A Romance in Flanders (also known as Lost on the Western Front and Widow's Island[1]) is a 1937 British drama film directed by Maurice Elvey and starring Paul Cavanagh, Marcelle Chantal, Olga Lindo and Alastair Sim.[1] It was written by Harold Simpson based on the novel Widow's Island by Mario Fort and Rolf E. Vanloo.[citation needed] It was made at the Riverside Studios in Hammersmith by the independent Franco-London Films.[2]

A Romance in Flanders
Directed byMaurice Elvey
Written byHarold Simpson
Based onWidow's Island by Mario Fort and Rolf E. Vanloo
Produced byFriedrich Deutschmeister
StarringPaul Cavanagh
Marcelle Chantal
Garry Marsh
CinematographySydney Blythe
William Luff
Production
company
Franco–London Films
Distributed byBritish Lion Films
Release date
  • 17 August 1937 (1937-08-17)
Running time
73 minutes
CountryUnited Kingdom
LanguageEnglish

A French film of the story, L'île des veuves (1937), was also produced, with Chantal appearing in both versions. Both films were produced by Friedrich Deutschmeister.

Preservation status

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The British Film Institute National Archive holds a collection of ephemera and stills but no film or video materials.[1]

Synopsis

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During the First World War campaign in Flanders two British Expeditionary Force soldiers are both attracted to local women Yvonne. During a German attack on the Widow's Island salient, John Morley is left for dead by Rodd Berry who now has a free hand with Yvonne. Twenty years later Yvonne, married to Berry for two decades, encounters a tourist guide on the battlefield with an uncanny resemblance to Morley and possibly suffering from amnesia.

Cast

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Reception

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Kine Weekly wrote: "The subject matter is inherently sombre, but the director, Maurice Elvey, has relieved the tension adequately by introducing friendly reunion celebrations and carefully planned thrills. In fact, it is the framing of the emotional theme, rather than the theme itselt that constitutes the major portion of the popular entertainment. The film is in spite of its orthodoxy, not at all bad theatre."[3]

The Daily Film Renter wrote: "Paul Cavanagh gives a good performance as the war-racked guide, who cannot leave Flanders because of its associations with the woman he loves. Marcelle Chantal is emotionally sympathetic as the woman, while Garry Marsh gives a suitably bluff performance as her stolid husband. Production is patchy in spots, detail of wartime tank rescue being gripping in the extreme, but model shots of war-racked battle-front unconvincing."[4]

Picturegoer wrote: "Theatrical but reasonably interesting triangle drama ... Paul Cavanagh is polished and sensitive as the guide and affords a strong contrast to the bluff portrayal of the sergeant-major, given by Garry Marsh. Marcelle Chantal is somewhat colourless as the woman in the case."[5]

Halliwell's Film Guide describes it as "rose-coloured romantic hokum".[6]

References

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  1. 1 2 3 "A Romance in Flanders". British Film Institute Collections Search. Retrieved 15 May 2026.
  2. Wood, Linda (1986). British Films, 1927–1939 (PDF). British Film Institute. p. 92. Archived from the original (PDF) on 16 October 2022.
  3. "A Romance in Flanders". Kine Weekly. 246 (1584): 53. 26 August 1937. ProQuest 2339640406.
  4. "A Romance in Flanders". The Daily Film Renter (3240): 13. 20 August 1937. ProQuest 2826333977.
  5. "A Romance in Flanders". Picturegoer. 7 (350): 22. 5 February 1938. ProQuest 1771140015.
  6. Halliwell, Leslie (1989). Halliwell's Film Guide. Scribner. p. 878.
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