026-07-12.
- ↑ Lynch, Richard. "Belltable team with Limerick playwright Mike Finn". www.ilovelimerick.ie. Archived from the original on 2026-02-17. Retrieved 2026-07-12.
- ↑ Reporter, Staff (2021-05-11). "Limerick playwright Mike Finn returns this summer with a new site-responsive production Waiting For Poirot". Limerick Post. Retrieved 2026-07-12.
- ↑ Fitzgerald, Eric (2025-05-09). "Promenade performances of Mike Finn's The Rising of The Women". Limerick Post. Retrieved 2026-07-12.
- ↑ "Watch: Host of events planned for city venues over coming months". Limerick's Live 95. Retrieved 2026-07-12.
- 1 2 "My Cultural Life: Mike Finn, playwright". Irish Independent. 2019-04-15. Retrieved 2026-07-12.
- ↑ Lynch, Richard. "Bread Not Profits wins Audience Choice from Irish Times Theatre Awards". www.ilovelimerick.ie. Archived from the original on 2026-01-19. Retrieved 2026-07-12.
- ↑ "Mike Finn". www.doollee.com. Archived from the original on 2026-04-15. Retrieved 2026-07-12.
- ↑ "| The Irish Film & Television Network". iftn.ie. Retrieved 2026-07-12.
- ↑ "Im from Limerick". Irish Independent. 2002-11-29. Retrieved 2026-07-12.
