
Summary
editPer § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright.
It is believed that the use of a picture
- to illustrate the three-dimensional work of art in question,
- to discuss the artistic genre or technique of the work of art
- or to discuss the artist or the school to which the artist belongs
- on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation,
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement.
| Description |
Installation by Creighton Michael, SquiggleTenri (graphite and paper coated rope, 48" x 144" x 5", 2005, Tenri Institute, New York City). The image illustrates a foundational body of work in Creighton Michael's career from the 2000s, during which he produced a body of hybrid drawing-sculpture installations in series, that were termed "dimensional drawings." The image depicts a work from his "Squiggle" series. Emphasizing gesture, motion and humor, they consisted of twisting pieces of pulp-and-graphite-coated rope affixed to supports that seem to hover in space in counterpoint to sinuous shadow forms. This work was publicly exhibited in prominent exhibitions and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Creighton Michael. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a mid-career body of work in Creighton Michael's oeuvre beginning in the early 2000s: his diverse series of "dimensional drawings"—hybrid drawing-sculpture installations that critics said expanded notions of what drawings could be. These works explored mark and gesture in two- and three-dimensional space, emphasizing qualities such as pattern, color, texture, and particularly, shadow. They often incorporated elements directly inscribed or inserted into gallery walls or spilling onto floors: light grids, patterns of drilled holes, bent wire and rope, among them. Because the article is about an artist and the work that makes him notable, the omission of the image would significantly limit a reader's ability to understand his significance, which arises in part from this new body of work. It brought Michael his continuing recognition through exhibitions, coverage by major critics and publications and museum acquisitions. Michael's work of this type and this series is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Creighton Michael, and the work no longer is viewable, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Creighton Michael//en.wikipedia.org/wiki/File:Creighton_Michael_SquiggleTenri_2005.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 20:05, 13 November 2025 | 387 × 257 (60 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Creighton Michael | Description = Installation by Creighton Michael, ''SquiggleTenri'' (graphite and paper coated rope, 48" x 144" x 5", 2005, Tenri Institute, New York City). The image illustrates a foundational body of work in Creighton Michael's career from the 2000s, during which he produced a body of hybrid drawing-sculpture installations in series, that were termed "dimensional drawings." T... |
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