Anant Mane (22 September 1915 - 9 May 1995) was a film director who directed approximately 60 movies during the golden era of Marathi cinema.[2] He was known for making films based on the folk art form Tamasha, and also directed a number of family melodramas.[3] Mane was the recipient of 3 National Film Awards and 7 Maharashtra State Film Awards. He teamed up with the music director Vasant Pawar and directed several hit movies in the 1960s, 1970s and 1980s.

Anant Mane
Born
Anant Govind Mane

(1915-09-22)22 September 1915
Died9 May 1995(1995-05-09) (aged 79)[1]
OccupationFilm Director

Mane's 1961 film Manini won the President's Silver Medal for best regional film of the year.[4] In 2006, the Lokmanch Charitable Trust, Kolhapur, instituted an annual Anant Mane award for outstanding contribution to the Marathi film industry.[5]

Early life

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Anant Mane was born on 22 September 1915 in Kolhapur, Maharashtra. His interest in the film industry was sparked during his youth due to his uncle, Gyanoba Mane, a wrestler who worked as an actor at the Prabhat Studio in Kolhapur. Accompanying his uncle to the studio, Mane became drawn to the filmmaking environment, which eventually led him to discontinue his formal school education.

On June 1, 1930, Mane officially joined Prabhat Studio, initially working in the laboratory department. He worked without remuneration for the first year and five months before transitioning to a paid position with a monthly salary of ten rupees. During his tenure at Prabhat Studio, Mane gained foundational experience across various departments by observing and participating in film editing, art design, cinematography, sound recording, and crowd scenes, which helped develop his technical and artistic understanding of cinema.[6]

Career

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Early Technical Training and Prabhat Film Company (1930–1942)

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Mane began his career at the Prabhat Film Company on June 1, 1930, initially working in the laboratory department. He gained a wide range of experience by observing operations in film editing, art design, cinematography, sound recording, and crowd coordination. During this period, he closely observed the directorial and editing techniques of V. Shantaram. Mane made a brief onscreen appearance as Vishnu in India's first color talkie, Sairandhri (1933), a joint venture between V. Shantaram and Prabhat.[7]

When Prabhat Film Company relocated its operations to Pune, Mane moved with the studio and transitioned to the editing department in 1933. Under Shantaram's mentorship, he worked as an editor on several of the company's major productions, including Amrit Manthan (1934), Chandrasena (1935), Amrit Sena, and Dharmatma (1935). He remained with the studio through the production of notable films like Manoos (1938), Sant Tukaram (1936), Shejari (1941), and Sant Dnyaneshwar (1940). Following internal disagreements among Prabhat's partners, V. Shantaram left the company in 1942, and Mane's formal contract with the studio concluded the following year.[8]

Collaborations and Transition to Direction (1943–1949)

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In 1943, Mane began working as an editor with director Raja Nene. Together, they worked on films such as Taramati (1945), Phir Bhi Apna Hai (1946), and Bachchon Ka Khel (1946). During this period, he also served as the director for the music-focused film Lalat.[9]

In 1946, Jobanputra, the owner of Pune's Deccan Studio, commissioned Nene to make a biographical film based on the life of folk poet Patthe Bapurao. Mane contributed to the screenplay and directed the project, Patthe Bapurao, though he was officially credited as the co-director. This project marked his formal entry into screenwriting. He followed this with Ketakicha Banaat, which featured actor Suryakant in his first leading role.[9]

Alhad Chitra, Chetan Chitra, and Commercial Success (1950–1959)

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In 1950, with financial backing from Prabhakarpant Korgaonker of Kolhapur, Mane co-founded the production company Alhad Chitra alongside Dada Dharmadhikari and others. The banner's debut film, Bala Jo Jo Re, featured a story by V. V. Bokil, a screenplay and lyrics by G. D. Madgulkar, and performances by Suryakant, Usha Kiran and Sulochana. The film achieved commercial success, completing a silver jubilee run. Alhad Chitra produced consecutive silver jubilee hits with Stree Janma Hi Tujhi Kahani and Chimani Pakhare (released in Hindi as Nanhe Munne), placing the company at its commercial peak by 1952 before it closed operations in 1953.[10]

Mane subsequently established his own production banner, Chetan Chitra. The company's first venture, the socially conscious drama Paydali Padleli Phule (1956), was a commercial failure. He followed it with a series of films, including Zakli Mooth (1956), Sata Janmacha Sobati (1957), Don Ghadicha Daav (1957), and Paishacha Paus (1958).[10] In 1957, his film Dhakti Jaoo received the National Film Award for Best Marathi Feature Film.[11]

In 1959, Mane directed Sangtye Aika, which became a major milestone in his career. Written by G. G. Parkhi with dialogues by Vyankatesh Madgulkar, and an ensemble cast including Jayshree Gadkar, Sulochana, Chandrakant, Suryakant, Dada Salvi and Hansa Wadkar, the film completed a historic 131-week run in a single theatre.[12]

Later Directorial Career and Industry Contributions

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Following Avaghachi Sansar (1960), Mane received Maharashtra State Film Award for Best Director and National Film Award for Best Marathi Feature Film awards for his directorial work on Shahir Parshuram (1961) and Manini (1962).[13] Over his career, he directed approximately 58 films, including Rangpanchami (1962), Maza Hoshil Ka? (1964), Sawaal Majha Aika! (1965), Kela Ishara Jata Jata (1965), Ek Gaon Bara Bhangadi (1968), Pahuni (1974), Lakshmi (1976), Kalavantin (1977), Sushila (1978), Haldi Kunku (1979), Kulswamini Ambabai (1984), and Gaon Tasa Changla Pan Veshila Tangla (1986). He also wrote the stories and screenplays for 14 of his films, including Aboli, Don Ghadicha Dav, Ek Gaon Bara Bhangadi, Naar Nirmite Nara, and Kela Ishara Jata Jata.

Throughout his career, Mane collaborated with prominent literary figures, including G. D. Madgulkar, P. B. Bhave, Y. G. Joshi, Pandit Mahadevshastri Joshi, Ranjit Desai, Vyankatesh Madgulkar, and Shankar Patil. Despite his established success as an independent director, he returned to assist his mentor, V. Shantaram, as an assistant director on the landmark film Pinjara (1972).[14]

Outside of active filmmaking, Mane served as an advisor to the Akhil Bharatiya Marathi Chitrapat Mahamandala and was actively involved in the advocacy and development efforts to establish the Chitranagari studio complex in Kolhapur.[6]

Filmography

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Year Film Director Writer Notes
1949 Jai Bhim Yes Debut as a director
1950 Ketakichya Banaat Yes
1953 Aboli[15] Yes
1954 Suhagan Yes Hindi film
Shubh Mangal Yes
Owalni Yes
Kalakar Yes
1955 Punvechi Raat Yes
1956 Paidali Padleli Phule Yes
1957 Preet Sangam Yes
Zakli Mooth Yes
1958 Dhakti Jaoo Yes National Film Award for Best Marathi Feature Film
Don Ghadicha Daav Yes
1959 Sangtye Aika[16] Yes
Saata Janmachi Sobati Yes
1960 Paishacha Paaus Yes
Avaghachi Sansar Yes
1961 Shahir Parshuram Yes Maharashtra State Film Award for Best Director
Rang Panchami Yes
Manini Yes National Film Award for Best Marathi Feature Film
1962 Preeti Vivah Yes
Chimnyachi Shala Yes
Bhagya Laxmi Yes
1963 Naar Nirmite Nara Yes
Majha Hoshil Ka? Yes
1964 Sawaal Majha Aika! Yes National Film Award for Best Marathi Feature Film
Kai Ho Chamatkar Yes
1966 Kela Ishara Ishara Jata Yes Maharashtra State Film Award for Best Director
1967 Saangu Kashi Me Yes
1968 Ek Gaon Bara Bhangadi Yes
1969 Gan Gavlan Yes Yes
Dongarchi Maina Yes
1971 Ashich Ek Ratra Hoti Yes
Aai Udhe Ga Ambabai Yes
1973 Mee Tujha Pati Nahi Yes
1975 Paach Rangachi Paach Pakhare Yes
1976 Pahuni Yes Maharashtra State Film Award for Best Director
Farari Yes
1977 Asla Navra Nako Ga Bai! Yes
1978 Kalavantin Yes Yes
Sushila Yes
Laxmi Yes
1979 Haldi Kunku Yes
Duniya Kari Salam Yes
1980 Saawaz Yes
1981 Totaya Aamdar Yes
Pori Zara Zapun Yes
Aai Yes
1982 Galli Te Dilli Yes
Don Baika Phajeeti Aika Yes Yes
1983 Sansar Pakhrancha Yes
1984 Kulswamini Ambabai Yes
Jagavegli Prem Kahani Yes
1985 Gaon Tasa Changla Pan Veshila Tangla Yes Yes
1991 Bandhan Yes
Z.P Yes
1993 Lavanyavati Yes

References

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  1. "Anant Mane". muvyz. Retrieved 19 November 2015.
  2. Sanjit Narwekar; Raghuvir Kul; D. B. Samant; Maharashtra Film, Stage & Cultural Development Corporation (1995). Marathi Cinema: in retrospect. Maharashtra Film, Stage & Cultural Development Corp. p. 92.
  3. Hansa Wadkar (8 July 2014). You Ask, I Tell: An Autobiography. Zubaan Books. pp. 89–. ISBN 978-93-83074-68-6.
  4. "AABHIJATYAM 1971". The Hindu
  5. "Actress Lila Gandhi selected for Anant Mane Award". One India News. February 2, 2007
  6. 1 2 "माने, अनंत गोविंद". www.maharashtranayak.in.
  7. Kiran Shantaram; Sanjit Narwekar (1 January 2003). V. Shantaram, the legacy of the Royal Lotus. Rupa & Co. ISBN 9788129102188. Retrieved 11 February 2015.
  8. Bali, Karan (2014-11-27). "The story of how Prabhat Studios made India's biggest hits of the 1930s". Scroll.in.
  9. 1 2 "Anant Mane". Cinemaazi. Retrieved 2026-05-26.
  10. 1 2 Mujawar, Isak (1969). Maharashtra - Birthplace of Indian Film Industry. The Chief Information Officer Maharashtra Information Centre. p. 104.
  11. "6th National Film Award" (PDF). Directorate of Film Festivals. 27 May 2026.
  12. "3-day film fest in Kolhapur marks Mane's birth centenary". The Times of India. 2015-09-02. ISSN 0971-8257.
  13. "9th National Film Award" (PDF). Directorate of Film Festivals. 27 May 2026.
  14. "मराठी चित्रपटसृष्टीवर ठसा उमटवणारे दिग्दर्शक अनंत माने – Marathisrushti Articles". www.marathisrushti.com.
  15. Routledge Handbook of Indian Cinemas edited by K. Moti Gokulsing. Page 80.
  16. "Film Review: For Sachin fans - Pune Mirror -". Pune Mirror. Archived from the original on 2015-04-26. Retrieved 2026-05-27.
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