File:Kerry Tribe ThereWillBe.jpg

Film installation by Kerry Tribe, There Will Be _______ (Video projection with sound, 30 min., Installation view, The Power Plant, Toronto, 2017). The image illustrates a body of work by Kerry Tribe in the 2000s, when she produced multi-faceted film and video projects employing performance, reenactment and documentary practices. This image shows an installation and film (Greystone, 2012) that examined a famous unsolved double murder that took place in 1929 at the Greystone Mansion in Beverly Hills, then California's most expensive home and later a popular film location. It featured an intricate script presenting five scenarios for the crime that culled dialogue from over 60 films shot at the mansion. These projects were publicly exhibited in prominent venues, commissioned by art institutions, and discussed in major art journals and daily press publications.

Artist Kerry Tribe. Copyright held by the artist.

Kerry Tribe

Installation image

Yes. The image will not affect the commercial value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.

The image has contextual significance serving an informational and educational purpose as the primary means of illustrating a key aspect of the work of Kerry Tribe: her early-to-mid career, multi-faceted film and video projects exploring performance and reenactment, often through means involving both documentary practices and the transposion of elements of existing films into new works. These works reflected on uncertainty, cultural memory and disinformation, and historical events and employed performance, film and video, photography, sound and installation. Because the article is about an artist and her art, the omission of the image would significantly limit a reader's understanding and ability to understand this key body of work, which brought Tribe ongoing recognition through exhibitions in major venues, coverage by major critics and publications, and institutional commissions. Tribe's work of this type and this series, as well as this specific work, are discussed in the article and by critics cited in the article.

There is no free equivalent of this or any other of this series by Kerry Tribe, so the image cannot be replaced by a free image.

The image use is minimal in that it conveys important information that a full artwork image at a limited fair-use size cannot due to the uniquely hyper-detailed nature of the work. By providing a close-up of the artist's style and imagery, it is significantly more informative for a viewer. It is also a further protection (along with the low resolution) against affecting commercial value.