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Summary
| DescriptionDülmen, Heilig-Kreuz-Kirche, Innenansicht -- 2019 -- 3022-6.jpg |
Deutsch: Innenansicht (mit Reflexionen in dem Weihwasserbecken, einem symbolischen Taufbecken) der Heilig-Kreuz-Kirche in Dülmen, Nordrhein-Westfalen, Deutschland
Die Heilig-Kreuz-Kirche ist eine römisch-katholische Pfarrkirche, in der sich das Grab der seligen Mystikerin Anna Katharina Emmerick befindet. Sie wurde 1936 bis 1938 an der Lüdinghauser Straße von dem Kirchenbaumeister Dominikus Böhm als zweite katholische Pfarrkirche erbaut und durch den damaligen Bischof von Münster Clemens August Graf von Galen als letzter Kirchenneubau Deutschlands vor dem Zweiten Weltkrieg am 16. November 1938 eingeweiht. Durch Bombentreffer am 22. März 1945 wurde die Kirche teilweise zerstört. Der Wiederaufbau des Bauwerks erfolgte bis 1953, wobei die Taufkapelle nicht wieder errichtet wurde. Die Kirche wurde in den 1970er und 2000er Jahren renoviert bzw. umgestaltet. English: Interior view (with reflections in the stoup, a symbolic baptismal font) of the Holy Cross Church in Dülmen, North Rhine-Westphalia, Germany
The Holy Cross Church is a Roman Catholic parish church that houses the tomb of the blessed mystic Anna Katharina Emmerick. It was built between 1936 and 1938 on Lüdinghauser Straße by church architect Dominikus Böhm as the second Catholic parish church and was consecrated on November 16, 1938, by the then Bishop of Münster, Clemens August Graf von Galen, as the last new church to be built in Germany before the Second World War. The church was partially destroyed by bombs on March 22, 1945. The building was rebuilt by 1953, although the baptistery was not rebuilt. The church was renovated and redesigned in the 1970s and 2000s. Español: Vista interior de la Iglesia de la Santa Cruz en Dülmen, Renania del Norte-Westfalia, Alemania
Français : Vue intérieure (avec reflets dans le bénitier, un baptistère symbolique) de l’église Sainte-Croix à Dülmen, Rhénanie-du-Nord-Westphalie, Allemagne
Italiano: Vista interna (con riflessi nella vasca dell’acqua santa, un simbolico fonte battesimale) della chiesa della Santa Croce a Dülmen, Renania Settentrionale-Vestfalia, Germania
Эрзянь: Пазонь Хрёстонь Церькувась (Holy Cross Church) почто, Дюльмен, Пелевеёнкс Рейн-Вестфалия, Германия
Polski: Widok wnętrza (z odbiciami w kropielnicy) kościoła Świętego Krzyża w Dülmen, w Nadrenii Północnej-Westfalii, w Niemczech
Українська: Внутрішній вигляд (з відображенням у купелі зі святою водою, символічній купелі хрещення) церкви Хайліг-Кройц у Дюльмені, Північний Рейн-Вестфалія, Німеччина
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| Depicts InfoField | Heilig-Kreuz-Kirche (Dülmen) – church | ||||||||||||||||||||||||||||||||||||||||
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| Date | Taken on 9 February 2019, 12:54 | ||||||||||||||||||||||||||||||||||||||||
| Source | Own work | ||||||||||||||||||||||||||||||||||||||||
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creator QS:P170,Q34788025 |
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| Permission (Reusing this file) |
I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Dietmar Rabich / Wikimedia Commons / “Dülmen, Heilig-Kreuz-Kirche, Innenansicht -- 2019 -- 3022-6” / CC BY-SA 4.0
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
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| Attribution (required by the license) InfoField | Dietmar Rabich / Wikimedia Commons / “Dülmen, Heilig-Kreuz-Kirche, Innenansicht -- 2019 -- 3022-6” / CC BY-SA 4.0 | ||||||||||||||||||||||||||||||||||||||||
| ⧼shorturl⧽ InfoField | https://w.wiki/9AvF, https://w.wiki/_ts7n (Shortlink) |
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| Keywords InfoField | Church, Deutschland, Dülmen, Germany, Heilig-Kreuz-Kirche, Holy Cross Church, Innenansicht, Interior view, Kirche, Kreuz, Münster, Nordrhein-Westfalen, North Rhine-Westphalia, Reflections, Reflexion, Westfalen, … Anna Catherine Emmerich, Anna Katharina Emmerick, Architectural photography, Architecture, Architektur, Architekturfotografie, Außerhalb der Ringe, Bauwerk, Bild des Tages, Bodies of water, Building, Christentum, Denkmal, Denkmalfotografie, Dülmen-Mitte, Einpunktperspektive, Exzellentes Bild, Featured picture, Fotokunst, Gebäude, Gewässer, Gotteshaus, Grab, HDR, HDRI, HDR-Image, High Dynamic Range Image, Historic sites photography, Hochkontrastbild, Indoor, Innenaufnahme, Innenraum, Innenraumfotografie, Kirchenausstattung, Kirchenbau, Kirchengebäude, Kreativität, Kreis Coesfeld, Krieg, Kultur, Kulturdenkmal, Langzeit, Langzeitaufnahme, Langzeitbelichtung, Long exposure, Monument, Monuments photography, Münsterland, One-point perspective, Perspektive, Photo art, Photographic art, Picture of the day, Qualitätsbild, Quality image, Religion, Religiöses Gebäude, Religious building, Sacral Photography, Sakralbau, Sakralbauwerk, Sakralfotografie, Sakralgebäude, Slow-shutter photography, Spiegelbild, Spiegelung, Stadt, Symmetrie, Symmetry impressions, Tone-mapped HDR image, Wasser, Zweiter Weltkrieg, 2019 |
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| Object location | 51° 49′ 36.84″ N, 7° 16′ 57″ E | View this and other nearby images on: OpenStreetMap |
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| Camera location | 51° 49′ 37.16″ N, 7° 16′ 56.43″ E | View this and other nearby images on: OpenStreetMap |
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| NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
Assessment
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This image was selected as picture of the day on Wikimedia Commons for 9 February 2020. It was captioned as follows: Other languages:
Español: Vista interior de la Iglesia de la Santa Cruz en Dülmen, Renania del Norte-Westfalia, Alemania. Polski: Widok wnętrza kościoła Świętego Krzyża w Dülmen, w Nadrenii Północnej-Westfalii, w Niemczech. |
Licensing
| This and other images (full list of files) of Interior of Heilig-Kreuz-Kirche (Dülmen) (2019) was taken, uploaded and released under the CC BY-SA 4.0 license by Commons user Dietmar Rabich with permission by the architects Feja + Kemper (Recklinghausen).
Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license: This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license. Attribution:
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Notes
For users of the photo
The rules of the listed free license apply, no more and no less. Please respect the copyright protection.
Especially with social media you have to pay attention to the terms of use. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.
The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.
Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
Links …
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For editors

Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.
- If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the user should make minor corrections only to the source file they have on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
- As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
- When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.
If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.
It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.
Two additional notes:
- File metadata (EXIF/IPTC/XMP) must not be removed or altered (protection of information necessary for the enforcement of rights, §95c UrhG).
- The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.
The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.To create these shots, it’s helpful to mount the camera on a tripod and to enable tools such as grid lines on the display. One creative way to produce symmetrical images is through post-processing, by combining a photo with a mirrored version.
Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Photographs
You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
Captions
Items portrayed in this file
depicts
9 February 2019
4 second
16
20 millimetre
51°49'36.8"N, 7°16'57.0"E
image/jpeg
6,183 pixel
4,123 pixel
8,885,527 byte
a4b78277fdd4aadb0031db6e956e8bac8f9e7b69
51°49'37.2"N, 7°16'56.4"E
HeiligKreuzKircheDülmen
HeiligKreuzDülmen
HDRI
HighDynamicRangeImage
LongExposurePhotography
Symmetrie
Symmetry
Duelmen
Dülmen
Architekturfotografie
ArchitecturalPhotography
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 07:28, 16 February 2019 | 6,183 × 4,123 (8.47 MB) | XRay | minor improvements | |
| 09:39, 10 February 2019 | 6,183 × 4,123 (8.31 MB) | XRay | meta | ||
| 09:31, 10 February 2019 | 6,183 × 4,123 (8.31 MB) | XRay | Uploaded with LrMediaWiki 0.8.0, LR 8.1 Mac |
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Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
| Camera manufacturer | Canon |
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| Camera model | Canon EOS 5D Mark IV |
| Author | Dietmar Rabich |
| Exposure time | 4/1 sec (4) |
| F-number | f/16 |
| ISO speed rating | 50 |
| Lens focal length | 20 mm |
| Latitude | 51° 49′ 37.16″ N |
| Longitude | 7° 16′ 56.44″ E |
| Altitude | 60.7 meters above sea level |
| Short title |
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| Copyright holder |
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| Date and time of data generation | 12:54, 9 February 2019 |
| City shown | Dülmen |
| Horizontal resolution | 300 dpi |
| Vertical resolution | 300 dpi |
| Software used | Adobe Photoshop Lightroom Classic 8.2 (Macintosh) |
| File change date and time | 08:25, 16 February 2019 |
| Exif version | 2.3 |
| Date and time of digitizing | 12:54, 9 February 2019 |
| APEX aperture | 8 |
| DateTimeDigitized subseconds | 46 |
| Color space | sRGB |
| GPS time (atomic clock) | 11:53:21.421 |
| GPS date | 9 February 2019 |
| GPS tag version | 0.0.2.2 |
| Serial number of camera | 123055001038 |
| Lens used | 20mm F1.4 DG HSM | Art 015 |
| Owner of camera | Dietmar Rabich |
| Date metadata was last modified | 09:25, 16 February 2019 |
| Unique ID of original document | BFF8D852383A91CF4FE97C5AB24555E3 |
| Copyright status | Copyrighted |
| Keywords |
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| Contact information |
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| Province or state shown | Nordrhein-Westfalen |
| Country shown | Deutschland |
| Code for country shown | DE |
| IIM version | 4 |




