Bill Armstrong is a fine art photographer known for his blurred color photographs.[1]
Bill Armstrong | |
|---|---|
| Born | |
| Occupation | Fine art photographer |
Life and career
editBill Armstrong is fine art photographer. His Mandala series was featured in a two-person exhibition at the Philadelphia Museum of Art in 2008,[2] and he had a retrospective at the Southeast Museum of Photography in Daytona Beach in 2010. Armstrong’s work is in many museum collections.[citation needed] He has presented work in numerous museum exhibitions including: the Smithsonian Institution; Hayward Gallery, London; Musee de l’Elysee, Lausanne; Centro Internazionale di Fotografia, Milan; and FOAM, Amsterdam.[3] One of Armstrong’s images was chosen for the cover of Lyle Rexer’s Aperture book, The Edge of Vision: The Rise of Abstraction in Photography.[4] His work appears in Face: The New Photographic Portrait by William Ewing[5] and Exploring Color Photography by Robert Hirsch. He has been published in numerous periodicals including The New Yorker
References
edit- ↑ Hirsch, Robert (2005). Exploring Color Photography: From the Darkroom to the Digital Studio. New York: McGraw-Hill. p. 263. ISBN 9780072407068.
- ↑ Newhall, Edith (October 5, 2008). "Mandalas in photographs" (PDF). Philadelphia Inquirer. Archived from the original (PDF) on June 17, 2014. Retrieved November 13, 2013.
- ↑ "Spirit: From the Infinity Series". Southeast Museum of Photography. Archived from the original on 7 January 2014. Retrieved 11 December 2013.
- ↑ Rexer, Lyle (2009). The Edge of Vision: The Rise of Abstraction in Photography. New York: Aperture. pp. Cover, 212–213. ISBN 9781597111003.
- ↑ Ewing, William (2006). Face: The New Photographic Portrait. London: Thames & Hudson. pp. 212–213. ISBN 9780500543214.