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Submission declined on 11 March 2026 by ChrysGalley (talk).
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Submission declined on 10 March 2026 by Pythoncoder (talk). This draft appears to contain text generated by a large language model (such as ChatGPT). You cannot use LLMs to generate article content.
Declined by Pythoncoder 3 months ago.LLM-generated pages with certain obvious signs of being machine generated may be deleted without notice. These tools are prone to specific issues that violate our policies:
Instead, only summarize in your own words a range of independent, reliable, published sources that discuss the subject. See the advice page on large language models for more information. |
Comment: AI / LLM is still very much present here. So two examples: "His work has been discussed in publications including The Guardian, Le Figaro and Business of Fashion."
- now the Figaro story isn't summarised at all, it is name-checked in the previous sentence is a way that does not make sense. See WP:AIATTR. Then"performative culture of fashion imagery."
- the Guardian source does not actually say that, it's a woolly overlay of roughly approximate language. Now dissecting AI point by point isn't that helpful, since AI simply is not allowed per WP:NEWLLM. ChrysGalley (talk) 13:13, 11 March 2026 (UTC)
David Luraschi is a French-American photographer who has collaborated with fashion designer Simon Porte Jacquemus and produced editorial photography for magazines including Vogue and M Le Monde.[1]
Career
editEarly work
editLuraschi's early photographic practice included medium-format photographs produced in the United States. Writing in 2011, Stanley Wolukau-Wanambwa observed that his images “can seem strange, but gradually they open up fissures in our sense of that strangeness through which unexpected stories pour out.”[2]
Street photography
editIn the mid-2010s, Luraschi produced a series of street photographs depicting anonymous figures photographed from behind. Writing in The Guardian in 2014, journalist Morwenna Ferrier described Luraschi as pioneering a candid approach to street-style photography that focused on photographing subjects from behind rather than staging posed images.[3]
In The One Device (2017), journalist Brian Merchant referenced Luraschi's series as emblematic of how smartphone photography reshaped street documentation. Merchant noted that the images “went viral,” attributing their circulation to their faceless, repeatable composition, which enabled rapid online sharing and imitation.[4]
His long-running back-portrait project was published in 2024 as Stop Following Me.[5]
Fashion and editorial work
editLuraschi is closely associated with the early visual identity of Jacquemus. Beginning in 2015, he photographed several campaigns for the brand, including La Reconstruction, Les Santons de Provence, La Bomba and L’Amour d’un Gitan. The campaign L’Amour d’un Gitan later expanded into the monograph Ensemble, published by Loose Joints in 2021.[6][7]
Business of Fashion included his imagery for Jacquemus in its “Top 10 Campaigns of the Season” (March 2017), describing it as “striking imagery” that cast the label in “a newly mature light.”[8]
For M Le Monde, he photographed writer Leïla Slimani for the magazine's November 2019 cover.[9]
In April 2020, Luraschi participated in M Le Monde's “Photographes confinés” project, contributing a self-portrait alongside other photographers working in isolation.[10]
He directed the music video for Cola Boyy's “Penny Girl” (2018) and a short film on photographer Ralph Gibson featured by Nowness.[11][12]
Art projects and exhibitions
editIn 2018, Luraschi produced I SPY WITH MY LITTLE EYE, a 100 × 300 cm installation composed of 500 sequenced photographs of pedestrians in Brussels. The work was presented during Art Brussels in collaboration with The Community and Coherent Gallery.[13]
His work has also been exhibited at the Musée MAMO in Marseille as part of the project Marseille Je T’Aime (2017).[14]
Teaching and public talks
editPersonal life
editThis section of a biography of a living person does not include any references or sources. (March 2026) |
Luraschi was born in Paris and raised by American parents working in film. His father wrote and directed the 1979 British film The Outsider. He is the grandson of film executive Luigi Luraschi.
References
edit- ↑ "Ces photographes qui créent l'identité d'une marque". Le Figaro. 24 March 2022.
- ↑ Wolukau-Wanambwa, Stanley (2011). "Sorry That You Died Froggy by David Luraschi". The Great Leap Sideways. Retrieved 10 March 2026.
- ↑ Ferrier, Morwenna (12 August 2014). "How street-style photography got real". The Guardian.
- ↑ Merchant, Brian (2017). The One Device: The Secret History of the iPhone. Little, Brown. ISBN 9780316546164.
- ↑ Stop Following Me. Anura Editions. 2024. ISBN 978-2-9541962-0-6.
- ↑ Ensemble. Loose Joints. 2021. ISBN 978-1-912719-12-9.
- ↑ "To be naked is to be oneself: inside David Luraschi's sensual photo book". Another Magazine. Retrieved 10 March 2026.
- ↑ "Top 10 Campaigns of the Season". Business of Fashion. March 2017. Retrieved 10 March 2026.
- ↑ "Leïla Slimani – M Le Monde cover story". M Le Monde. Le Monde. November 2019. Retrieved 10 March 2026.
- ↑ "Photographes confinés – M Le Monde, Issue 447". M Le Monde. Le Monde. April 2020. Retrieved 10 March 2026.
- ↑ "Ralph Gibson: How to Make a Book". Nowness. Retrieved 10 March 2026.
- ↑ "Cola Boyy – Penny Girl video premiere". The Fader. Retrieved 10 March 2026.
- ↑ "I Spy With My Little Eye". The Community. Retrieved 10 March 2026.
- ↑ "Jacquemus announces Marseille exhibition and new film". Dazed. Retrieved 10 March 2026.
- ↑ "Applied Photography – Spring 2024". ECAL. Retrieved 10 March 2026.
- ↑ "Corps et images de mode – Table ronde". Jeu de Paume. Retrieved 10 March 2026.
- ↑ "Conversations 2025". Paris Photo. Retrieved 10 March 2026.


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