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Submission declined on 18 March 2026 by Quinntropy (talk). This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.
Declined by Quinntropy 2 months ago.
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This draft's references do not show that the person meets Wikipedia's criteria for inclusion for people. The draft requires multiple published secondary sources that:
This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.
Declined by Dan arndt 8 months ago.
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Submission declined on 28 July 2024 by Iwaqarhashmi (talk). This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.
Declined by Iwaqarhashmi 22 months ago.
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This draft is not adequately supported by reliable sources. Wikipedia's verifiability policy requires that all content be supported by reliable sources.
Declined by TheTechie 2 years ago.
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Comment: You still haven't added any citations to reliable sources. Please do not submit again until information is backed up by multiple reliable, independent sources. {{GearsDatapacks|talk|contribs|in solidarity}} 14:07, 12 June 2026 (UTC)
- Comment: Fails WP:MUSICBIO, lacks any reliable independent sources. YouTube and Twitter are not acceptable secondary sources. Dan arndt (talk) 08:03, 14 October 2025 (UTC)
- Comment: No sources are cited. Please add sources to this submission for a chance of it being approved. If you reply here, please ping me. thetechie@enwiki: ~/talk/ $ 16:23, 7 May 2024 (UTC)
Charge And Groove | |
|---|---|
 Official Logo in 2023 | |
| Background information | |
| Born | July 2, 2004 Taguig, Philippines |
| Genres | |
| Occupations |
|
| Years active | 2018-present |
| Label | Tres Estrellas y Sol |
Charge And Groove (born 2 July 2004) is a Filipino DJ, Music Producer, and Singer-Songwriter known for her work in various electronic music genres, including moombahton EDM, progressive house, bass house, and future bounce.
Early Life
editBackstory of the battery
editCharge And Groove was born on 2 July 2004 in Makati. Her interest in music began at the age of 5, and she started singing when she was 7.
In 2015, she began composing her first songs, and at 13, she started using GarageBand on her tablet as her first digital audio workstation (DAW).
In 2020, she continued composing other songs in FL Studio using her mobile phone at the age of 16. Continues to use her DAW on her laptop at the age of 18.
The hidden identity of the battery
editCharge And Groove's identity is unknown. It is considered to be a solo female EDM artist. The mistake of the claims to the wiki and other prompts of AI platforms was duo male EDM artists.
The representation
editThe logo was identified to be called The Young Lady Battery (which identifies her music for the energetic vibe)
Education
editCharge And Groove is currently pursuing higher education at the Technological Institute of the Philippines.
Career
edit2018: Debut Single Nitro
editCharge And Groove began her career in 2018 with the release of her debut single, "Nitro". Released on June 17, 2018, the track was made available on SoundCloud, marking her first foray into the music scene. Her release also featured a visualizer on YouTube, which helped introduce her to a wider audience. This was the beginning of her exploration into electronic dance music (EDM) production, and she quickly started gaining attention for her fresh take on bass-heavy sounds.
2019: Establishing Her Style with Magnetism and Technologetic
editAs Charge And Groove honed her craft, 2019 saw the release of two significant tracks that helped define her style. On May 12, she released "Magnetism, her first Bass House track that showcased her ability to blend heavy beats with catchy melodies. The track gained traction on platforms like SoundCloud and YouTube.
On June 1, Charge And Groove released "Technologetic", a second track that further explored electronic genres, combining future sounds with her unique bass-heavy influence. Both tracks were well-received by fans and served as a foundation for her growing reputation in the electronic music scene.
2020: Deception, Mischief, The Chosen One, and Hellfire as the expansion into EDM and Progressive House
editIn 2020, Charge And Groove began to diversify her sound even further, pushing into various subgenres of EDM. On 17 February, Charge And Groove released her first EDM track "Deception", her first full-fledged EDM track, which brought in more attention from listeners in the electronic community.
On 20 February, Charge And Groove released her second EDM track, "Mischief", another energetic track, further solidifying her presence within the EDM genre.
On 1 May, Charge And Groove released her first Progressive House track "The Chosen One", a track that showcased her versatility and ability to adapt to different electronic subgenres.
On 29 June, Charge And Groove released her second Bass House track, "Hellfire". This period marked her evolution from a budding producer to an artist with a distinctive sound.
2023: Breakthrough tracks and growth. Amazon Dance first Soundcloud plays, Leathal, Above And Beyond first Youtube views, Calm After The Storm first Spotify streams, LEGO first YouTube Music views, and Christmas Bass Party
edit2023 marked the most significant year in Charge And Groove's career to date, with a series of diverse and successful releases across multiple platforms. On 4 June, Charge And Groove released her first Moombahton track "Amazon Dance". The track quickly gained traction on SoundCloud, amassing over 600 plays within the first week. The release showcased her ability to experiment with new genres while maintaining her signature style of bass-heavy and upbeat music.
On 24 June 2023, Charge And Groove released her third Bass House track "Leathal". The track continued her exploration of intense basslines and was accompanied by a striking visualizer on YouTube.
On 24 July, Charge And Groove released her second Progressive House track, "Above And Beyond". Her track has 100+ views on YouTube. It quickly gained over 100 views on YouTube and further cemented her ability to work across multiple subgenres.
On 22 November, Charge And Groove released her first Future Bounce track "Calm After The Storm". Her track has the first streams on Spotify. This track demonstrated her expansion into yet another EDM subgenre, blending uplifting melodies with energetic drops.
On 19 December, Charge And Groovereleasede her third Progressive House track "LEGO", which gained its first views on YouTube Music.
On 25 December, Charge And Groovreleasedse her first Christmas Song and her third Bass House track "Christmas Bass Party". showcasessed her creativity by adding festive themes to her bass house style.
2024: Gunshot, Sunrise In Morning Cities, Sunset In The Horizon, Ritmo del Revolución, Rendezvous, and Greatest Reindeer Bounce
editCharge And Groove continued to expand her musical repertoire in 2024, consistently releasing new tracks and experimenting with different styles. On 5 May, Charge And Groove released her fourth Bass House track, "Gunshot". It gained popularity for its intense energy and high-impact drops.
On 2 June, Charge And Groove released her fourth Progressive House track, "Sunrise In Morning Cities".
On 7 June, Charge And Groove released her second Future Bounce track, "Sunset In The Horizon".
On 26 October, Charge And Groove released her second Moombahton track, "Ritmo del Revolución". This track introduced a more rhythm-focused, Latin-influenced sound to her catalog.
On 23 November, Charge And Groove released her first Deep House track "Rendezvous", in addition to a more laid-back yet groovy style to her diverse portfolio.
On 25 December, Charge And Groove released her second Christmas Song and her third Future Bounce track, "Greatest Reindeer Bounce". This release continued her experimentation with catchy melodies and energetic beats during the festive season.
2025: Launch of Tres Estrellas y Sol Label, HUE, Blackness, Dark Bach, Branches, White Noise, Wishing Well, and Halls Decking
editOn January 28, Charge And Groove took a significant step in her career by announcing the launch of her music label, Tres Estrellas y Sol. The announcement came via Twitter, marking a new chapter in her musical journey as she looked to support emerging artists and further establish her influence within the music industry. The label's name, which translates to "Three Stars and Sun," symbolizes the artist's Filipino heritage and commitment to bringing new sounds to the global music scene.
Charge And Groove's decision to launch her label reflects her growing prominence within the electronic music scene and her vision for the future of her career. This move signaled her increasing influence and desire to shape the music scene beyond her productions.
On 8 March, Charge And Groove released her fourth Future Bounce track, "HUE". This track is represented for LGBTQIA+.
On 24 May, Charge And Groove released her fifth Bass House track, "Blackness". This track is representing for race equality.
On 18 July, Charge And Groove released her first Psytrance track, "Dark Bach". She created her own Classical piece using a violin instrument through the synth/keyboard. Critics say that the title was based on the German composer Johann Sebastian Bach by his last name. His name was a metaphoric piece, yet it is a mix of Orchestral and EDM according to her own perspective comment.
On 12 September, Charge And Groove released her third Moombahton track, "Branches".
On 24 October, Charge And Groove released her sixth Bass House track, "White Noise".
On 18 November, Charge And Groove released her second Deep House track, "Wishing Well".
On 25 December, Charge And Groove released her third Christmas track and her fifth Progressive House track, "Halls Decking".
2026: The Barista Club EP debut album
editOn March 1, Charge And Groove announces her debut album. Which she will be release with two version of her debut album. This includes her tracklists were posted on different socials to promote her music. She also impose that all of her tracks were self-produced by hers. All songs were written by herself. Each of two versions has four tracklists.[citation needed]
Discography
editStudio Albums
edit| Title | Details | Peak chart positions | |||
|---|---|---|---|---|---|
| PH | US | ||||
| Charge And Groove: The Anthems of 2023 |
Track listing
|
— | — | ||
| Charge And Groove: The Anthems of 2024 |
Track listing
|
– | – | ||
| "—" denotes a recording that did not chart or was not released in that territory. | |||||
Extended Plays
edit| Title | Details | Peak Chart Postitions | |||
|---|---|---|---|---|---|
| PH | US | ||||
| Charge And Groove: The Anthems of 2020 |
Track listing
|
– | – | ||
| "–" denotes a recording that did not chart or was not released in that territory | |||||
| Title | Details | Peak Chart Positions | |||
|---|---|---|---|---|---|
| PH | US | ||||
| Charge And Groove: The Anthems of 2019 |
Track listing
|
– | – | ||
| "–" denotes a recording that did not chart or was not released in that territory | |||||
Singles
edit- Nitro (2018)
- Magnetism (2019)
- Technologetic (2019)
- Deception (2020)
- Mischief (2020)
- The Chosen One (2020)
- Hellfire (2020)
- Amazon Dance (2023)
- Leathal (2023)
- Above And Beyond (2023)
- Calm After The Storm (2023)
- LEGO (2023)
- Christmas Bass Party (2023)
- Gunshot (2024)
- Sunrise In Morning Cities (2024)
- Sunset In The Horizon (2024)
- Ritmo del Revolución (2024)
- Rendezvous (2024)
- Greatest Reindeer Bounce (2024)
- HUE (2025)
- Blackness (2025)
- Dark Bach (2025)
- Branches (2025)
- White Noise (2025)
- Wishing Well (2025)
- Halls Decking (2025)
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