Wikipedia

Alvin Ailey American Dance Theater

(Redirected from Alvin Ailey Dance Company)

Alvin Ailey American Dance Theater (AAADT) is the largest modern dance company in the United States.[2] Based in New York City, the company was founded in 1958 by choreographer, dancer and Presidential Medal of Freedom recipient Alvin Ailey (1931–1989). The Alvin Ailey Dance Foundation, which includes AAADT, Ailey II, the Ailey School, Ailey Extension, AileyCamp, and other operations, is housed in the 87,000-square-foot (8,083 m2) Joan Weill Center for Dance, in Manhattan.[3]

General information
Year founded1958; 68 years ago (1958)
Founding artistic directorAlvin Ailey
LocationThe Joan Weill Center for Dance
405 West 55th Street
New York, New York 10019
Principal venueNew York City Center
Websiteailey.org
Senior staff
Executive directorBennett Rink
Artistic staff
Artistic directorAlicia Graf Mack (beginning July 1, 2025)[1]
Other
Official schoolAiley School
Associated schoolsAiley Extension

AAADT is recognized as a vital American cultural ambassador by the United States Congress,[4] and has performed for a plethora of audiences in around the world. Known for combining elements of modern dance with African American cultural traditions, AAADT has played a significant role in expanding the visibility of Black artists in concert dance.

History

edit

In 1958, Alvin Ailey and a group of young Black modern dancers performed as Alvin Ailey and Company at the 92nd Street Y in New York.[5][6][7][8] Ailey was the company's director, choreographer, and principal dancer.[9][10] The company started as an ensemble of seven dancers, including Nat Horne,[11][12] Minnie Marshall,[11] Ella Thompson Moore,[12] and Dorene Richardson, "the only dancer who performed in Alvin Ailey’s two concerts (1958 and 1960) at the 92nd Street Y."[12] In addition to Ailey, the original company worked with guest choreographers.[10] For the company's first performance, Ailey's Ariette Oubliée, Blues Suite, and Cinco Latinos were featured.[6]

In 1960, the Alvin Ailey Dance Theater, later to be renamed the Alvin Ailey American Dance Theater (AAADT), presented the premiere of Revelations at Kaufmann Concert Hall in New York.[6][8] Rehearsals for Revelations were held in the basement of Clark Center for the Performing Arts,[12] which would later serve as the official residence for the company.[6][13]

Alvin Ailey Dance Theater, Amsterdam, 1965
Alvin Ailey Dance Theater, Amsterdam, 1965

Soon after, in 1962, Ailey recast his all-black dance company into a multi-racial group, and the modernized company completed its first international tour to Australia and southeast Asia.[5][10][14] The tour of the Lavallade-Ailey American Dance Company, named for Ailey's partnership with Carmen de Lavallade, started in Sydney, Australia, and ended in Seoul, South Korea.[15] They continued to tour around the world, now in Europe in 1964, as the company of five women and five men toured as the Alvin Ailey Dance Theater. The dancers included Loretta Abbot, Takako Asakawa, Hope Clarke, Joan Peters, and Lucinda Ransom,[16] Alvin Ailey, Bill Luther, Hector Mercado, James Truitte, and Dudley Williams, performed in Paris and London.[17][18] Dancer and choreographer Judith Jamison joined the dance company in 1965,[19] and would later serve as the company's first artistic director after Alvin Ailey's death in 1989.[5][20]

In 1969, the Alvin Ailey American Dance Theater performed at Broadway's Billy Rose Theater for their time.[21] Following, in 1970, the Ailey company and school relocated to 229 East 59th Street in Manhattan, a renovated church building.[15] In April of that year, a financial crisis caused Ailey to issue a statement that the dissolution of the company might take place.[22] The crisis abated, however, and in 1971 AAADT made its first performance at the New York City Center.[23]

AAADT had their debut performance at the State Theater at Lincoln Center in 1974.[8][24] The program featured Ailey's “Feast of Ashes,” Talley Beatty's “The Road of the Phoebe Snow,” John Butler's “Portrait of Billie” revival, the premiere of John Jones's “Nocturne,” and Joyce Trisler's “Journey.” The company then performed at President Jimmy Carter’s inauguration gala in 1977.[8]

1988 marked the AAADT's 30th-anniversary season, where they hosted a gala at the City Center.[9] The company and school are located at 45th Street and Broadway,[9] and move the following year into a 36,000 square-foot space[25] at 211 West 61st Street in Manhattan.[20]

In 1989, Alvin Ailey died from AIDS-related complications.[26][27] Judith Jamison replaced Ailey as the artistic director of AAADT.[28] The company was struggling with mounting debts,[29] and the number of company dancers was reduced.[9]

In 2000, AAADT launched the silent phase of a five year, sixty-six million dollar capital campaign for a new building that would double its size and an endowment for financial stability.[25] Two years later, AAADT broke ground on its new building site on West 55th Street.[25][30]

The United States Postal Service issued a first class postage stamp honoring Alvin Ailey in 2004 as part of the American Choreographers stamp series,[5][31] and the Oprah Winfrey Foundation pledged one million dollars to endow a student scholarship at the Ailey School.[32][33] A year later, the Ailey organization, including the main company, Ailey II, and the Ailey School, moved into its new West 55th Street home, the Joan Weill Center for Dance, the former WNET-TV studios where AAADT first appeared on television in the early 1960s.[30][34][35]

In 2008, Glorya Kaufman donated six million dollars to AAADT's educational programs, including support for AileyCamp programs, the Ailey School, and a BFA program with Fordham University.[36] The fifth floor lobby in the Weill Center for Dance is named in Kaufman's honor.[36] The United States Congress also passed a resolution this year officially designating the company a "vital American Cultural Ambassador to the World."[4][37][38]

Alvin Ailey American Dance Theatre performs Alvin Ailey's Revelations. Adrienne Arsht Center for the Performing Arts, Miami, Florida

The United States Senate passed a resolution recognizing the artistic and cultural contributions of AAADT amidst the 50th Anniversary (2011) of the first performance of the Ailey classic Revelations.[37] That same year, Robert Battle, artistic director (2011-2023), established a New Directions Choreography Lab to nurture emerging artists.[39]

In 2014, AAADT kicked off a fifty million dollar capital campaign, "Campaign for Ailey's Future," to support artistic, educational, and building expansion projects, and to honor outgoing board chair Joan Weill.[40] Sandy Weill, Joan Weill's husband, provided a lead gift of sixteen million dollars to the campaign.[40]AAADT also received a twenty million dollar gift in 2021 from MacKenzie Scott to support its "Dancing Forward" initiatives.[41][42][43]

In 2024, the Whitney Museum unveiled "Edges of Ailey," the first major museum exhibition to survey the artistry of Alvin Ailey and AAADT.[44][5] In November 2024, AAADT announced that Alicia Graf Mack, a former Alvin Ailey company member and the dean and director of the dance division at Juilliard, will take over as AAADT artistic director on July 1, 2025.[1]

International Presence

edit

Ailey founded the Alvin Ailey American Dance Theatre in 1958, gathering 35 dancers for eight concerts at 92nd Street.[45] The dancers performed Blues Suite to a positive reception to the New York crowd.[46] Building off this reception, the company toured the world, in Europe, Australia, and Southeast Asia.[46] In 1966, the company performed at the First World Festival of Negro Arts in Dakar, Senegal, where the audience responded positively.[47] Ailey’s choreographic strategy at the time was to provide a structure for the dancers while demanding improvisation and insisting on character over technique.[48] Additionally, Ailey actively rejected the “black dance” label, contending that “good dance” transcends racial categorization.[49]

Despite enthusiastic audiences internationally, the company endured considerable institutional hardships.[50] The cost of living stranded dancers in Barcelona, and many lived in Milan brothels without pay, so Ailey reinvested his personal earnings from Broadway directly into the company, demonstrating his devotion.[51] Following Ailey’s death in 1988, the board appointed Judith Jamison company director, and she honored his legacy by eventually creating a school on 61st street, preserving his global vision.[52]

In 1970, the U.S. State Department sent the Alvin Ailey American Dance Theater on a tour of the Soviet Union to represent the United States and perform choreography aligned with U.S. democratic values.[53] The U.S. State Department and President Eisenhower created an emergency fund for international affairs to finance performances abroad as part of a massive propaganda initiative against Soviet communism.[53] The American government initially excluded Black performers from consideration. However, the Soviets regarded racial discrimination as a major geopolitical asset against the US, so the United States' choice of modern dance as its distinct national art form was an act of damage control.[53]

Chosen to represent the U.S., the AAADT became the first American modern dance company to ever perform in the Soviet Union.[54] In their performance, they presented Revelations, which countered what the U.S. government sought to convey worldwide.[55] The act was about African American self-determination and overcoming structural obstacles in American society.[55] In response, the audience in Leningrad, now Saint Petersburg, gave a 23-minute standing ovation because Ailey's choreography validated their own critique of American racism.[55] The U.S. government sent AAADT to the Soviet Union to obscure the U.S.'s racism, but the reception of their performances abroad illustrates the political power of the dance company.[56]

Expanding on this international presence, when the Alvin Ailey American Dance Theater brought Black art to Soviet stages, it entered an existing transnational terrain. African American artists such as Langston Hughes, Paul Robeson, and W.E.B. Du Bois traveled to the Soviet Union and formed relationships there, in Hughes's own words, transforming Black selfhood "from the ground up" by rethinking racial identity outside the constraints of America’s racial hierarchy.[57] African-American leaders’ presence in the USSR itself was a political act, as the Soviet Union offered Black Americans a context that shaped their sense of status and dimensions of public life that American society contested.[57] The performances by the Alvin Ailey American Dance Theater mirrored this dynamic.

Alvin Ailey Dance Foundation

edit

The Alvin Ailey Dance Foundation is the largest modern and contemporary dance organization in the United States[2] and consists of the Alvin Ailey American Dance Theater, Ailey II, The Ailey School, Ailey Camp, Ailey Extension, and Ailey Arts In Education and Community Programs.[43]

Performances and tours

edit

The Alvin Ailey American Dance Theater, a prominent dance company and global arts institution, has performed for audiences around the world.[58][41] The following is a sample of significant AAADT performances, residencies, and tours:

Alvin Ailey American Dance Theater, National Governors Association Winter Meeting, State Dining Room, White House, February 10, 2023

Choreographers

edit

Alvin Ailey created seventy-nine dances for the company that bears his name.[5] He maintained that the company was not solely a repository for his choreography, and sought the contributions from other choreographers. Today, AAADT has a repertory of nearly three hundred works by more than one hundred choreographers,[62] including:

The company keeps Alvin Ailey's works, including Revelations (1960), Night Creature (1974) and Cry (1971), in continuous performance. Memoria (1979) was one of Alvin Ailey's balletic pieces, with long lines and a clear technical style different from his usual jazz character style of swirling patterns, strong, driving arm movements, huge jumps, and thrusting steps. This dance was later adopted into the repertory of the Royal Danish Ballet. Cry is a three-part, 17-minute solo created for Judith Jamison. It was meant to pay homage to "all Black women everywhere, especially our mothers" and can be seen as a journey from degradation to pride, defiance, and survival.[10][67][68][69][70]

Diverse Repertoire

edit
This is a portrait of Alvin Ailey, wearing a clothing item rooted in African diasporic tradition and used in AAADT's diverse dance performances.

The Alvin Ailey American Dance Theater has distinguished itself from other modern dance companies by presenting a diverse collection of works by a variety of choreographers, all working to advance Alvin Ailey’s mission.[71] His mission was to serve as a professional home for artists of the African diaspora.[72] The company trained artists across dance disciplines, including classical ballet and 1950s jazz-style dance, to be able to use a variety of styles to tell a range of stories, often rooted in African American life.[73]

Specifically, Ailey required all the company's dancers to take daily classes in these disciplines, most notably ballet, jazz, and Afro-Caribbean dance.[74] He believed that his dancers and the performances should not be limited; therefore, many pieces within the theater drew on both traditions of the Black diaspora and techniques from genres that originated in Europe. This led to the creation of multiculturally inspired dances, such as the choreography in Night Creature, in 1974, a piece about 1920s Harlem.[74] The critically acclaimed performance combines African American-inspired jazz dance with European-influenced ballet.[74] Ailey accomplished this by incorporating angular heel-toe struts and sweeping waltz steps, in combination with partnered twists from social dance.

Another aspect of Ailey's diverse repertoire comes through the music that accompanied the dances, not just the dance style. For example, in 1971, Cry honored black women and featured both jazz and gospel songs by Alice Coltrane, Laura Nyro, and Chuck Griffin.[75] This piece uses music to evoke emotions of pain and trouble, as well as triumph, drawing on the extensive range of Black-inspired music to encapsulate American Blackness through Judith Jamison.[75]

Renowned dancers such as Lester Horton and Katherine Dunham also taught the dancers.[73] These factors produced dancers capable of performing vastly different choreographies.[76] This model created “composite bodies,” dancers who could tell the stories and identities of their culture through a variety of performances on stage.[76] Over time, a more recognizable “Ailey style” emerged, which combined these diverse repertoires of styles while embodying American Blackness coherently, no matter which movement the company displayed.[77] In 1993, the company operated without a budget deficit, a feat unique among major American dance companies, demonstrating that the “Ailey style” was not only artistically groundbreaking but also institutionally viable for an underrepresented group in the United States of America.[71]

Additional Programs and Organizations

edit

Ailey II

edit

In 1974, Ailey created the Alvin Ailey Repertory Ensemble (later renamed Ailey II).[41] In 1980, the second company and the Ailey School relocated to four new studios in a building on Broadway.[20]

The Ailey School

edit

The Ailey School was established in 1969,[41][25] the same year the company moved to the Brooklyn Academy of Music.[78] The Ailey School is an accredited institutional member of the National Association of Schools of Dance (NASD).[79] The school is recognized by the U.S. Department of Education as an institution of higher education[80] and is eligible to participate in Title IV programs.

In 1998, the Ailey School and Fordham College at Lincoln Center (FCLC), Fordham University launched a Bachelor of Fine Arts (BFA) degree program.[81][6][82] The program is recognized as one of the preeminent BFA dance programs in the country.[81]

AileyCamp

edit

In 1989, Kansas City Friends of Alvin Ailey is founded and develops into the national AileyCamp program.[5] By 2016, AileyCamp expanded to ten cities: Atlanta, GA; Baltimore, MD; Berkeley/ Oakland, CA; Chicago, IL; Kansas City, KS; Kansas City, MO; Miami, FL; New York, NY; Newark, NJ; and Seattle/Tacoma, WA.[5]

In 2023, AileyCamp Atlanta launched a partnership as part of Atlanta Mayor Andre Dickens’ Year of the Youth initiative.[5]

The Ailey Extension

edit

The Ailey Extension was created in 2005.[41] Ailey Extension offers instruction in more than 25 different dance and fitness techniques, including Ballet, Hip-Hop, Horton, House, Jazz, Masala Bhangra, Samba, West African, and Zumba.[83]

Joan Weill Center for Dance

edit
The Joan Weill Center for Dance
405 West 55th Street at Ninth Avenue
New York City

Since 2005, the Ailey organization has been headquartered at the Joan Weill Center for Dance, which was originally designed as a 77,000 square-foot building.[41][84] The Weill Center features state-of-the-art dance studios, a performance space with a seating capacity of 275 people, classrooms, a costume shop, physical therapy facilities, faculty and student lounges, and administrative offices.[30]

In the late 1990s, following their Russia, France and Cuba tours and South Africa residency, AAADT's leadership determined that it needed a larger space for rehearsals, school performances, production materials, and offices.[25] The board of trustees established a campaign steering committee to identify potential major donors. Joan Weill, who served fourteen years as chairwoman of the Alvin Ailey Dance Foundation,[85] and her husband, Sandy Weill, co-chaired the building capital campaign,[85][40] and donated a total of eighteen million dollars to the effort.[25]

The Elaine Wynn and Family Education Wing

edit

In 2017, AAADT unveiled The Elaine Wynn and Family Education Wing, a 10,000-square-foot expansion to the Weill Center.[5] Elaine Wynn is a major donor to AAADT.[86] The Wynn Wing adds three floors to Weill Center and features four additional dance studios, two new flexible classrooms, and administrative offices.[87]

Leadership

edit

Artistic director

edit

Associate artistic director and rehearsal director

edit
  • Masazumi Chaya, dancer, 1972-1987, rehearsal director, 1988-1990, and associate artistic director, 1991-2019.[92][93]
  • Ronni Favors, Rehearsal Director[90]

Ailey II

edit
  • Francesca Harper, artistic director, Ailey II, 2021-.[94]
  • Troy Powell, artistic director, Ailey II, 2012-2020, who was fired after allegations of sexual misconduct involving students and other young dancers surfaced online.[95][58]
  • Sylvia Waters, dancer, 1968-1974, and artistic director emerita, Ailey II, 1975-.[96]

Ailey School

edit

Board of trustees

edit

The following is a partial list of trustees who have played a major role in AAADT's history.

  • Simin N. Allison (-2024) and Herbert M. Allison (1943-2013), former members, board of trustees[99]
  • Katherine G. Farley, former member, board of trustees[99]
  • Bruce S. Gordon, former member and vice chair, board of trustees, 1999-?[36][99]
  • Barbara Jonas (1933-2018),[100][101] former member, board of trustees, whose husband Donald Jonas[102] made a donation in her honor to endow all performances of Revelations.[19][103]
  • Anthony S. Kendall, president, board of trustees, 2024[104][105]
  • Philip Laskawy, chairman(1994-?);[64] chairman, executive committee (-2006-);[106] chair emerita, board of trustees[105]
  • Debra L. Lee, president, board of trustees, 2014-2018[85][107]
  • Harold Levine (1922-2017), chair, board of trustees, 1989-1993[108][65]
  • Henry McGee, president (-2006-)[106]
  • Stanley Plesent (1926-2022), chair, board of trustees, 1973-1989[109][99]
  • Daria L. Wallach, chair, board of trustees, 2014-[85][104][105]
  • Joan Weill, chair, board of trustees, 2000-2014[85][36][99][106]

Executive director

edit
  • Ivy Clarke (1916-1994), general manager / executive director, 1968-1975.[110]
  • Barbara B. Hauptman (1946-2024), executive director, 1994-1995.[111][112]
  • Michael Kaiser, executive director, 1990-1993.[113][114][115]
  • Sharon Gersten Luckman, who joined the company in 1992; executive director, 1995-2013.[34][36][116][106]
  • Bennett Rink, who joined the company in 1994; executive director, 2013-.[117]

Dancers

edit

Alvin Ailey American Dance Theater

edit

Ailey II

edit

Former dancers

edit

A partial list of former Alvin Ailey dancers with their years in the company.

Awards and Honors

edit
  • 1982: United Nations Peace Medal[5]
  • 2001: National Medal of Arts, Judith Jamison and Alvin Ailey Dance Foundation, the first dance organization to receive the honor.[5][143]
  • 2014: Presidential Medal of Freedom, given posthumously by President Barack Obama[144]
  • 2015: National Arts and Humanities Youth Program Award, AileyCamp Miami, recognized by First Lady Michelle Obama[5]
  • 2023: Outstanding Company and Best Modern Choreography (Kyle Abraham, Are You in Your Feelings?), 2023 National Dance Awards, UK Critics’ Circle[5]
  • 2024: AileyDance for Active Aging received a resolution from the Newark Municipal Council for its contributions to the senior community in Newark, New Jersey.[5]

Cultural Impact

edit

The Alvin Ailey American Dance Theater has played a significant role in shaping modern dance and elevating the African American cultural experience through performance. From its founding in 1958, the company has brought traditions rooted in African American music, spirituality, and community to the mainstream dance environment, helping expand the narrative possibilities of modern choreography and influencing generations of dancers and choreographers.[145]

Ailey's landmark work Revelations has become one of the most widely performed modern dance pieces worldwide and continues to resonate with audiences for its powerful exploration of the African American experience, serving as both a celebration of heritage and an enduring symbol of cultural storytelling.[146] Choreographed by Ailey himself, the work draws on spirituality, gospel, and blues to depict the historical and emotional journey of African Americans from slavery to freedom.[147] Its frequent inclusion in company programs around the world has made it not only a staple of AAADT's repertoire but also a cultural touchstone for audiences and performers. Scholars have noted that the work's integration of African American musical and movement traditions helped legitimize these forms within concert dance and broadened the cultural vocabulary of modern choreography.[148]

The legacy of AAADT extends to its broader role in shaping opportunities for dancers and choreographers from diverse backgrounds.[149] From its early years as a predominantly African American company to its evolution into a multiracial ensemble, AAADT emphasizes both artistic excellence and representation, giving visibility to performers and creators who were often marginalized in mainstream dance circles. According to dance historians, Alvin Ailey's approach combined elements of African, jazz, and theatrical movement, influencing not only the repertoire of modern dance companies but also contributing to conversations about race, identity, and inclusion in the performing arts in general.[150]

See also

edit

References

edit
  1. 1 2 3 ANNOUNCING OUR NEW ARTISTIC DIRECTOR. Alvin Ailey Dance Foundation.
  2. 1 2 Dance Data Project (October 2024). 2024 Largest Contemporary and Modern Companies Report. Alvin Ailey American Dance Theater ranks #1 in “Largest 50” U.S. Contemporary and Modern Companies (by expenditure). p. 6.
  3. ↑ (February 2006). Harting, Rebecca, and Pablo Bruno P.E. Revelations: the Joan Weill Center for Dance. Structure Magazine.
  4. 1 2 "Text - H.Res.1088 - 110th Congress (2007-2008): Recognizing and commending the Alvin Ailey American Dance Theater for 50 years of service as a vital American cultural ambassador to the world." Congress.gov, Library of Congress, 15 July 2008, https://www.congress.gov/bill/110th-congress/house-resolution/1088/text.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 Alvin Ailey American Dance Theater 2024-25 Press Kit.
  6. 1 2 3 4 5 6 7 8 9 Ailey History. Alvin Ailey Dance Foundation.
  7. ↑ "Alvin Ailey Dance Company Comes to Dorothy Chandler". Glendale News-Press. February 10, 2006. Retrieved May 10, 2023.
  8. 1 2 3 4 Burford, Mark (December 07, 2021). Alvin Ailey Finds His Voice. Oxford American, ISSUE 115, WINTER 2021.
  9. 1 2 3 4 5 6 7 8 9 10 11 12 Kisselgoff, Anna (December 4, 1988). DANCE VIEW; Ailey: Dancing the Dream. New York Times.
  10. 1 2 3 4 5 6 7 8 "Alvin Ailey American Dance Theatre: Origins to 1979", International Encyclopedia of Dance, vol. 1. Oxford University Press, New York: 1979. 54–57.
  11. 1 2 3 4 Digital Collections, The New York Public Library. "(still image) Alvin Ailey and Nathaniel Horne compete for the affections of Minnie Marshall in this dance from Alvin Ailey's Blues Suite, (1958)". The New York Public Library, Astor, Lenox, and Tilden Foundations. Retrieved November 17, 2024.
  12. 1 2 3 4 5 6 7 City Parks Foundation (August 14, 2019). THE FIRST AILEY DANCERS: ELLA THOMPSON, NAT HORNE & DORENE RICHARDSON
  13. ↑ Armstrong, Jenice (April 23, 2008). "Jenice Armstrong: Alvin Ailey troupe's famed Judith Jamison reflects on its 'past, present and future'". inquirer. Retrieved May 9, 2023.
  14. ↑ "Transforming Dance around the World". National Museum of African American History and Culture. Retrieved May 9, 2023.
  15. 1 2 3 DeFrantz, Thomas F., 'Early Company', Dancing Revelations: Alvin Ailey's Embodiment of African American Culture (2006; online edn, Oxford Academic, 3 Oct. 2011), https://doi.org/10.1093/acprof:oso/9780195301717.003.0003, accessed 17 Nov. 2024.
  16. 1 2 3 4 5 6 Revelations: Takako Asakawa, Hope Clarke, Lucinda Ransom, Joan Peters, Loretta Abbot (seated), 1964. Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection. National Museum of African American History and Culture.
  17. 1 2 3 4 5 6 5 Historic Ailey Tours. Alvin Ailey Dance Foundation.
  18. ↑ London Likes American Dancers. New York Times. Dec. 27, 1964.
  19. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Kisselgoff, Anna (December 10, 1993). Review/Dance; With Motion and Song, the Ailey Marks 35 Years. New York Times.
  20. 1 2 3 4 Henderson, Danielle (April 11, 2014). "Life Is a Celebration". The Stranger. Seattle, United States. Retrieved April 13, 2014.
  21. ↑ Barnes, Clive (January 28, 1969). Dance: Ailey and Troupe in Triumph; Start Run on Broadway After a Decade Away. New York Times.
  22. ↑ Kisselgoff, Anna (April 23, 1970). "City Ballet and Musicians Talk; Ailey May Disband His Troupe". The New York Times. ISSN 0362-4331. Retrieved May 10, 2023.
  23. ↑ "CITY CENTER TO ADD AILEY DANCE SEASON". The New York Times. March 16, 1971. ISSN 0362-4331. Retrieved May 10, 2023.
  24. 1 2 3 4 5 6 7 McDonagh, Don (December 29, 1974). Alvin Ailey—A Remarkable Year. New York Times.
  25. 1 2 3 4 5 6 Gardner, Margaret Battistelli (April 1, 2005). Fluid Fundraising: The Alvin Ailey American Dance Theater's capital campaign was a well-choreographed project that breathed new life into the organization's fundraising plan. NonProfitPRO.
  26. ↑ Kourlas, Gia (November 27, 2018). "A Dance Homage to Alvin Ailey as His Company Turns 60". The New York Times. ISSN 0362-4331. Retrieved July 29, 2019.
  27. ↑ CBC Radio (August 13, 2021). He was Black, gay and bipolar — and he forever changed the face of modern dance. New documentary explores the complex life and legacy of American dancer and choreographer Alvin Ailey.
  28. 1 2 Judith Jamison, Artistic Director Emerita. Alvin Ailey Dance Foundation.
  29. ↑ Kaufman, Sarah (January 24, 2004. The Ailey: Healthy, Wealthy and Prized. The Washington Post.
  30. 1 2 3 The Joan Weill Center for Dance. Alvin Ailey American Dance Theater.
  31. ↑ Alvin Ailey Master of Choreography. Smithsonian National Postal Museum.
  32. ↑ Segal, Lewis (May 26, 2004). Oprah’s no wallflower at this dance. Los Angeles Times.
  33. ↑ Alexandra (May 20, 2004). Oprah gives $1 million to Ailey School. Ballet Alert!
  34. 1 2 Press release (October 17, 2012).ALVIN AILEY DANCE FOUNDATION NAMES BENNETT RINK AS NEW EXECUTIVE DIRECTOR Will Take the Helm of the Ailey Organization As Sharon Gersten Luckman Steps Down After 18 Years of Leadership In The Beginning of 2013. Alvin Ailey American Dance Theater
  35. ↑ Patton, Charlie (May 14, 2010). "As artist director prepares to pass the torch, Alvin Ailey dance theater comes to Jacksonville". The Florida Times-Union. Retrieved May 9, 2023.
  36. 1 2 3 4 5 Cole, Patrick (May 21, 2008). Dancing Philanthropist Gives $6 Million to Alvin Ailey Troupe. Bloomberg.
  37. 1 2 Gillibrand, Kirsten E. (February 17, 2011). "S.Res.72 - 112th Congress (2011–2012): A resolution recognizing the artistic and cultural contributions of the Alvin Ailey American Dance Theater and the 50th Anniversary of the first performance of Alvin Ailey's masterwork, 'Revelations'". www.congress.gov. Retrieved July 29, 2019.
  38. ↑ Clinton, Hillary Rodham (September 23, 2008). "S.Res.490 - 110th Congress (2007–2008): A resolution recognizing the Alvin Ailey American Dance Theater for 50 years of service to the performing arts". www.congress.gov. Retrieved July 29, 2019.
  39. ↑ Lee, Felicia R. (May 12, 2011). "Ailey Awards New Choreography Fellowships". The New York Times. ISSN 0362-4331. Retrieved May 9, 2023.
  40. 1 2 3 Alvin Ailey Dance Foundation Launches Campaign With $40 Million. November 18, 2014. Philanthropy News Digest.
  41. 1 2 3 4 5 6 Press release (June 22, 2021).$20 MILLION GIFT FROM MACKENZIE SCOTT TO ALVIN AILEY AMERICAN DANCE THEATER TO FUND THE COMPANY’S TRANSFORMATIVE “DANCING FORWARD” INITIATIVES. Alvin Ailey American Dance Theater.
  42. ↑ Daniels, Karu F. (June 23, 2021). How Alvin Ailey American Dance Theater plans to use $20 million gift from philanthropist MacKenzie Scott. NY Daily News.
  43. 1 2 Fitch Ratings (May 9, 2023). Fitch Affirms Alvin Ailey Dance Foundation, NY at 'AA-'; Outlook Stable.
  44. ↑ Edges of Ailey. Through February 9, 2025. Whitney Museum of American Art.
  45. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. p. 14. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  46. 1 2 Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. p. 14. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  47. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. p. 14. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  48. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. pp. 15–16. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  49. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. p. 17. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  50. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. p. 18. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  51. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. pp. 16–18. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  52. ↑ Topaz, Muriel, ed. (September 21, 2018). Alvin Ailey: An American Visionary (1 ed.). Routledge. pp. 18–19. doi:10.4324/9781315077864. ISBN 978-1-315-07786-4.
  53. 1 2 3 Nelson, Holly (October 31, 2022). ""A Vital Cultural Ambassador to the World": Dance Diplomacy and Civil Rights in Alvin Ailey's 1970 Soviet Union Tour". The Macksey Journal. 3 (1): 8.
  54. ↑ Nelson, Holly (October 31, 2022). ""A Vital Cultural Ambassador to the World": Dance Diplomacy and Civil Rights in Alvin Ailey's 1970 Soviet Union Tour". The Macksey Journal. 3 (1): 10.
  55. 1 2 3 Nelson, Holly (October 31, 2022). ""A Vital Cultural Ambassador to the World": Dance Diplomacy and Civil Rights in Alvin Ailey's 1970 Soviet Union Tour". The Macksey Journal. 3 (1): 9.
  56. ↑ Nelson, Holly (October 31, 2022). ""A Vital Cultural Ambassador to the World": Dance Diplomacy and Civil Rights in Alvin Ailey's 1970 Soviet Union Tour". The Macksey Journal. 3 (1): 11.
  57. 1 2 Baldwin, Kate A. (October 17, 2002). Beyond the Color Line and the Iron Curtain : Reading Encounters Between Black and Red, 1922-1963. Duke University Press. pp. 1–24. ISBN 9780822329763.
  58. 1 2 Fantz, Ashley, and Casey Tolan and Alessandra Freitas (July 20, 2020). Alvin Ailey dance theater official fired after sexual misconduct allegations. CNN
  59. 1 2 3 4 5 6 7 Our American Story: Transforming Dance around the World. National Museum of African American History and Culture.
  60. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Alvin Ailey American Dance Theater: 50 Years Cultural Ambassador to the World Online Exhibition. Library of Congress.
  61. ↑ Artistic Director Robert Battle and AAADT members at the White House for a special performance during the 2023 National Governors Association Winter Meeting at the invitation of First Lady Jill Biden. Alvin Ailey Dance Foundation.
  62. ↑ Ailey Repertory. Alvin Ailey American Dance Theater.
  63. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 Cal Performances (March 13, 2018). Alvin Ailey American Dance Theater: Chronological Repertory of Works Performed at Cal Performances.
  64. 1 2 Kisselgoff, Anna (December 9, 1994). DANCE REVIEW; Ailey Troupe Opens In Trademark Fashion. New York Times.
  65. 1 2 3 4 5 6 7 8 9 10 Kisselgoff, Anna (December 12, 1992). Review/Dance; An Ailey Tribute to Dizzy Gillespie. New York Times.
  66. 1 2 Kervin Douthit-Boyd. Alvin Ailey Dance Foundation.
  67. ↑ Gates, Elizabeth (March 14, 2023). "A Teen Dancer Reflects on Seeing Alvin Ailey's Iconic 'Revelations' for the First Time". VOX ATL. Retrieved May 9, 2023.
  68. ↑ "Night Creature - April 14 -28, 2021". The Montrealer. April 11, 2021. Retrieved May 9, 2023.
  69. ↑ Gladstone, Valerie (November 26, 2000). "DANCE; The Long Shadow Of Ailey's Great 'Cry'". The New York Times. ISSN 0362-4331. Retrieved May 9, 2023.
  70. ↑ "Alvin Ailey dancers bring "Memoria" to Copenhagen". Reuters. September 15, 2009. Retrieved May 9, 2023.
  71. 1 2 DeFrantz, Thomas F. (2005). "Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater". Theatre Journal. 57 (4): 659. ISSN 0192-2882.
  72. ↑ DeFrantz, Thomas F. (2005). "Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater". Theatre Journal. 57 (4): 661. ISSN 0192-2882.
  73. 1 2 DeFrantz, Thomas F. (2005). "Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater". Theatre Journal. 57 (4): 666. ISSN 0192-2882.
  74. 1 2 3 Hawk, Emily (2021). "The Choreographer as Intellectual: Alvin Ailey's Ideas about Black Modern Dance". The Journal of American Culture. 44 (3): 243. doi:10.1111/jacc.13286. ISSN 1542-7331.
  75. 1 2 Dexl, Carmen (March 9, 2016). Chapter 8 - Popularizing African American History and Culture through Dance: The Ethics and Politics of the Artistic Visions of Alvin Ailey and Judith Jamison (1st ed.). Taylor & Francis. p. 168. ISBN 9781315565989.
  76. 1 2 DeFrantz, Thomas F. (2005). "Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater". Theatre Journal. 57 (4): 660. ISSN 0192-2882.
  77. ↑ DeFrantz, Thomas F. (2005). "Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater". Theatre Journal. 57 (4): 675. ISSN 0192-2882.
  78. ↑ Rabinowitz, Chloe (April 11, 2023). "Alvin Ailey to Return to BAM for First Time in More Than a Decade With Two Programs". BroadwayWorld.com. Retrieved May 10, 2023.
  79. ↑ ACCREDITED INSTITUTIONS SEARCH: THE AILEY SCHOOL. National Association of Schools of Dance
  80. ↑ The Ailey School. Database of Accredited Postsecondary Institutions and Programs, US Department of Education.
  81. 1 2 3 4 Kaufman, Adam (July 24, 2024). The Ailey/Fordham BFA in Dance Turns 25. Fordham Magazine.
  82. ↑ "Partnerships and Affiliations | The Ailey School". Fordham University. Retrieved May 3, 2022.
  83. ↑ AILEY EXTENSION IS SHAKING UP PHYSICAL FITNESS MONTH WITH UPBEAT WORLD DANCE WORKSHOPS, A LIVELY FREE TIMES SQUARE DANCE SERIES, AND MORE WAYS TO KEEP MOVING THROUGHOUT MAY. Ailey Extension.
  84. ↑ Quinn, Emily (November 3, 2004).Alvin Ailey American Dance Theater Will Open New Building With Celebration in March 2005. Playbill.
  85. 1 2 3 4 5 Pogrebin, Robin (November 13, 2014). A $40 Million Thank You for Joan Weill’s Service to Ailey Foundation. New York Times.
  86. ↑ Bray, Sarah (October 2017).Billionaire Businesswoman Elaine Wynn Makes a Major Donation to Alvin Ailey. A $25 million wing in her name just opened at the company's New York City headquarters. Town and Country.
  87. ↑ Andriotis, Mary Elizabeth. Alvin Ailey Dance Foundation Celebrates Expansion: The $25 million project resulted in the new Elaine Wynn & Family Education Wing at the Joan Weill Center for Dance. DuJour.
  88. ↑ Kourlas, Gia (June 13, 2013), "Dance Review: From Sex to Salvation, Not Without Introspection", The New York Times.
  89. ↑ "Judith Jamison: Dancer and Choreographer". Smithsonian Institution. Retrieved May 9, 2023.
  90. 1 2 Our People. Alvin Ailey. Alvin Ailey American Dance Theater Foundation.
  91. ↑ Eyewitness News (November 22, 2024). Alvin Ailey American Dance Theater taps Alicia Graf Mack as new Artistic Director. WABC.
  92. ↑ Reiter, Susan (December 17, 2019). "Alvin Ailey Honors Masazumi Chaya, Its Long-Standing Associate Artistic Director". Playbill.
  93. ↑ FORMER ASSOCIATE ARTISTIC DIRECTOR: MASAZUMI CHAYA. Alvin Ailey Dance Foundation, Inc.
  94. ↑ Kourlas, Gia (September 2021). "Ailey II Names a New Artistic Director". The New York Times.
  95. ↑ Porter, Juan Michael II (July 20, 2020). "Troy Powell, Artistic Director of Ailey II, Has Been Fired for Sexual Misconduct". The New York Observer.
  96. ↑ Kourlas, Gia (April 17, 2012). "The Guide and Spirit of Ailey II Steps Down". The New York Times. ISSN 0362-4331. Retrieved May 9, 2023.
  97. 1 2 "THE AILEY SCHOOL NAMES TRACY INMAN AND MELANIE PERSON AS CO-DIRECTORS". www.dance.nyc. Retrieved May 9, 2023.
  98. ↑ Fox, Margalit (July 20, 2010). "Denise Jefferson, 65, Director of the Ailey School, Is Dead", The New York Times. Retrieved July 21, 2010.
  99. 1 2 3 4 5 Sulcas, Roslyn (June 2008). 50 & Fabulous. Town and Country.
  100. ↑ In Memoriam: Barbara Jonas, MSW, FAAN(h), FAANP(h) (1933-2018), Founder and Advisor to Jonas Philanthropies. Jonas Philanthropies.
  101. ↑ Barbara Lynn Jonas. Nurses Educational Fund.
  102. ↑ Donald Jonas, FAAN(h), FAANP(h) Founder and Advisor to Jonas Philanthropies. Jonas Philanthropies.
  103. ↑ Revelations. "Funders: All performances of Revelations are permanently endowed by a generous gift from Donald L. Jonas in celebration of the birthday of his wife, Barbara, and her deep commitment to Alvin Ailey American Dance Theater."
  104. 1 2 Ailey Board of Trustees Chairwoman Daria L. Wallach and President Anthony S. Kendall. Photo by Pete Monsanto.
  105. 1 2 3 Our People. Alvin Ailey Dance Foundation.
  106. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 BRAVO Season Guide (Spring 2006). Alvin Ailey American Dance Theater. Detroit Opera House. 17-22. “Copyright 2010, Michigan Opera Theatre.”
  107. ↑ Janelle Monáe, Queen Latifah, and More at the Alvin Ailey Opening Night Gala. November 30, 2017. Vogue.
  108. ↑ Branch, Alfred (Feb 10, 2017). Renowned Retired Advertising Executive Harold Levine, of Westport, Dies at 95. Patch -- Westport, CT.
  109. ↑ Ailey Foundation Chief. New York Times. March 23, 1989.
  110. ↑ Obituary (March 14, 1994). Ive Clarke, Dance Executive, 1978. New York Times.
  111. ↑ Obituaries (September 9, 2024).Barbara Hauptman, Longtime Arts Maven, Dead at 78. The Rye Record.
  112. ↑ Change at Ailey Foundation. New York Times. January 19, 1994.
  113. ↑ Kaiser, Michael M. (2005). "Alvin Ailey American Dance Theater Foundation". Artsmanager. Archived from the original on October 6, 2006. Retrieved December 30, 2006..
  114. ↑ Kaiser, Michael (February 1, 2002), "Winter Council 2002 Keynote Address", DanceUSA. Archived December 10, 2006, at the Wayback Machine.
  115. ↑ Auster, Bruce B. (March 2, 2003), "Turnaround Artist", U.S.News. Archived October 7, 2012, at the Wayback Machine.
  116. ↑ Dance / NYC (January 25, 2012). Sharon Gersten Luckman, Executive Director of Alvin Ailey Dance Foundation, to Step Down in 2013.
  117. ↑ Executive Director: Bennett Rink. Alvin Ailey American Dance Theater Foundation.
  118. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 Alvin Ailey Company Dancers. Alvin Ailey American Dance Theater Foundation.
  119. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 Seattle Theatre Group. encore Stages Spring 2018.
  120. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Ailey II Dancers. Alvin Ailey Dance Foundation.
  121. 1 2 3 4 5 6 7 8 9 Alvin Ailey's Revelations. 1960 performance credits. a studio in covent garden. May 18, 2013.
  122. ↑ Guillermo A. Asca. Alvin Ailey Dance Foundation.
  123. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Ailey, Alvin, Ulysses Dove, Judith Jamison, Alvin Ailey American Dance Theater, Danmarks radio, Zweites Deutsches Fernsehen, RM Arts (Firm), and Kultur International Films. 1990. Alvin Ailey American Dance Theater. Directed by Thomas Grimm. West Long Branch, NJ: Kultur.
  124. ↑ Olivia Bowman-Jackson. Alvin Ailey Dance Foundation.
  125. ↑ Hope Boykin.Alvin Ailey Dance Foundation.
  126. ↑ Ailey History 1962: De Lavallade-Ailey American Dance Company.
  127. ↑ Dunning, Jennifer (April 6, 1993). Gary DeLoatch, Leading Dancer With Ailey Troupe, Is Dead at 40. New York Times.
  128. 1 2 Marshall, Alexandra (April 6, 2009. The Democracy of Dance. Boston Globe.
  129. ↑ Willy Laury. Steps on Broadway.
  130. ↑ Amos Machanic. Alvin Ailey Dance Foundation.
  131. ↑ Digital Collections, The New York Public Library. "(still image) Kenny Pearl and unidentified Alvin Ailey dancer performing in studio, (1972)". The New York Public Library, Astor, Lenox, and Tilden Foundations. Retrieved November 17, 2024.
  132. ↑ Harold Perrineau Jr. Fame Network
  133. ↑ TAKAKO ASAKAWA RICHARDS. August 1, 2018. Who's Who of Professional Women.
  134. ↑ Renee Robinson. Alvin Ailey Dance Foundation.
  135. ↑ Digital Collections, The New York Public Library. "(still image) Ramon Segarra in the Alvin Ailey dance production Archipelago, (1971)". The New York Public Library, Astor, Lenox, and Tilden Foundations. Retrieved November 17, 2024.
  136. ↑ Dwana A. Smallwood
  137. ↑ Henry, Travis (April 13, 2016). Oprah Helps Alvin Ailey Dancer with Dream of a Lifetime. Black Youth Project.
  138. ↑ Dunning, Jennifer (August 24, 1995). "James Truitte, 72, a dancer, teacher and historian, dies". New York Times.
  139. ↑ "James Truitte". MOBBallet.org. November 1, 2019. Retrieved September 3, 2022.
  140. ↑ Sulcas, Roslyn (November 28, 2008). Remembering Alvin Ailey. New York Times.
  141. ↑ Scott, Kenneth (June 15, 2014). In Loving Memory of my Mother, Myrna White-Russell (August 17, 1937 - May 27, 2014)
  142. ↑ Donna Wood, dancer (b. November 21, 1954). WNET (PBS).
  143. ↑ Lifetime Honors - National Medal of Arts Archived July 21, 2011, at the Wayback Machine
  144. ↑ "Transforming Dance around the World". National Museum of African American History and Culture. Retrieved March 31, 2026.
  145. ↑ Goldman, Marion (January 22, 2007). "Alvin Ailey Dance Theater". BlackPast.org. Retrieved March 31, 2026.
  146. ↑ Als, Hilton (October 14, 2024). "The House That Alvin Ailey Built". The New Yorker. ISSN 0028-792X. Retrieved March 31, 2026.
  147. ↑ "Revelations by Alvin Ailey | AILEY Dance Repertory". Revelations by Alvin Ailey | AILEY Dance Repertory. Retrieved March 31, 2026.
  148. ↑ Goldman, Marion (January 22, 2007). "Alvin Ailey Dance Theater". BlackPast.org. Retrieved March 31, 2026.
  149. ↑ "Black History Month: 100 Years of Dance". Black History Month: 100 Years of Dance. Retrieved March 31, 2026.
  150. ↑ Goodman-Hughey, Ericka (September 16, 2018). "Celebrating 60 Years of the Alvin Ailey American Dance Theater". ESPN. Retrieved March 31, 2026.{{cite web}}: CS1 maint: url-status (link)
edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Alvin_Ailey_American_Dance_Theater&oldid=1357943410"